Interview with Lauren Roberts
Dublin Core
Title
Interview with Lauren Roberts
Date
October 28, 2019
Language
Eng
Creator
Isabel Long, '21
Contributor
Lauren Roberts
Type
Oral History
Oral History Item Type Metadata
Interviewer
Isabel M.R. Long
Interviewee
Lauren Roberts
Location
Saratoga County History Office
Transcription
Isabel Long: My name is Isabel Long. Today is October 28th, it is approximately 2:35pm. I am in the Saratoga County History Office. I am here with Lauren Roberts and we've here to talk for the Saratoga Memory Project. Lauren, could you introduce yourself, please?
Lauren Roberts: Yeah. My name is Lauren Roberts, and I am the Saratoga County Historian, and I am also a Skidmore alum.
IL: Wonderful, thank you. So, just to get things going, what's your earliest memory of Saratoga Springs?
LR: Hmmm. Well I grew up about an hour away from Saratoga Springs, so when I was young, we used to come to Saratoga to go to the racetrack and to shop downtown. I was born in 1982, so my memories would be probably from the early 90s of coming, coming to Saratoga. But that's primarily why we would come over here. I grew up in a pretty rural town, so Saratoga would have been one of the closest malls to shop in. But also, my family always went to the race track in the summer time, so we would come for that.
IL: Could you describe where you grew up?
LR: Sure! I grew up in the village of Northville, actually, let me say, I grew up in the town of North Hampton because I'm actually outside the village. But for all intents and purposes we all it, Northville, which is in Fulton County. And, ah, small town. I grew up in a – I grew up on several acres of land that used to be an old farm, the Simpson farm, which probably started in the late 1700s, so. I lived in a modern house that was built on the farm, but there were a lot of remnants in the woods around that you could tell that it used to be farm land. We had apple trees from the old orchard in our yard and I had a neighbor who was about the same age as I was and we would go in the woods and find old milk pails, and barbed wire fences, and pieces of ceramic in the old stream bed. So, it was a good place for someone who had a budding interest in local history, and I'm pretty sure that's why I was interested in local history. But also, the story of the great Sacandaga Lake was of interest to me because Northville sits on the Great Sacandaga lake and the lake was a man-made lake. It was flooded in 1930. They put a dam in, the Continental Dam to be able to control the flow of the Hudson River downstream, and to prevent flooding. So there were a lot of hamlets that were flooded out in order to do this and I became interested in that because in the fall, when the water levels went down, you could find lots of different artifacts along the shores of the beach: places we would hang out or go swimming, things like that.
(3:25) And I went to a very small school. The name of the school is Northville Central School. It was K through twelve in one building. I graduated with about 60 kids in my graduating class. So, but I had a great, what I thought was, you know, a great elementary school and high school experience. I had some really great teachers. I grew up in a really – You know a lot of people will look on small town life as pretty nostalgic, and it has its pros and cons, but I had a pretty good, I had, what I consider, a really good time growing up in a small, rural town.
IL: (4:10) Thank you. So, could you elaborate on what you mean by pros and cons.
LR: I would say, you know– When you choose to live in a small town you know there are sacrifices that you have to make. I live in a small town now, so I would say commuting, to work, but maybe when I was younger some of the pros and cons is no public transportation. We rode our bikes everywhere. I lived outside of the village so, it was a couple miles to ride to school. No cellphones then, so, you know, we could use the pay-phone to have your mom come and pick you up in the village. (4:47) And you know, maybe there would be less programing offered in the school. Rather than having to play one sport, were people where cut for the team, you really needed all of your friends to go out for the team so you had enough people just to field a full team. I can remember, you know, kind of recruiting people for our sports teams so that we had enough people to fill the roaster. And, you know, I did everything I could. I was in the chorus, and I was in the band, and I was in drama, and I played all the sports. So, you really needed a lot of participation. (5:27) Most of the kids I went to school with I knew from the time I was probably pre-school age. And we grew up, you know, we were like a family. I don't want to make it sound perfect, you know, but that's – you know, it was pretty great, and we spent a lot of time outdoors, you know. We were in the southern Adirondacks there so, you know we lived on a lake. We did a lot of swimming. A lot of my friends – we had boats, beaches, a lot of four-wheelers, snowmobiles. We spent a lot of time hiking. We had trails- miles and miles of trails behind our houses that, you know, even before we were sixteen and had our licensees, we had different kinds of off-road vehicles. But we spent a lot of time outside. And like, you know we didn't have – yeah, we didn't have cell phones, we didn't have a lot of electronics, but I don't even think – I don't think I had cable until I was maybe a junior or senior in high school. We just had, like, the local channels. But it didn't matter, I was busy enough. I didn't have time for that anyway. And, you know, you can still see the way small towns pull together when you have, let's say, like a family has a tragedy like a house fire or someone passes away unexpectedly, and they don't have enough money for the funeral. You know, spaghetti dinners, and basket raffles, and all that kind of stuff the community seems to pull together for, so. Some of those things that I'd say are maybe cliché about small towns were really true about Northville.
IL: Thank you. Could you help me understand how your trips to Saratoga fit into that for you. (7:15)
LR: So we were about– in Northville, were about 45 minutes to an hour away from either Glens Falls or Saratoga. So doctor’s appointments, like I said like malls, things like that, those were kind of nearby. We played sports – we actually played Spa Catholic because we were a small school and they were a small school, so we would come over here. We played against them in softball, sometimes soccer I think too. So, you know, they weren't like major trips, they would just be – I think when you live in a rural area an hour trip is par for the course. You need to get, to get anywhere that has what you need, it's about an hour.
IL: So, em, thank you. Help me understand the role the races played in your life at that point. (8:11)
LR: Oh, it was just an entertainment kind of thing. My father's family came from Corinth, which was nearby, and my grandfather and some of his brothers used to really like horses. So, my father would go to the races, and we would go too. We were always backyard people, which is where you bring your own picnic and you sit on the picnic tables. You know, we weren't sitting in the club house but we were walking up to the fence in the paddock watching the horses be saddled before the races, that kind of thing. So, it was just sort of something we enjoyed.
IL: Wonderful. So, thinking about, kind of, the next step for you. So, you – coming to Skidmore. Were you the first person in your family to go to college? Or –
LR: Nope, both my parents went to college. My dad was actually an RPI engineer. And actually, I didn’t start out at Skidmore. When I was a senior in college [high school], I had planned to apply to several small liberal arts schools. I knew that's where I wanted to go. I applied to St. Lawrence University and they got back to me first because I applied early admit, and they offered me one of their presidential scholarships. And if I accepted their scholarship, I need to agree that I would not apply to any other schools. So, I decided to accept their scholarship, so I didn't apply, I didn't finish my application to Skidmore. So, I ended up, Freshman year I went to St. Lawrence, and it just wasn't a fit for me. There wasn't any one thing in particular except that – I should say I went with the intention of studying anthropology. That was what I wanted to major in. And I liked anthropology, but during that year I was kind of looking around at other programs and I heard about American Studies, which they didn't have at St. Lawrence, and Skidmore did have. And it was a– I thought it was a really intriguing program, and some of the other things, ah, St. Lawrence had a really big sports program, and I didn't play sports, so it wasn't something that was beneficial to me. The other thing I am really interested in is musical theater. I've been involved in musical theater my whole life. We have a – Sacandaga Musical Theater which is our home town musical theater company that I've been kind of a director for a long time, so St. Lawrence didn't really have that and Skidmore did have Cabaret Troupe which was a student run organization, which I really liked. Because I knew I wasn't going to have a career in musical theater, but I still wanted to be involved in it. So, I decided to apply to transfer to Skidmore, and I was accepted. So, I finished the year out at St. Lawrence, and then I started my sophomore year at Skidmore. Started out living in Moore [Hall], which is the old dorm that was downtown. And, my first week at Skidmore was when 9/11 happened. (11:33). So, I can still remember I was in Spanish class, in, ah, Tisch. I think it was Tisch. The first plane hit right before we went into class. And at that point we all thought it was an accident. And then when we left Spanish class, there was kind of like a little lounge area, and all the teachers were watching on TV, and at that point the second plane had hit and they knew it was no longer an accident. And I was on my way to one of my first Anthro classes with Professor [Gerry] Erchak, and we went in, and sat down, and everyone was kind of in shock, and he just said go home. And, ah, it was, ah, a shocking, you know it was shocking for everyone. I was kind of in a group of transfer students cause they put all of the transfer students in Moore for our first semester. I am not really sure why. Hm. But there were some transfer students from New York City who were obviously much more affected because they had family members very close to the city. And that afternoon, the president of Skidmore at the time was Jamie Studley, and they called a meeting on the green and I can remember – it was a beautiful day. Warm, sunny, and, you know just trying to figure out how to cope with what had happened and what was still unfolding that day. You know, it was really kind of – it was a terrible way to start my Skidmore experience, but at the same time watching students come together and comfort each other and not really knowing where we'd go from here and how our country was going to change because of this attack you know it was, um, maybe it was a little bit easier to have a community around you that, you know, we were all trying to figure it out together. (13:37)
IL: That's sounds wonderful to have that Skidmore community in place. Thinking about that community, how would you define it during your time at Skidmore? Was this moment of 9/11 kind of one of those definitive pieces that you think exemplifies what it means to be part of the Skidmore community? (13:54)
LR: I would say, you know, people coming together and thinking about larger context is a way to describe Skidmore. I guess I haven't really thought about my cumulative Skidmore experience. You know that's definitely one of the times that's like a picture in my memory, that I remember being at Skidmore. But there are lots of others also. I think like any time you have like a national traumatic event like that you remember where you were, what you were doing when that happened, and how you felt. But I don't know that it really– that it defined my whole experience there. Maybe it was a good starting point to know how the college was going to be able to bring people together to be able to react to, you know, a common grieving experience. But, you know, overall, my Skidmore experience was, was great. I had a lot of really great professors that I knew on an individual level. That I, you know, I think a lot of college students don't have that. Trying to remember – I had several professors where I actually visited their houses which is kind of a unique, or somewhat unique thing, for I would think, a college student to be able to go to their professor's home. To be welcomed, individually. You know, small class sizes. I was able to – One of the really cool things that Skidmore did was they offered – I was a work study student, and they offered a program where you could work for a local non-profit and Skidmore would pay you to work there. So, um, I – go ahead.
IL: Sorry, could you define work-studies as you understand it. Just for the record.
LR: So, I believe certain students are eligible to be able to work for– to pay for part of their education. So, they had programs where you could choose a nonprofit and then you would turn in your hours to Skidmore, and Skidmore paid you to work there. So, I choose to work at Saratoga Springs Historical Society, which is now called Saratoga Springs History Museum, which is at the casino at Congress Park. And of course, I lived in Moore for my first semester, so I could walk to the casino. And, ah, I was an intern there, and it was really great to be able to make a lot of connections downtown in the local history community. I was able to work with Jamie Parillo who was the director there, but also, they had a curator and they had someone who administered the Bolster Collection which is an important Saratoga Springs photography collection. So, I worked in the photograph collection, I cleaned exhibits, I helped send out mailings to the volunteers, to the membership list. I worked at their holiday gala, helping. I did research and wrote a panel for one of their exhibits. I got a lot of experience working at a small museum and knowing what it's like to have to wear the many hats that you do if you work for a nonprofit or a small museum, public historian. Ah, so, you know, I thought that, that was a really great thing. It really benefited the community and it benefited me as a student being able to get this experience and figure out what its really going to be like. Because I do think, you know, Skidmore – I don’t know if you still have this terminology, but what we called the Skidmore bubble, you know where people – it's a, it's different than reality when you are at Skidmore because there are really grand ideas. It's a really conducive place to think outside the box and then sometimes when you graduate and you go into nonprofits or small businesses, it’s not always, it doesn't always line up with the grand idea that you think you are going to be able to do. So, having that real-world experience and being, having Skidmore being able to pay for it, because the museum would never have been able to pay you to work. I thought that was a really great thing to do. Trying to think – I ah, after I left Moore, I was there for one semester then I moved to Scribner Village in a drama house. Actually, Cabaret Troupe had their own house. I don't know if they still do it this way but club could live together. You could apply for a house, like environmental – I don't know, I'm trying to think what the other clubs are.
IL: Could you, um, explain what Scribner Village are. I am a bit confused.
LR: So, Scribner was the old houses, I think they are all torn down now, but on the side of campus that was kind of on the Clinton Avenue side, I don't know if there is any left, but they were apartments, kind of like the ones, I can't remember what they are called now, Northwoods or something like that.
IL: Oh, yes, uhm.
LR: It was like that but way older and, like, not anywhere near as nice as those apartments. I mean it was like moldy and our pipes would freeze. They, ah, I mean it's a good thing they tore them down, it was not good. But, at the time you could apply to live in a house, especially if you had a common interest like a club. So, at that point I was involved in Cabaret Troupe which was the student-run musical theater organization. So, I lived with a bunch of kids that were in Cab Troup, and that was a lot of fun. Because we spent a lot of time at the theater, and Cab Troup didn't really have a home, I’m not sure if they do now, but we would use the Dance Theater as a performance space because we did a full musical in the fall semester and a full musical in the spring semester. Once I got, I think my junior and senior years the spring musical had to be in Falstaff’s. I think we did two shows there, maybe just one show. Because the dance theater – there wasn't enough – there was never enough performance space on campus. That was before you had Zankel.
IL: Yeah. So, thinking about shifts then with Skidmore, I know you were there at a time of change for the president. You'd mentioned President Studley before; it's President Glotzbach's last year, so could you talk about that? Was that something that was, um, part of the campus consciousness at all?
LR: I remember going to the ceremony when Glotzbach was inducted. But I don't know that really a – I can't remember anything specifically about it or, I don't remember being either concerned or excited about a change in presidency. I would guess that for your average student, things like who your roommate is going to be the next semester or am I going to change my major, or who's my advisor going to be, you know, those, what I'd say local level kind of changes matter much more in my consciousness than who the president of the univ– of the college was.
IL: So then thinking about more local consciousness, could you talk about how you, what your relationship with the town was as a student, cause you were talking about living in Moore, and that is not something today Skidmore students experience. Could you expand?
LR: Yeah, ah, I mean I – let me think. So, I didn't like living in Moore because you were far away from the rest of the campus. It was like one lone building in the middle of downtown. And especially because we were transfer students, um, you didn't really get the on-campus experience. You weren't, ah, you weren't really, you know like things that happened – There was a bus. There was a bus that ran at certain time that brought you back and forth. But I have a car there, but parking in Moore, there were like literally ten parking spaces and then you had to park on the street., which was hard to get a parking spot. So, it was not convenient to live in Moore even though I had a car. I would have much rather lived on campus because that was where all the events were happening. The one nice thing about being at Moore was because I worked for the Casino I could walk down there. But it was kind of tough not being on campus, especially as a transfer student. I transferred in my sophomore year. So, it was kind of like starting over. And they did kind of group us in with the freshmen a lot because we did have to do orientation and we did have to take out, not sure what you call it now, but LS1, LS2, do you have that?
IL: No.
LR: Liberal Studies one, it was like a freshman program that you had to take. They made us take it too as transfer students. So, ah, you know, I loved the community, but I think as far as being acclimated and being enveloped into the college community it was tough to be in Moore. So, I was only down there for one semester. But, you know, I think that the community, because I worked in the community, you know, I was able to form relationships with people that were downtown. The woman who was in charge of the Bolster collection at the time I was working at the casino, her name is MaryAnne Fitzgerald, she was a UWW– what's it called, yeah, University Without Walls? Do you still call it that?
IL: Um, – can you elaborate?
LR: There was a program for mostly adult students. Yeah, I'm thinking that's what it was called.
IL: I think that was, but I'm not sure we have that anymore.
LR: Okay. She was able to get her degree though Skidmore as an adult. So, she was a Skidmore alum and she had gone through the American studies program, but much later in her life. And she now serves as Saratoga Springs city historian. So, I work with her all the time now, but I was introduced to her as a Skidmore student and she was a Skidmore alum, so, you know I thought that the connection between Skidmore and the community was a good one.
IL: Fantastic. Could you talk about what it was like to then go downtown once you were on campus and removed from that more.
LR: Um, I was still downtown a lot. My, my junior and senior years, I worked for– I worked at the library. I was a student supervisor; I spent a lot more time on campus then and because I was working at the library. And I still – I had a job at home. I only lived an hour away. Working for the New York State Department of Environmental Conservation. There was a camp ground on the lake, so I would actually drive home on the weekends as soon as the camp ground opened and work. But, I, I still went downtown all the time. I mean I had a lot of friends who lived Downtown. Cause once you get into upper classmen; they were all moving off campus and living in apartments downtown. So, I spent a lot of time downtown still. And I always loved downtown, um, you know, all the restaurants and shopping, and uh, trying to think. I think my sophomore year there was like a Skidmore community chorus, I don't know if they still do that, but it was members of Skidmore– Skidmore students and members of the community singing together in a chorus. We did that.
IL: So then could you talk about how your relationship has changed with Skidmore now that you have graduated.
LR: Sure. So, you know, I feel very grateful to Skidmore, I feel like I really got a great education there. I went on to get my masters right after I left Skidmore. I went to U Albany and got my master’s in public history and I started working right way for an archeologist. So I graduated in, May of '04, and in August I got a job working for Curtain Archeology, and the, the two owners of the company, Ed Curtain used to, he would teach – he wasn’t a professor there but he would teach archeology, I think, at Skidmore, and his partner Carry Nelson was a Skidmore alum. I actually got the job, well, I knew about the job because it came through the Skidmore career network, I don't know what you call it now, but I was able to get the notice that they were looking for a researcher. So, and my, I should say, I graduated with a dual degree in anthropology and American studies, so it was pretty awesome that I was able to get a job in my field right away after graduation cause when you get a degree in something like anthropology, the first thing people want to say is [effecting voice] you will never get a job in that! Why are you studying anthropology? Why aren't you in Business? Why aren't you a nurse? Why aren't you a teacher? [drops voice] But that wasn't what I wanted to do. So, I do feel lucky that I was able to find a job right away, in my field, and that job was in Saratoga Springs. They worked, it was cultural resource management, or CRM, so they worked mostly for developers who need to comply with New York State regulation in doing archeological surveys before developers or companies were allowed to build on, you know, mostly develop large sites. So. So I was able to get the job there, and um, I worked there for five years, and in the course of working there I spent a lot of time coming to this office. The Saratoga County Historian’s office, because of their collection here. I needed historic maps and census records, and things like that that weren't always online, so I spent several trips here. I got to be friends with the county historian, and then when this position came open, I left the archeology world to become a historian. And I’ve actually, I've been here for ten years. And I also feel lucky to have this job. It is a great job. And, you know, I've had a lot of interaction with Skidmore since I’ve graduated. I went back to see several of the Cabaret Troupe performances because by the time I was a senior, I was president of the organization. I had a lot of underclassmen that I was friends with and I continued to back. I've seen performances there. I still go back to the library. As an alumni you can use the library, so I still use the library. Any time that any of the professors have asked me to come back and speak about my role in public history, my career, any of that. I've spoken to American Studies classes, and history classes. I served on a panel about public history last year, ah, and actually I was able to get some help through Jordana [Dym] when I was making a documentary on the history of the Great Sacandaga Lake where I had some material – original material – that I was borrowing that Skidmore had the right equipment to be able to scan at a high resolution which I needed for the documentary, and they were able to use an intern to scan all those documents and return the originals to us. They were able to keep a digital copy of the information and I got one for my office and one for the regulating district who allowed me to use the documents. So, I mean I think, I think Skidmore is great for the community. I also serve on, what is sometimes called the Round Table, but is kind of a collaborative historical group that includes Skidmore and the museums in Saratoga Springs and Brookside, which is the county historical society, and my office. And we talk about where collections should go. I did a um – we all worked on a mapping exhibit together in 2015. 2015 was the centennial anniversary of Saratoga Springs becoming a city. We did a mapping through the hundred– through the centennial, I guess. [laugh] I can't remember what it was called but we all used different maps from our collections. And we, ah, were able to put up an exhibit at the casino showing the history of Saratoga Springs through mapping. And it was the Skidmore class that actually put it all together and we just gave our input.
IL: Seems like there are a lot of joys in being the county historian. Can you speak to any of the challenges of practicing history in this area?
LR: Absolutely. Funding. Funding is always an issue for historians because you are always competing with all the other departments in government. And everyone's always trying to keep the costs down, not raise taxes, um, so you're always scrambling for funding, for getting grants, things like that. We're lucky here in Saratoga county that our elected officials are very supportive of history. We use history as part of our economic tourism base. People are drawn here because we have a significant history, one that's well known. And not just the mineral waters, but there's the racetrack, and Saratoga Battlefield. There are lots of different kind of important events that centered around this area. So, I would say, you know, staffing. It would be great to have a bigger staff so that, you know, there's so much work that could be done here in the collections, in historical preservation, research, writing. There's lots to be done and not enough hours in the day to get it all done. So, you know, I think there's always going to be challenges but I think it's, um, I don't want to say easier, but – I think there's more support for the history community now than there has been in the past. And I think that's a good thing. We are moving in the right direction.
IL: [33:53] Fantastic. So, um, one of the things I've understood about Saratoga in general is there has been kind of a historical – a movement for historical preservation. Is that something you feel is still ongoing? You said there's a lot of funding available, or a lot of interest in funding history at least. So, how – could you help me understand how that feeds into the tourism industry.
LR: Sure. You know there's a lot of different groups that provide different kinds of historically experiences. Whether you're looking for a cemetery tour, or whether you are looking for genealogical information to find one of your ancestors, historic tours of the race track, visiting a museum. We have lots of different options here, and they all bring in tourist dollars. If they visit the museum, they're going to eat in town. If they're coming to the track, they're going to stay overnight in one of our hotels. If we are interested in our history, you know, people are going to come and see how did you preserve this building, how were you able to fund restoring this cemetery? And then people are more interested in passing on important history to you because they know, or they believe, you will be more able to care for that collection forever, in perpetuity. When you take something on, they want to know that you are going to be open and accessible to the public, and that you are going to continue on caring for the collection. I think the county has done a really good job. There are also several communities and towns and cities in Saratoga county that have historic preservation commissions. They all might call it something different. Historic buildings and structures committee, I think Saratoga Springs is called the Design Review Commission. [cough] Excuse me. So, you know, there are– even in the governments, there are plans and committees in place that are interested in preserving the history so that we don't just wipe out our pasts and start from scratch. And I think that's important.
IL: Thank you. Um, so what have – you’ve been talking about your recent project with the Sacandaga Lake. Have there– is there anything you've found while being your time as county historian that you’ve found particularly exciting and that are, kind of, hidden pieces of this history?
LR: I mean, I find something interesting every day. I love looking through old documents, you never know what you are going to find. Some of the interesting projects I've worked on – I mean, I think definitely that the Great Sacandaga Lake Project is nearest and dearest to my heart because that's where I grew up. I think that that story really needed to be told, and we told it from the perspective of the people who had to move. Whose land was claimed by eminent domain and they had to leave their homes. So, I think I'm probably most proud of that documentary which hopefully will be on PBS next year. [laughs]
IL: Oh, congrats!
LR: Thanks. So, there’s lots of other good projects I’ve worked on. I give a presentation about the county– the Homestead which is the Saratoga county Tuberculosis hospital that I think had a lot of myths around it, thank you, internet. And, um, [laughs from both] we were actually able to put together a really good collection. We had some good donations come from that because, you know, when you get the truth out about something – and it’s not always easy to do because a lot of times people don’t want their history debunked. They want to believe what they have always been told in the past. There’s always more clarity to be added to those stories. And we continue to do that, right? I mean this is not the defining moment of history. From twenty years from now there’s going to be more information to add to those stories also. So, I am not of the mind that you just are able to say well that's not true, this is the real story. There'll always be interpretation connected to the past. But you know a couple different county institutions that are able to get information out about – the other is the county court poor house. That's really important to our past and the way we treated people who didn't have the money or the means, or maybe the ethnicity that we valued at different points during our history. Right now, I'm actually co-hosting a podcast with a New York State Historian called "A New York Minute in History." I was actually at WAMC studio's today recording our script for that. That's Northeast Public Radio. So, you know, there's lots of different projects. And even here, just looking through documentation, I keep finding lots of really interesting cases all the time. And I get hundreds of inquires a year with people looking, either at their house histories, their property histories, a farm, genealogy absolutely. There's tons of questions about genealogy. Quaker history, all those different kinds of things like that. You know, there are small gems everyday that you are able to help people find or add to the collection, so. There is no typical day. It's different all the time, and I really like that and the county has given me a lot of support with being about to choose which direction I'm going day-to-day. And of course, 2020, we've got some pretty important anniversaries coming up including the centennial anniversary of the nineteenth amendment and women getting the right to vote. It's also the seventy-fifth anniversary of end of World War Two. We still have some WWII veterans alive here. Few, but some of them. But being able to celebrate that and their generation is really important too.
IL: [40:40] So, thank you, that's very illuminative of your interaction I think with the broader county history. Can you talk about your interaction with Saratoga as a private citizen? So, do you go into town still, often? Do you– is it a less frequent thing, are you more over here in Ballston Spa, or with your family? How's that kind of evolved for you as time's gone on?
LR: You mean Saratoga Springs, the city?
IL: I mean, kind of generally I guess, yes.
LR: Hmm, yeah, I still go to Saratoga Springs all the time. It's a great community. I am in Ballston Spa a lot, because that's where my office is. I still go back to Skidmore, and I still visit the track. Yeah, I mean Saratoga Springs is a great place, and I’m still very involved in some collaborative groups up there. As far as historic preservation, we actually have an oral history group that's lead up by Laurie Weese of the Saratoga Springs public library. She works in their Saratoga Room, which is their local history room. We're actually working on some collaborative oral history group projects, including digitizing what we already have in our collections, and hopefully soon, phase two will be adding more oral histories. So, yeah, absolutely, I'm still there all the time.
IL: So, of course, this is part of an oral history, so that living memory. It's a very valuable part of how we understand things. Do you feel that the con– How– Let me rephrase that. How continuation of memory – How has that factored into your experience?
LR: I'm not sure what you mean.
IL: So the fact that there's institutions that have been set up to preserve memory, but then also working with people to capture, whether oral histories and thinking about sustaining these institutions as you were talking about having a place for people to deposit their histories. So that sort of continuation.
LR: So, do I think it's important to continue capturing oral histories?
IL: Mmm, more, how have you personally engaged with preserving memory beyond, ah, physical paper records?
LR: So, yeah, I've done a few oral histories, and I do think they're important to take. I actually am working on a project right now. I have someone in my family, my grandfather, was one of five brothers form the same family who served in World War Two, and when I was at Skidmore, two of those brothers were still alive. And I took a class from Professor [David] Eyman, in History, about WWII, and my final paper was about these five brothers and their rolls in WWII. And I have their oral histories that I did when I was a Skidmore student that I have digitized and added to the collection here because they lived in Saratoga County. So, I think it's really important. We did lots of oral interviews for the film, The Great Sacandaga Lake. And we did both people who had their own memories and then we also did historians in the area who had collected information from other people. And then we also had some modern programs that are going on today, like invasive species stewards, people who check for water quality, things like that. So, you know I think it's really important to capture that, digitize it. And, you know, obviously you have to take– [paused] Marian Fitzgerald who’s the city historian always says we have to call them oral narratives, rather than oral histories because you're talking about someone's memory. You're not talking about a fact, a published fact of history, and sometimes they get it wrong. And I'm sure there are somethings in here that I'm getting wrong, but it’s what– it’s my narrative. So, that being said, I don't think it takes away from what those memories are and the including bias that you are getting as part of that interview– I think it changes, for instance, what pieces of the interview you include in the film or you'll include in whatever piece you're putting together. But I don't think that by any means that takes away from what those memories are. In fact, I think it adds more to what they believe was happening at the time, what their perception of that history is, or what it has become. Evolved. Because a lot of times, you know, we were asking people – we were asking someone who was in their nineties to remember what it was like when she was five years old. ...
IL: So then to circle back a bit. So, one thing I am interested on hearing your perspective on is Cabaret Troupe. So, they've been struggling recently to have the number of members to make musicals.
LR: Really.
IL: Yeah. So, this is one of these on-going stories on the Skidmore campus. So, can you talk about what Cabaret Troupe was during your time.
LR: Yeah, mmm. Cab Troupe– Cab Troupe was student run, which was different than the department. So, we didn't get credit for what we did. We always had to fight for performance space, we had to fight for a budget. And it was a ton of work. But there was really no other place to perform musicals because the department never did musicals, they did straight plays. And– but we pulled in, we had a lot of people, that– department kids that were also in Cab Troupe, and we usually had an orchestra that was taken from Skidmore's orchestra. [IL: Yeah.] A pit band, I should say, from the orchestra. So, we had other people that were not just musical theater geeks. But it was a ton of work that you didn't get credit for, but we did it because we loved doing it. And we – you know, we had to hire people for sound, and [laughs] and set construction. But I'm surprised to hear that because we always had a huge group of people.
IL: So then could you elaborate on the relationships with the departments. So you said you had people from the orchestra and the theater, so this was kind of outside of the department, and just students who came in, or was this partly department, I’m going to say– not told to do, but the departments would kind of express support for.
LR: I would say it was pretty separate because we were completely student run. We did have some, you know fighting for performance space was really tough because the dance theater– I mean, the dance department at Skidmore was really big, and they were, there were always other groups that wanted to be able to perform at the dance theater and we always ended up getting into conflicts with other groups because, I'm sure you know to put on a musical you need a lot of rehearsal time. And you have a set- [phone rings in background] Sorry. I'm going to wait till it’s over.
IL: Okay.
LR: So, we need a lot of rehearsals time there, and it was tough to fight for, and that's why I think my senior year we ended up coming to the compromise that we would have one musical at the dance theater and one at Falstaff’s. Because Falstaff’s was not an ideal performing space. In fact, in I think my senior year the heat broke there, and it was broken while we were rehearsing. We had to wear like hats and gloves and coats inside the building. It took forever to get the part they needed. Definitely less than ideal and we couldn't fit a lot of people in there. And we used to sell out most of our performances in the dance theater. So, I don't think the departments were against us, but it was difficult, we really had to work at being able to find our way and find support. I don't want to say there was anybody that wasn't supportive, and we did have help from the theater department at times. But we were really kind of our own entity.
IL: Thank you. Um, so thinking then about, your experience with the American Studies Department. It seems like it was very formative for you. Could you talk more about what the program was while you were at Skidmore?
LR: Yeah. I liked the interdisciplinary approach because I had a lot of different interests. And I think that probably goes back to growing up in a small school where you had to be involved in everything, to make it work, to have enough kids to participate or make a go of it. So, I had already said I was interested in anthropology. That's kind of how I started out my freshman year. So, I already had some classes in anthro, and then when I started with American Studies, I took an intro class with Professor Greg Pfitzer, and I just, I fell in love with the class. I thought it was just great. there were so many different aspects to it, and the idea that you could take classes in the history department, or women's studies, or English and have them count towards your American studies degree, I thought was a really innovative approach. And there were some students in my class that had – I can't remember what it was called – where you – self determined major. So, you know, it was, kind of Skidmore's idea that you didn't have to fit your studies into a box and have a single degree that said this is what I know how to do. But that you could in cooperate all these different pieces to fit into the puzzle of, you know, how you could be a well-rounded researcher. Because you know that's something that is very interdisciplinary. So, I just, I really liked the classes. We had a lot of decades classes. I don't know if they still do that, but I had one on the 1930s which was kind of like our methods class. I took one on the 1950s. And then senior year, the class that everybody wanted to take was the seminar on the 1960s with Professor Pfitzer. It just, you know – really understanding in our country where we came from. And when I was– when I was little, elementary school, I think probably fifth grade and seventh grade, my parents decided we were going to take these road trips. It used to be you had two weeks off at Easter instead of one week off for President's week and then one week for Easter, we had two weeks off at the same– put together. And, um, the first time we had a minivan. And I have a brother who’s two years older than me and my parents drove us across country, over two weeks, in the minivan. And we got to see all of these American history sites first hand. Things like the Indianapolis speedway, the St. Louis Arch, and the museum of westward expansion. Mount Rushmore, Custard's Last stand, intertwined, like, with Americana. Like the Corn Palace which is a building made completely out of corn. So, you know, there were all of these things. we did like a northern route the first time we went, and two years later we kind of like a southern route that include like Oklahoma, Texas, New Mexico. And I really think that those trips and seeing what the country was like in all the different areas, ah was, really helped form what I was interested in as history goes. And I think taking those decades classes of, you know, what the country was going through, not just east coast, the whole country at different times. I think that was really formative in helping me figure out, you know, what is America? How did we get here? What is important about our past? How we place value on different things we've done, accomplished. Or maybe things we haven't done, or things that we want to sweep under the rug and not talk about. So, so I think American studies helps you explore that and come to terms with being an American and studying our past and, you know, I just– it was really a perfect, a really perfect fit for me.
IL: That sounds amazing. Um, before we're get to the end here, is there anything we haven't discussed that you'd like to bring up?
LR: Not that I can think of. I'll probably think of it you know ten minutes after.
IL: Of course, of course.
LR: That's how it works. [laughter] No, I think that's it.
IL: Then is, ah, I'd like to just kind of reflect for a moment on, sort of, your journey, and it seems that Skidmore offered you a place to have a different way of thinking about things. How do you think that's a, kind of, been something that you've taken with you?
LR: Hmm. I mean I think Skidmore really allows you to think not within a certain constructed box. And, you know, the idea of being interdisciplinary is something everyone can benefit from. And I think that's kind of been a theme through my life. You know, I'm thinking my senior seminar in American Studies, I dealt with reenactors, so, um, and kind of the bad rap they get, but also what they do to push historical study, historical interpretation. You know, places like colonial Williamsburg, or you know, or just pop-up reenactments, Civil War reenactments, things like that. And I think that probably reflects my interest in history with my love of performance, musical theater. So, I think– And that's something that I continue today. I'm still am– I co-direct drama club for my kids at school and I'm in musical theater all the time. But I also am still interested in local history– history on a local level, stories that haven't been told. So I think, you know it just allows you to develop those skills that– Here's Skidmore that’s like a really, I'd say, well-funded institution. They've got a lot of equipment and resources at their finger tips. They allowed me to work for a small museum that didn't have any of that. You got to see both sides of how that kind of works. And I'm somewhere in the middle, I guess, today. Cause I do– I'm employed the government, but I, you know I do a historian's job. So, I guess maybe it gave me confidence that it can be done. You can find a middle-ground, and you can pull from different areas of your interest, and um, and your talents to be able to make whatever that journey is that you're on to try– to make it work, to make it successful, and accomplish whatever it is you set out to do.
IL: Thank you. I've just one quick thing you've mentioned, and I'd just like to elaborate on quickly. You mentioned that you co-direct for your children's elementary school. Could you help me understand what your kind of being a parent in the community is like?
LR: Sure, so I actually live in Edinburgh, which is a tiny little town on the Great Sacandaga Lake. It's within Saratoga County, but it's ten minutes from where I grew up. So, my kids, I have a nine-year-old son and a seven-year-old daughter, and my kids go to a very small school, only pre-K through six, and my son has like nine kids in his grade, and my daughter does too. So, I am able to help co-direct their drama club that was started just a few years ago in their elementary school. So, it's just kind of giving back to the community, letting the kids have the same kind of opportunity I did when I was little, to be able to perform. And hopefully instill a love of theater in them too.
IL: Wonderful. Thank you very much and thank you for agreeing to do this interview with me. It's been really wonderful talking with you Lauren.
LR: You're welcome, thank you.
Lauren Roberts: Yeah. My name is Lauren Roberts, and I am the Saratoga County Historian, and I am also a Skidmore alum.
IL: Wonderful, thank you. So, just to get things going, what's your earliest memory of Saratoga Springs?
LR: Hmmm. Well I grew up about an hour away from Saratoga Springs, so when I was young, we used to come to Saratoga to go to the racetrack and to shop downtown. I was born in 1982, so my memories would be probably from the early 90s of coming, coming to Saratoga. But that's primarily why we would come over here. I grew up in a pretty rural town, so Saratoga would have been one of the closest malls to shop in. But also, my family always went to the race track in the summer time, so we would come for that.
IL: Could you describe where you grew up?
LR: Sure! I grew up in the village of Northville, actually, let me say, I grew up in the town of North Hampton because I'm actually outside the village. But for all intents and purposes we all it, Northville, which is in Fulton County. And, ah, small town. I grew up in a – I grew up on several acres of land that used to be an old farm, the Simpson farm, which probably started in the late 1700s, so. I lived in a modern house that was built on the farm, but there were a lot of remnants in the woods around that you could tell that it used to be farm land. We had apple trees from the old orchard in our yard and I had a neighbor who was about the same age as I was and we would go in the woods and find old milk pails, and barbed wire fences, and pieces of ceramic in the old stream bed. So, it was a good place for someone who had a budding interest in local history, and I'm pretty sure that's why I was interested in local history. But also, the story of the great Sacandaga Lake was of interest to me because Northville sits on the Great Sacandaga lake and the lake was a man-made lake. It was flooded in 1930. They put a dam in, the Continental Dam to be able to control the flow of the Hudson River downstream, and to prevent flooding. So there were a lot of hamlets that were flooded out in order to do this and I became interested in that because in the fall, when the water levels went down, you could find lots of different artifacts along the shores of the beach: places we would hang out or go swimming, things like that.
(3:25) And I went to a very small school. The name of the school is Northville Central School. It was K through twelve in one building. I graduated with about 60 kids in my graduating class. So, but I had a great, what I thought was, you know, a great elementary school and high school experience. I had some really great teachers. I grew up in a really – You know a lot of people will look on small town life as pretty nostalgic, and it has its pros and cons, but I had a pretty good, I had, what I consider, a really good time growing up in a small, rural town.
IL: (4:10) Thank you. So, could you elaborate on what you mean by pros and cons.
LR: I would say, you know– When you choose to live in a small town you know there are sacrifices that you have to make. I live in a small town now, so I would say commuting, to work, but maybe when I was younger some of the pros and cons is no public transportation. We rode our bikes everywhere. I lived outside of the village so, it was a couple miles to ride to school. No cellphones then, so, you know, we could use the pay-phone to have your mom come and pick you up in the village. (4:47) And you know, maybe there would be less programing offered in the school. Rather than having to play one sport, were people where cut for the team, you really needed all of your friends to go out for the team so you had enough people just to field a full team. I can remember, you know, kind of recruiting people for our sports teams so that we had enough people to fill the roaster. And, you know, I did everything I could. I was in the chorus, and I was in the band, and I was in drama, and I played all the sports. So, you really needed a lot of participation. (5:27) Most of the kids I went to school with I knew from the time I was probably pre-school age. And we grew up, you know, we were like a family. I don't want to make it sound perfect, you know, but that's – you know, it was pretty great, and we spent a lot of time outdoors, you know. We were in the southern Adirondacks there so, you know we lived on a lake. We did a lot of swimming. A lot of my friends – we had boats, beaches, a lot of four-wheelers, snowmobiles. We spent a lot of time hiking. We had trails- miles and miles of trails behind our houses that, you know, even before we were sixteen and had our licensees, we had different kinds of off-road vehicles. But we spent a lot of time outside. And like, you know we didn't have – yeah, we didn't have cell phones, we didn't have a lot of electronics, but I don't even think – I don't think I had cable until I was maybe a junior or senior in high school. We just had, like, the local channels. But it didn't matter, I was busy enough. I didn't have time for that anyway. And, you know, you can still see the way small towns pull together when you have, let's say, like a family has a tragedy like a house fire or someone passes away unexpectedly, and they don't have enough money for the funeral. You know, spaghetti dinners, and basket raffles, and all that kind of stuff the community seems to pull together for, so. Some of those things that I'd say are maybe cliché about small towns were really true about Northville.
IL: Thank you. Could you help me understand how your trips to Saratoga fit into that for you. (7:15)
LR: So we were about– in Northville, were about 45 minutes to an hour away from either Glens Falls or Saratoga. So doctor’s appointments, like I said like malls, things like that, those were kind of nearby. We played sports – we actually played Spa Catholic because we were a small school and they were a small school, so we would come over here. We played against them in softball, sometimes soccer I think too. So, you know, they weren't like major trips, they would just be – I think when you live in a rural area an hour trip is par for the course. You need to get, to get anywhere that has what you need, it's about an hour.
IL: So, em, thank you. Help me understand the role the races played in your life at that point. (8:11)
LR: Oh, it was just an entertainment kind of thing. My father's family came from Corinth, which was nearby, and my grandfather and some of his brothers used to really like horses. So, my father would go to the races, and we would go too. We were always backyard people, which is where you bring your own picnic and you sit on the picnic tables. You know, we weren't sitting in the club house but we were walking up to the fence in the paddock watching the horses be saddled before the races, that kind of thing. So, it was just sort of something we enjoyed.
IL: Wonderful. So, thinking about, kind of, the next step for you. So, you – coming to Skidmore. Were you the first person in your family to go to college? Or –
LR: Nope, both my parents went to college. My dad was actually an RPI engineer. And actually, I didn’t start out at Skidmore. When I was a senior in college [high school], I had planned to apply to several small liberal arts schools. I knew that's where I wanted to go. I applied to St. Lawrence University and they got back to me first because I applied early admit, and they offered me one of their presidential scholarships. And if I accepted their scholarship, I need to agree that I would not apply to any other schools. So, I decided to accept their scholarship, so I didn't apply, I didn't finish my application to Skidmore. So, I ended up, Freshman year I went to St. Lawrence, and it just wasn't a fit for me. There wasn't any one thing in particular except that – I should say I went with the intention of studying anthropology. That was what I wanted to major in. And I liked anthropology, but during that year I was kind of looking around at other programs and I heard about American Studies, which they didn't have at St. Lawrence, and Skidmore did have. And it was a– I thought it was a really intriguing program, and some of the other things, ah, St. Lawrence had a really big sports program, and I didn't play sports, so it wasn't something that was beneficial to me. The other thing I am really interested in is musical theater. I've been involved in musical theater my whole life. We have a – Sacandaga Musical Theater which is our home town musical theater company that I've been kind of a director for a long time, so St. Lawrence didn't really have that and Skidmore did have Cabaret Troupe which was a student run organization, which I really liked. Because I knew I wasn't going to have a career in musical theater, but I still wanted to be involved in it. So, I decided to apply to transfer to Skidmore, and I was accepted. So, I finished the year out at St. Lawrence, and then I started my sophomore year at Skidmore. Started out living in Moore [Hall], which is the old dorm that was downtown. And, my first week at Skidmore was when 9/11 happened. (11:33). So, I can still remember I was in Spanish class, in, ah, Tisch. I think it was Tisch. The first plane hit right before we went into class. And at that point we all thought it was an accident. And then when we left Spanish class, there was kind of like a little lounge area, and all the teachers were watching on TV, and at that point the second plane had hit and they knew it was no longer an accident. And I was on my way to one of my first Anthro classes with Professor [Gerry] Erchak, and we went in, and sat down, and everyone was kind of in shock, and he just said go home. And, ah, it was, ah, a shocking, you know it was shocking for everyone. I was kind of in a group of transfer students cause they put all of the transfer students in Moore for our first semester. I am not really sure why. Hm. But there were some transfer students from New York City who were obviously much more affected because they had family members very close to the city. And that afternoon, the president of Skidmore at the time was Jamie Studley, and they called a meeting on the green and I can remember – it was a beautiful day. Warm, sunny, and, you know just trying to figure out how to cope with what had happened and what was still unfolding that day. You know, it was really kind of – it was a terrible way to start my Skidmore experience, but at the same time watching students come together and comfort each other and not really knowing where we'd go from here and how our country was going to change because of this attack you know it was, um, maybe it was a little bit easier to have a community around you that, you know, we were all trying to figure it out together. (13:37)
IL: That's sounds wonderful to have that Skidmore community in place. Thinking about that community, how would you define it during your time at Skidmore? Was this moment of 9/11 kind of one of those definitive pieces that you think exemplifies what it means to be part of the Skidmore community? (13:54)
LR: I would say, you know, people coming together and thinking about larger context is a way to describe Skidmore. I guess I haven't really thought about my cumulative Skidmore experience. You know that's definitely one of the times that's like a picture in my memory, that I remember being at Skidmore. But there are lots of others also. I think like any time you have like a national traumatic event like that you remember where you were, what you were doing when that happened, and how you felt. But I don't know that it really– that it defined my whole experience there. Maybe it was a good starting point to know how the college was going to be able to bring people together to be able to react to, you know, a common grieving experience. But, you know, overall, my Skidmore experience was, was great. I had a lot of really great professors that I knew on an individual level. That I, you know, I think a lot of college students don't have that. Trying to remember – I had several professors where I actually visited their houses which is kind of a unique, or somewhat unique thing, for I would think, a college student to be able to go to their professor's home. To be welcomed, individually. You know, small class sizes. I was able to – One of the really cool things that Skidmore did was they offered – I was a work study student, and they offered a program where you could work for a local non-profit and Skidmore would pay you to work there. So, um, I – go ahead.
IL: Sorry, could you define work-studies as you understand it. Just for the record.
LR: So, I believe certain students are eligible to be able to work for– to pay for part of their education. So, they had programs where you could choose a nonprofit and then you would turn in your hours to Skidmore, and Skidmore paid you to work there. So, I choose to work at Saratoga Springs Historical Society, which is now called Saratoga Springs History Museum, which is at the casino at Congress Park. And of course, I lived in Moore for my first semester, so I could walk to the casino. And, ah, I was an intern there, and it was really great to be able to make a lot of connections downtown in the local history community. I was able to work with Jamie Parillo who was the director there, but also, they had a curator and they had someone who administered the Bolster Collection which is an important Saratoga Springs photography collection. So, I worked in the photograph collection, I cleaned exhibits, I helped send out mailings to the volunteers, to the membership list. I worked at their holiday gala, helping. I did research and wrote a panel for one of their exhibits. I got a lot of experience working at a small museum and knowing what it's like to have to wear the many hats that you do if you work for a nonprofit or a small museum, public historian. Ah, so, you know, I thought that, that was a really great thing. It really benefited the community and it benefited me as a student being able to get this experience and figure out what its really going to be like. Because I do think, you know, Skidmore – I don’t know if you still have this terminology, but what we called the Skidmore bubble, you know where people – it's a, it's different than reality when you are at Skidmore because there are really grand ideas. It's a really conducive place to think outside the box and then sometimes when you graduate and you go into nonprofits or small businesses, it’s not always, it doesn't always line up with the grand idea that you think you are going to be able to do. So, having that real-world experience and being, having Skidmore being able to pay for it, because the museum would never have been able to pay you to work. I thought that was a really great thing to do. Trying to think – I ah, after I left Moore, I was there for one semester then I moved to Scribner Village in a drama house. Actually, Cabaret Troupe had their own house. I don't know if they still do it this way but club could live together. You could apply for a house, like environmental – I don't know, I'm trying to think what the other clubs are.
IL: Could you, um, explain what Scribner Village are. I am a bit confused.
LR: So, Scribner was the old houses, I think they are all torn down now, but on the side of campus that was kind of on the Clinton Avenue side, I don't know if there is any left, but they were apartments, kind of like the ones, I can't remember what they are called now, Northwoods or something like that.
IL: Oh, yes, uhm.
LR: It was like that but way older and, like, not anywhere near as nice as those apartments. I mean it was like moldy and our pipes would freeze. They, ah, I mean it's a good thing they tore them down, it was not good. But, at the time you could apply to live in a house, especially if you had a common interest like a club. So, at that point I was involved in Cabaret Troupe which was the student-run musical theater organization. So, I lived with a bunch of kids that were in Cab Troup, and that was a lot of fun. Because we spent a lot of time at the theater, and Cab Troup didn't really have a home, I’m not sure if they do now, but we would use the Dance Theater as a performance space because we did a full musical in the fall semester and a full musical in the spring semester. Once I got, I think my junior and senior years the spring musical had to be in Falstaff’s. I think we did two shows there, maybe just one show. Because the dance theater – there wasn't enough – there was never enough performance space on campus. That was before you had Zankel.
IL: Yeah. So, thinking about shifts then with Skidmore, I know you were there at a time of change for the president. You'd mentioned President Studley before; it's President Glotzbach's last year, so could you talk about that? Was that something that was, um, part of the campus consciousness at all?
LR: I remember going to the ceremony when Glotzbach was inducted. But I don't know that really a – I can't remember anything specifically about it or, I don't remember being either concerned or excited about a change in presidency. I would guess that for your average student, things like who your roommate is going to be the next semester or am I going to change my major, or who's my advisor going to be, you know, those, what I'd say local level kind of changes matter much more in my consciousness than who the president of the univ– of the college was.
IL: So then thinking about more local consciousness, could you talk about how you, what your relationship with the town was as a student, cause you were talking about living in Moore, and that is not something today Skidmore students experience. Could you expand?
LR: Yeah, ah, I mean I – let me think. So, I didn't like living in Moore because you were far away from the rest of the campus. It was like one lone building in the middle of downtown. And especially because we were transfer students, um, you didn't really get the on-campus experience. You weren't, ah, you weren't really, you know like things that happened – There was a bus. There was a bus that ran at certain time that brought you back and forth. But I have a car there, but parking in Moore, there were like literally ten parking spaces and then you had to park on the street., which was hard to get a parking spot. So, it was not convenient to live in Moore even though I had a car. I would have much rather lived on campus because that was where all the events were happening. The one nice thing about being at Moore was because I worked for the Casino I could walk down there. But it was kind of tough not being on campus, especially as a transfer student. I transferred in my sophomore year. So, it was kind of like starting over. And they did kind of group us in with the freshmen a lot because we did have to do orientation and we did have to take out, not sure what you call it now, but LS1, LS2, do you have that?
IL: No.
LR: Liberal Studies one, it was like a freshman program that you had to take. They made us take it too as transfer students. So, ah, you know, I loved the community, but I think as far as being acclimated and being enveloped into the college community it was tough to be in Moore. So, I was only down there for one semester. But, you know, I think that the community, because I worked in the community, you know, I was able to form relationships with people that were downtown. The woman who was in charge of the Bolster collection at the time I was working at the casino, her name is MaryAnne Fitzgerald, she was a UWW– what's it called, yeah, University Without Walls? Do you still call it that?
IL: Um, – can you elaborate?
LR: There was a program for mostly adult students. Yeah, I'm thinking that's what it was called.
IL: I think that was, but I'm not sure we have that anymore.
LR: Okay. She was able to get her degree though Skidmore as an adult. So, she was a Skidmore alum and she had gone through the American studies program, but much later in her life. And she now serves as Saratoga Springs city historian. So, I work with her all the time now, but I was introduced to her as a Skidmore student and she was a Skidmore alum, so, you know I thought that the connection between Skidmore and the community was a good one.
IL: Fantastic. Could you talk about what it was like to then go downtown once you were on campus and removed from that more.
LR: Um, I was still downtown a lot. My, my junior and senior years, I worked for– I worked at the library. I was a student supervisor; I spent a lot more time on campus then and because I was working at the library. And I still – I had a job at home. I only lived an hour away. Working for the New York State Department of Environmental Conservation. There was a camp ground on the lake, so I would actually drive home on the weekends as soon as the camp ground opened and work. But, I, I still went downtown all the time. I mean I had a lot of friends who lived Downtown. Cause once you get into upper classmen; they were all moving off campus and living in apartments downtown. So, I spent a lot of time downtown still. And I always loved downtown, um, you know, all the restaurants and shopping, and uh, trying to think. I think my sophomore year there was like a Skidmore community chorus, I don't know if they still do that, but it was members of Skidmore– Skidmore students and members of the community singing together in a chorus. We did that.
IL: So then could you talk about how your relationship has changed with Skidmore now that you have graduated.
LR: Sure. So, you know, I feel very grateful to Skidmore, I feel like I really got a great education there. I went on to get my masters right after I left Skidmore. I went to U Albany and got my master’s in public history and I started working right way for an archeologist. So I graduated in, May of '04, and in August I got a job working for Curtain Archeology, and the, the two owners of the company, Ed Curtain used to, he would teach – he wasn’t a professor there but he would teach archeology, I think, at Skidmore, and his partner Carry Nelson was a Skidmore alum. I actually got the job, well, I knew about the job because it came through the Skidmore career network, I don't know what you call it now, but I was able to get the notice that they were looking for a researcher. So, and my, I should say, I graduated with a dual degree in anthropology and American studies, so it was pretty awesome that I was able to get a job in my field right away after graduation cause when you get a degree in something like anthropology, the first thing people want to say is [effecting voice] you will never get a job in that! Why are you studying anthropology? Why aren't you in Business? Why aren't you a nurse? Why aren't you a teacher? [drops voice] But that wasn't what I wanted to do. So, I do feel lucky that I was able to find a job right away, in my field, and that job was in Saratoga Springs. They worked, it was cultural resource management, or CRM, so they worked mostly for developers who need to comply with New York State regulation in doing archeological surveys before developers or companies were allowed to build on, you know, mostly develop large sites. So. So I was able to get the job there, and um, I worked there for five years, and in the course of working there I spent a lot of time coming to this office. The Saratoga County Historian’s office, because of their collection here. I needed historic maps and census records, and things like that that weren't always online, so I spent several trips here. I got to be friends with the county historian, and then when this position came open, I left the archeology world to become a historian. And I’ve actually, I've been here for ten years. And I also feel lucky to have this job. It is a great job. And, you know, I've had a lot of interaction with Skidmore since I’ve graduated. I went back to see several of the Cabaret Troupe performances because by the time I was a senior, I was president of the organization. I had a lot of underclassmen that I was friends with and I continued to back. I've seen performances there. I still go back to the library. As an alumni you can use the library, so I still use the library. Any time that any of the professors have asked me to come back and speak about my role in public history, my career, any of that. I've spoken to American Studies classes, and history classes. I served on a panel about public history last year, ah, and actually I was able to get some help through Jordana [Dym] when I was making a documentary on the history of the Great Sacandaga Lake where I had some material – original material – that I was borrowing that Skidmore had the right equipment to be able to scan at a high resolution which I needed for the documentary, and they were able to use an intern to scan all those documents and return the originals to us. They were able to keep a digital copy of the information and I got one for my office and one for the regulating district who allowed me to use the documents. So, I mean I think, I think Skidmore is great for the community. I also serve on, what is sometimes called the Round Table, but is kind of a collaborative historical group that includes Skidmore and the museums in Saratoga Springs and Brookside, which is the county historical society, and my office. And we talk about where collections should go. I did a um – we all worked on a mapping exhibit together in 2015. 2015 was the centennial anniversary of Saratoga Springs becoming a city. We did a mapping through the hundred– through the centennial, I guess. [laugh] I can't remember what it was called but we all used different maps from our collections. And we, ah, were able to put up an exhibit at the casino showing the history of Saratoga Springs through mapping. And it was the Skidmore class that actually put it all together and we just gave our input.
IL: Seems like there are a lot of joys in being the county historian. Can you speak to any of the challenges of practicing history in this area?
LR: Absolutely. Funding. Funding is always an issue for historians because you are always competing with all the other departments in government. And everyone's always trying to keep the costs down, not raise taxes, um, so you're always scrambling for funding, for getting grants, things like that. We're lucky here in Saratoga county that our elected officials are very supportive of history. We use history as part of our economic tourism base. People are drawn here because we have a significant history, one that's well known. And not just the mineral waters, but there's the racetrack, and Saratoga Battlefield. There are lots of different kind of important events that centered around this area. So, I would say, you know, staffing. It would be great to have a bigger staff so that, you know, there's so much work that could be done here in the collections, in historical preservation, research, writing. There's lots to be done and not enough hours in the day to get it all done. So, you know, I think there's always going to be challenges but I think it's, um, I don't want to say easier, but – I think there's more support for the history community now than there has been in the past. And I think that's a good thing. We are moving in the right direction.
IL: [33:53] Fantastic. So, um, one of the things I've understood about Saratoga in general is there has been kind of a historical – a movement for historical preservation. Is that something you feel is still ongoing? You said there's a lot of funding available, or a lot of interest in funding history at least. So, how – could you help me understand how that feeds into the tourism industry.
LR: Sure. You know there's a lot of different groups that provide different kinds of historically experiences. Whether you're looking for a cemetery tour, or whether you are looking for genealogical information to find one of your ancestors, historic tours of the race track, visiting a museum. We have lots of different options here, and they all bring in tourist dollars. If they visit the museum, they're going to eat in town. If they're coming to the track, they're going to stay overnight in one of our hotels. If we are interested in our history, you know, people are going to come and see how did you preserve this building, how were you able to fund restoring this cemetery? And then people are more interested in passing on important history to you because they know, or they believe, you will be more able to care for that collection forever, in perpetuity. When you take something on, they want to know that you are going to be open and accessible to the public, and that you are going to continue on caring for the collection. I think the county has done a really good job. There are also several communities and towns and cities in Saratoga county that have historic preservation commissions. They all might call it something different. Historic buildings and structures committee, I think Saratoga Springs is called the Design Review Commission. [cough] Excuse me. So, you know, there are– even in the governments, there are plans and committees in place that are interested in preserving the history so that we don't just wipe out our pasts and start from scratch. And I think that's important.
IL: Thank you. Um, so what have – you’ve been talking about your recent project with the Sacandaga Lake. Have there– is there anything you've found while being your time as county historian that you’ve found particularly exciting and that are, kind of, hidden pieces of this history?
LR: I mean, I find something interesting every day. I love looking through old documents, you never know what you are going to find. Some of the interesting projects I've worked on – I mean, I think definitely that the Great Sacandaga Lake Project is nearest and dearest to my heart because that's where I grew up. I think that that story really needed to be told, and we told it from the perspective of the people who had to move. Whose land was claimed by eminent domain and they had to leave their homes. So, I think I'm probably most proud of that documentary which hopefully will be on PBS next year. [laughs]
IL: Oh, congrats!
LR: Thanks. So, there’s lots of other good projects I’ve worked on. I give a presentation about the county– the Homestead which is the Saratoga county Tuberculosis hospital that I think had a lot of myths around it, thank you, internet. And, um, [laughs from both] we were actually able to put together a really good collection. We had some good donations come from that because, you know, when you get the truth out about something – and it’s not always easy to do because a lot of times people don’t want their history debunked. They want to believe what they have always been told in the past. There’s always more clarity to be added to those stories. And we continue to do that, right? I mean this is not the defining moment of history. From twenty years from now there’s going to be more information to add to those stories also. So, I am not of the mind that you just are able to say well that's not true, this is the real story. There'll always be interpretation connected to the past. But you know a couple different county institutions that are able to get information out about – the other is the county court poor house. That's really important to our past and the way we treated people who didn't have the money or the means, or maybe the ethnicity that we valued at different points during our history. Right now, I'm actually co-hosting a podcast with a New York State Historian called "A New York Minute in History." I was actually at WAMC studio's today recording our script for that. That's Northeast Public Radio. So, you know, there's lots of different projects. And even here, just looking through documentation, I keep finding lots of really interesting cases all the time. And I get hundreds of inquires a year with people looking, either at their house histories, their property histories, a farm, genealogy absolutely. There's tons of questions about genealogy. Quaker history, all those different kinds of things like that. You know, there are small gems everyday that you are able to help people find or add to the collection, so. There is no typical day. It's different all the time, and I really like that and the county has given me a lot of support with being about to choose which direction I'm going day-to-day. And of course, 2020, we've got some pretty important anniversaries coming up including the centennial anniversary of the nineteenth amendment and women getting the right to vote. It's also the seventy-fifth anniversary of end of World War Two. We still have some WWII veterans alive here. Few, but some of them. But being able to celebrate that and their generation is really important too.
IL: [40:40] So, thank you, that's very illuminative of your interaction I think with the broader county history. Can you talk about your interaction with Saratoga as a private citizen? So, do you go into town still, often? Do you– is it a less frequent thing, are you more over here in Ballston Spa, or with your family? How's that kind of evolved for you as time's gone on?
LR: You mean Saratoga Springs, the city?
IL: I mean, kind of generally I guess, yes.
LR: Hmm, yeah, I still go to Saratoga Springs all the time. It's a great community. I am in Ballston Spa a lot, because that's where my office is. I still go back to Skidmore, and I still visit the track. Yeah, I mean Saratoga Springs is a great place, and I’m still very involved in some collaborative groups up there. As far as historic preservation, we actually have an oral history group that's lead up by Laurie Weese of the Saratoga Springs public library. She works in their Saratoga Room, which is their local history room. We're actually working on some collaborative oral history group projects, including digitizing what we already have in our collections, and hopefully soon, phase two will be adding more oral histories. So, yeah, absolutely, I'm still there all the time.
IL: So, of course, this is part of an oral history, so that living memory. It's a very valuable part of how we understand things. Do you feel that the con– How– Let me rephrase that. How continuation of memory – How has that factored into your experience?
LR: I'm not sure what you mean.
IL: So the fact that there's institutions that have been set up to preserve memory, but then also working with people to capture, whether oral histories and thinking about sustaining these institutions as you were talking about having a place for people to deposit their histories. So that sort of continuation.
LR: So, do I think it's important to continue capturing oral histories?
IL: Mmm, more, how have you personally engaged with preserving memory beyond, ah, physical paper records?
LR: So, yeah, I've done a few oral histories, and I do think they're important to take. I actually am working on a project right now. I have someone in my family, my grandfather, was one of five brothers form the same family who served in World War Two, and when I was at Skidmore, two of those brothers were still alive. And I took a class from Professor [David] Eyman, in History, about WWII, and my final paper was about these five brothers and their rolls in WWII. And I have their oral histories that I did when I was a Skidmore student that I have digitized and added to the collection here because they lived in Saratoga County. So, I think it's really important. We did lots of oral interviews for the film, The Great Sacandaga Lake. And we did both people who had their own memories and then we also did historians in the area who had collected information from other people. And then we also had some modern programs that are going on today, like invasive species stewards, people who check for water quality, things like that. So, you know I think it's really important to capture that, digitize it. And, you know, obviously you have to take– [paused] Marian Fitzgerald who’s the city historian always says we have to call them oral narratives, rather than oral histories because you're talking about someone's memory. You're not talking about a fact, a published fact of history, and sometimes they get it wrong. And I'm sure there are somethings in here that I'm getting wrong, but it’s what– it’s my narrative. So, that being said, I don't think it takes away from what those memories are and the including bias that you are getting as part of that interview– I think it changes, for instance, what pieces of the interview you include in the film or you'll include in whatever piece you're putting together. But I don't think that by any means that takes away from what those memories are. In fact, I think it adds more to what they believe was happening at the time, what their perception of that history is, or what it has become. Evolved. Because a lot of times, you know, we were asking people – we were asking someone who was in their nineties to remember what it was like when she was five years old. ...
IL: So then to circle back a bit. So, one thing I am interested on hearing your perspective on is Cabaret Troupe. So, they've been struggling recently to have the number of members to make musicals.
LR: Really.
IL: Yeah. So, this is one of these on-going stories on the Skidmore campus. So, can you talk about what Cabaret Troupe was during your time.
LR: Yeah, mmm. Cab Troupe– Cab Troupe was student run, which was different than the department. So, we didn't get credit for what we did. We always had to fight for performance space, we had to fight for a budget. And it was a ton of work. But there was really no other place to perform musicals because the department never did musicals, they did straight plays. And– but we pulled in, we had a lot of people, that– department kids that were also in Cab Troupe, and we usually had an orchestra that was taken from Skidmore's orchestra. [IL: Yeah.] A pit band, I should say, from the orchestra. So, we had other people that were not just musical theater geeks. But it was a ton of work that you didn't get credit for, but we did it because we loved doing it. And we – you know, we had to hire people for sound, and [laughs] and set construction. But I'm surprised to hear that because we always had a huge group of people.
IL: So then could you elaborate on the relationships with the departments. So you said you had people from the orchestra and the theater, so this was kind of outside of the department, and just students who came in, or was this partly department, I’m going to say– not told to do, but the departments would kind of express support for.
LR: I would say it was pretty separate because we were completely student run. We did have some, you know fighting for performance space was really tough because the dance theater– I mean, the dance department at Skidmore was really big, and they were, there were always other groups that wanted to be able to perform at the dance theater and we always ended up getting into conflicts with other groups because, I'm sure you know to put on a musical you need a lot of rehearsal time. And you have a set- [phone rings in background] Sorry. I'm going to wait till it’s over.
IL: Okay.
LR: So, we need a lot of rehearsals time there, and it was tough to fight for, and that's why I think my senior year we ended up coming to the compromise that we would have one musical at the dance theater and one at Falstaff’s. Because Falstaff’s was not an ideal performing space. In fact, in I think my senior year the heat broke there, and it was broken while we were rehearsing. We had to wear like hats and gloves and coats inside the building. It took forever to get the part they needed. Definitely less than ideal and we couldn't fit a lot of people in there. And we used to sell out most of our performances in the dance theater. So, I don't think the departments were against us, but it was difficult, we really had to work at being able to find our way and find support. I don't want to say there was anybody that wasn't supportive, and we did have help from the theater department at times. But we were really kind of our own entity.
IL: Thank you. Um, so thinking then about, your experience with the American Studies Department. It seems like it was very formative for you. Could you talk more about what the program was while you were at Skidmore?
LR: Yeah. I liked the interdisciplinary approach because I had a lot of different interests. And I think that probably goes back to growing up in a small school where you had to be involved in everything, to make it work, to have enough kids to participate or make a go of it. So, I had already said I was interested in anthropology. That's kind of how I started out my freshman year. So, I already had some classes in anthro, and then when I started with American Studies, I took an intro class with Professor Greg Pfitzer, and I just, I fell in love with the class. I thought it was just great. there were so many different aspects to it, and the idea that you could take classes in the history department, or women's studies, or English and have them count towards your American studies degree, I thought was a really innovative approach. And there were some students in my class that had – I can't remember what it was called – where you – self determined major. So, you know, it was, kind of Skidmore's idea that you didn't have to fit your studies into a box and have a single degree that said this is what I know how to do. But that you could in cooperate all these different pieces to fit into the puzzle of, you know, how you could be a well-rounded researcher. Because you know that's something that is very interdisciplinary. So, I just, I really liked the classes. We had a lot of decades classes. I don't know if they still do that, but I had one on the 1930s which was kind of like our methods class. I took one on the 1950s. And then senior year, the class that everybody wanted to take was the seminar on the 1960s with Professor Pfitzer. It just, you know – really understanding in our country where we came from. And when I was– when I was little, elementary school, I think probably fifth grade and seventh grade, my parents decided we were going to take these road trips. It used to be you had two weeks off at Easter instead of one week off for President's week and then one week for Easter, we had two weeks off at the same– put together. And, um, the first time we had a minivan. And I have a brother who’s two years older than me and my parents drove us across country, over two weeks, in the minivan. And we got to see all of these American history sites first hand. Things like the Indianapolis speedway, the St. Louis Arch, and the museum of westward expansion. Mount Rushmore, Custard's Last stand, intertwined, like, with Americana. Like the Corn Palace which is a building made completely out of corn. So, you know, there were all of these things. we did like a northern route the first time we went, and two years later we kind of like a southern route that include like Oklahoma, Texas, New Mexico. And I really think that those trips and seeing what the country was like in all the different areas, ah was, really helped form what I was interested in as history goes. And I think taking those decades classes of, you know, what the country was going through, not just east coast, the whole country at different times. I think that was really formative in helping me figure out, you know, what is America? How did we get here? What is important about our past? How we place value on different things we've done, accomplished. Or maybe things we haven't done, or things that we want to sweep under the rug and not talk about. So, so I think American studies helps you explore that and come to terms with being an American and studying our past and, you know, I just– it was really a perfect, a really perfect fit for me.
IL: That sounds amazing. Um, before we're get to the end here, is there anything we haven't discussed that you'd like to bring up?
LR: Not that I can think of. I'll probably think of it you know ten minutes after.
IL: Of course, of course.
LR: That's how it works. [laughter] No, I think that's it.
IL: Then is, ah, I'd like to just kind of reflect for a moment on, sort of, your journey, and it seems that Skidmore offered you a place to have a different way of thinking about things. How do you think that's a, kind of, been something that you've taken with you?
LR: Hmm. I mean I think Skidmore really allows you to think not within a certain constructed box. And, you know, the idea of being interdisciplinary is something everyone can benefit from. And I think that's kind of been a theme through my life. You know, I'm thinking my senior seminar in American Studies, I dealt with reenactors, so, um, and kind of the bad rap they get, but also what they do to push historical study, historical interpretation. You know, places like colonial Williamsburg, or you know, or just pop-up reenactments, Civil War reenactments, things like that. And I think that probably reflects my interest in history with my love of performance, musical theater. So, I think– And that's something that I continue today. I'm still am– I co-direct drama club for my kids at school and I'm in musical theater all the time. But I also am still interested in local history– history on a local level, stories that haven't been told. So I think, you know it just allows you to develop those skills that– Here's Skidmore that’s like a really, I'd say, well-funded institution. They've got a lot of equipment and resources at their finger tips. They allowed me to work for a small museum that didn't have any of that. You got to see both sides of how that kind of works. And I'm somewhere in the middle, I guess, today. Cause I do– I'm employed the government, but I, you know I do a historian's job. So, I guess maybe it gave me confidence that it can be done. You can find a middle-ground, and you can pull from different areas of your interest, and um, and your talents to be able to make whatever that journey is that you're on to try– to make it work, to make it successful, and accomplish whatever it is you set out to do.
IL: Thank you. I've just one quick thing you've mentioned, and I'd just like to elaborate on quickly. You mentioned that you co-direct for your children's elementary school. Could you help me understand what your kind of being a parent in the community is like?
LR: Sure, so I actually live in Edinburgh, which is a tiny little town on the Great Sacandaga Lake. It's within Saratoga County, but it's ten minutes from where I grew up. So, my kids, I have a nine-year-old son and a seven-year-old daughter, and my kids go to a very small school, only pre-K through six, and my son has like nine kids in his grade, and my daughter does too. So, I am able to help co-direct their drama club that was started just a few years ago in their elementary school. So, it's just kind of giving back to the community, letting the kids have the same kind of opportunity I did when I was little, to be able to perform. And hopefully instill a love of theater in them too.
IL: Wonderful. Thank you very much and thank you for agreeing to do this interview with me. It's been really wonderful talking with you Lauren.
LR: You're welcome, thank you.
Original Format
MP3
Duration
58:41
Bit Rate/Frequency
44.1 kHz
Time Summary
00:00:00 Header
00:00:51 " used to come to Saratoga to go to the racetrack"
00:01:28 Grew up in Northville
00:02:40 budding interest in local history from exploring as a child
00:02:46 Great Sacandaga Lake
00:03:23 School growing up
00:04:12 Life in a small town
00:07:13 Trips around the area
00:08:10 Races at
00:08:56 going to college, first St. Lawrence, then transferring to Skidmore
00:10:41 musical theater
00:11:30 Experiencing 9/11 at Skidmore College
00:13:52 Reflection on the Skidmore community.
00:15:52 Work-studies
00:17:36 " and knowing what it's like to have to wear the many hats that you do if you work for a nonprofit or a small museum, public historian"
00:19:02 old Scribner village
00:20:09 Cabaret Troupe
00:21:12 Glotzbach's induction was not especially significant to the students
00:22:11 Living in Moore away from campus in town with other transfer students.
00:24:33 University Without Walls
00:25:35 Work
00:26:45 Community Chorus
00:27:03 Post-grad
00:31:21 The Round Table discussions in Saratoga county about history.
00:32:22 Funding of history in the area.
00:34:22 Historical tourism in Saratoga.
00:38:18 Practice of history
00:40:58 Still come to Saratoga Springs and Skidmore, as well as being part of a historic preservation group.
00:41:32 "Collaborative oral history group projects" between the Saratoga Library and the county.
00:42:44 "I've done a couple oral histories" as an interviewer. How she personally is engaging with oral history, including oral histories done as a Skidmore student.
00:45:36 Defining Cabaret Troupe her time at Skidmore.
00:47:34 Departments and Cabaret Troupe "pretty separate." Eventually compromising on fighting for space by using Falstaff's.
00:49:36 Liked the "interdisciplinary approach" of American Studies.
00:50:41 Self-determined major "Skidmore's idea that you didn't have to fit your studies into a box."
00:51:16 "Decades classes" on each decade of US history.
00:51:45 Family road trips when she was little, seeing sites of American history and American. "seeing what the country was like in all the different areas." Shaped her interest in history.
00:53:54 American studies "helps you come to terms with being an American and studying our past."
00:55:00 "Skidmore allows you to think not within a certain constructed box."
00:55:27 Senior seminar in American studies "dealt with reenactors."
00:56:08 "I co-direct drama club for my kids' at school," and her application of things she was involved in at Skidmore in her life now.
00:56:36 Experience while at Skidmore prepared her for job today and reflecting on the journey.
00:57:40 Being a parent in her community and doing drama for her children's school.
00:58:41 END
00:00:51 " used to come to Saratoga to go to the racetrack"
00:01:28 Grew up in Northville
00:02:40 budding interest in local history from exploring as a child
00:02:46 Great Sacandaga Lake
00:03:23 School growing up
00:04:12 Life in a small town
00:07:13 Trips around the area
00:08:10 Races at
00:08:56 going to college, first St. Lawrence, then transferring to Skidmore
00:10:41 musical theater
00:11:30 Experiencing 9/11 at Skidmore College
00:13:52 Reflection on the Skidmore community.
00:15:52 Work-studies
00:17:36 " and knowing what it's like to have to wear the many hats that you do if you work for a nonprofit or a small museum, public historian"
00:19:02 old Scribner village
00:20:09 Cabaret Troupe
00:21:12 Glotzbach's induction was not especially significant to the students
00:22:11 Living in Moore away from campus in town with other transfer students.
00:24:33 University Without Walls
00:25:35 Work
00:26:45 Community Chorus
00:27:03 Post-grad
00:31:21 The Round Table discussions in Saratoga county about history.
00:32:22 Funding of history in the area.
00:34:22 Historical tourism in Saratoga.
00:38:18 Practice of history
00:40:58 Still come to Saratoga Springs and Skidmore, as well as being part of a historic preservation group.
00:41:32 "Collaborative oral history group projects" between the Saratoga Library and the county.
00:42:44 "I've done a couple oral histories" as an interviewer. How she personally is engaging with oral history, including oral histories done as a Skidmore student.
00:45:36 Defining Cabaret Troupe her time at Skidmore.
00:47:34 Departments and Cabaret Troupe "pretty separate." Eventually compromising on fighting for space by using Falstaff's.
00:49:36 Liked the "interdisciplinary approach" of American Studies.
00:50:41 Self-determined major "Skidmore's idea that you didn't have to fit your studies into a box."
00:51:16 "Decades classes" on each decade of US history.
00:51:45 Family road trips when she was little, seeing sites of American history and American. "seeing what the country was like in all the different areas." Shaped her interest in history.
00:53:54 American studies "helps you come to terms with being an American and studying our past."
00:55:00 "Skidmore allows you to think not within a certain constructed box."
00:55:27 Senior seminar in American studies "dealt with reenactors."
00:56:08 "I co-direct drama club for my kids' at school," and her application of things she was involved in at Skidmore in her life now.
00:56:36 Experience while at Skidmore prepared her for job today and reflecting on the journey.
00:57:40 Being a parent in her community and doing drama for her children's school.
00:58:41 END
Record Creation Date
07/12/2019
Collection
Citation
Isabel Long, '21, “Interview with Lauren Roberts,” Skidmore Saratoga Memory Project, accessed March 26, 2026, https://ssmp.skidmore.edu/document/1182.
Item Relations
This item has no relations.
Document Viewer
Click below to view a document.
Social Bookmarking
Embed
Copy the code below into your web page