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Cohen &amp; Carr
Interview with Emily Cohen and Jennifer Carr
by Harry Sultan, Skidmore College
Saratoga Memory Project, Skidmore College, NY June 1st 2018

Harry Sultan: Could I have you introduce yourselves?
Emily Cohen: I'm Emily Cohen, Emily Diminiani Cohen. Class of 1988
Jennifer Carr: I'm Jennifer Carr and I'm also class of 1988
HS:

And how did you two meet?

JC:

We met on our move in day of our freshmen year, so 1984. September. But we
met on the phone prior to that. Emily gave me a phone call after you get your
letter - back in those days you got an actual delivered letter that explained who
your roommate was and what interests my overlap. And Emily phoned and we
had a fun conversation.

HS:

Do you remember that conversation?

JC:

Do you?

EC:

Bits and pieces, I think you probably remember more than I do, you have a
better memory for those.

JC:

I remember Emily saying that she was from New York and that she spoke very
proper and I had a Boston accent that was fairly thick at the time and Emily
quietly note, 'oh, you have a thick Boston accent' and I think it lead into the fact
that she would be allowed to have a car on campus and I was like, "ooh a car on
car on campus, that'll be exciting"

EC:

Right, that was back in the day. I think now Freshmen are not allowed to have
cars, but I think we did. I don't remember if I had it from the very beginning or six
months in.

JC:

I don't recall

EC:

We might have. So yes, we met move-in day. My parents, Jennifer's parents. I was
teary, I couldn't believe I was going to college, and going to be independent and

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separated from my parents and Jennifer was ready to celebrate and throw her arms
up in the air.
JC:

I was celebrating. Parent free. It was a nice opportunity to be away from my
parents that I was very much looking forward to.

HS:

And what dorm were you in

JC:

Tower. Tower 8th floor correct?

EC:

8th floor, yes.

JC: And we had a balcony room
EC: and a co-ed floor which my parents were horrified by
JC: Oh gosh, mine as well. My father met a young man who had an earring,
and he was a little, discombobulated by that fact. I think, first that there was
a man on our floor and what did that mean in 1984. Didn't mean anything;
that he liked an earring.
HS: And when you got to your room did you decorate, did you settle in, did you
explore the campus?
EC: We bought a few things. You had a bit more flare than I did. You brought
maybe a lamp, something for the walls, posters. There was definitely an Ice
Cream Social, that was an icebreaker. I do remember that, going to that
together. After I stopped crying we went to the ice cream social. We had the
window seat, did you make that your bed?
JC: Yea we moved the mattress off the bed-frame, I don't know where we were
allowed to put the bed-frame after that, but we moved the mattress to the
window seat so my bed was there and Emily had the modular unit.
EC: Right, so I had to climb up some stairs and then the desk below. We had a
nice room. Nice suite
JC: We had suite-mates. 1, 2, 3, rooms on our side and then two rooms on the
other side of the bathroom.

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Cohen &amp; Carr

HS: So when you got into Skidmore did you have any idea of what you'd want
to major in or what you wanted to get out of Skidmore?
EC: I wanted liberal arts, so that's what drew me to Skidmore. I studied French,
but really a broad liberal arts curriculum. So I think I was looking for that
experience. You were business-minded.
JC: I was a business major, and I think I knew that from the beginning but I
also was excited about the liberal arts experience and I remember thinking
partially through the school year how each class room experience had some
shared knowledge that sort of transcended from one class to the next and I
was very excited about that because that's not how high-school was.
HS: Do you have any examples how those classes transcended into the rest?
JC: It was a long time ago. Let's see. I do remember we took a business, we had
BU-107 I think it was in the beginning stages of that and just how that
incorporated accounting, but also had english features to it that you had to
do presentations
EC: Right, and read the book and even as a french major I took BU-107 and I
remember to this day reading the book called House. I think that's what it
was called, about a married couple who built a house - it was a novel about how they almost ended up divorced because of this process together
so even in a business class there was this whole study approach.
JC: The aspect of working in a group and who would take on which roles, and
who was slacking and who was not slacking. I think I wasn't the best
business major in the world
HS: And did you take the class together cause you were such good friends?
EC: We didn't take the class together, no. I took it maybe as a junior just ya
know to take because it was one of those, 'oh you have to take BU-107 and

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Cohen &amp; Carr

learn about McDonalds and Gillette Razors' and all of those classic
business examples. You took it probably first year.
JC: I took it first year, maybe second semester. I remember it being springtime.
I remember on our day of our presentation listening to a Crosby Stills and
Nash song, I don't know why that sticks in my mind, and having to present
in front of these business men, there were no women at the time. But it was
very nerve racking. I was nervous.
HS: Do you remember what song?
JC: I'm not good with the songs, but it's the one that goes on for about 12
minutes long.
HS: Sweet Judy Blue Eyes?
JC: mmm we'd have to google it I think
HS: And could you tell me a bit about not just your dorm room, but your dorm
life? Did you hang out with people in your suite and the floors?
JC: We did, there was a freshmen group, they were in a triple.
EC: Yes, one of our dearest friends to this day, she lives in Colorado so
unfortunately Claude Goldberg is not here, but we're dear friends to this
day. And then a junior in a single
JC: And a senior on the other side whose boyfriend took photographs for Sports
Illustrated and that was kind of fascinating; we got to see the photographs
of - what sticks in my mind is the swimsuit issues were always so popular
at the time and kind of sexist I guess now; but the swimsuit issues would
come out and you'd look at all the photographs but we got to see all the
photographs before they were retouched and we were amazed at how
different things were.
EC: I do remember that.
JC: You remember that?

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Cohen &amp; Carr

EC: I forgot about that.
HS: Were there parties in the dorms or more relaxed?
JC: I think they used to have like floor parties, maybe the RA's would pair up
with another floor and you'd have like seventh and eighth floor would have
like a social and I think they could serve alcohol cause the drinking age was
eighteen at the time and they would put a sign on the water fountain that
said 'non alcoholic beverage' kind of thing. And they'd be socials so they
weren't hours and hours long but there was a common room
EC: There was, I was just about to say I remember - was it on the top floor?
Because I remember our freshmen year watching the Super Bowl in some
sort of common room, but not on our floor because we were the last class to
have J-term so we spent January, we came back right after December
vacation and had a one month - I think I took art history that month - a one
month intensive maybe three week class. And skiing, we used to go to West
Mountain and Ski. So we were here for the Super-bowl. I remember going
to a party freshmen year on that floor
JC: Yea it's the penthouse I believe
HS: So when you weren't in classes - you just said you skid - were you part of
any clubs or activities?
JC: I was on the riding team, the horse riding team for a couple of years. And
did we join in the some other thing within the dorm, I think we might've
EC: Maybe, I remember some sort of volunteer opportunities. I remember
something in town, maybe with an elementary school that I did at one
point. It was such a long time ago now but my memories are of, and that
was what touched me this morning listening to the award ceremony, and to
our classmate who received the Creative Thought Matters award, that there
was this commitment even then to social activism and taking care of the

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Cohen &amp; Carr

other and it wasn't called creative thought matters but it was definitely in
the culture of, you know, putting yourself out there to help in the
community and the world.
HS: And so I guess coming back here are you seeing anything that has stayed
the same that you're happy has stayed the same since when you were
around?
JC: I think the overall campus layout is the same so it feels familiar. Still the
same buildings that are here now but I find comfort knowing like where to
go to find which dorm, the names of the buildings return to my mind, when
someone says the Ladd building, I'm like "oh the Ladd building". But
mostly the dorms I think bring back a little nostalgia feel. Like which
window was mine, you know remember that year you lived in that dorm
and traipsing across the quad we would have occasionally on Saturdays or
Sundays they would have sort of like cake parties out there I guess.
Someone would put a speaker up in Howe-Rounds out their window and
just be out.
HS: And was there anything that you came across on campus while you've been
here that started an immediate flashback to when you were in college?
EC: Being on the green probably. Sitting there this morning having the
skidmosas and looking out onto the green remembering those parties and,
as I said, the music. I remember that Livingston Taylor came and played
and there was a piano on the green.
JC: I don't remember that, but I remember the gatherings. Some kids played
hackey sack, there was always hackeysack, frisbee. Sometimes we would
just sit out there and listen to the music, watch everybody come and go. It
was nice cause you were all together and didn't have a class. It was all
relaxed.

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Cohen &amp; Carr

HS: Anything that as you've come back and see things that you wish were
different, or things that you wished changed that you see are still the same?
JC: I don't
EC: No I see only progress. You know the garden, we were commenting if we
would garden, and the answer is probably not. But young people today,
college students today are so minded toward that so I only see
improvements. The growth and the landscaping is more beautiful, the patios
are more wonderful
JC: Skidmore to me is like an awesome place and nothing, I would never
change anything about it. Um, those places down there
EC: Sussman
JC: Sussman is reminiscent of what we lived in but is also nice and new. I am
always happy to come back. No regrets. The only thing I wish is that we
had more of things they have. You know the beautiful museums and the
music center we were in today.
EC: Zenkel is beautiful, and the tang.
JC: We didn't have that.
HS: And did either of you study abroad
EC: No I didn't, remember, I didn't want to leave. I should have but I was so
happy in Saratoga, so happy at Skidmore that I didn't. No. We were both
here all four years.
JC: I think I was happy to be here.
HS: And while you were on campus did you ever break outside the Skidmore
bubble, explore Saratoga?
JC EC: Always
JC: I think we would walk down or take the crazy bus that was offered

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Cohen &amp; Carr

EC: And we went to the battlefield, the Saratoga Battlefield, we would go to
Lake George occasionally, explore. Yes we felt that we were in a beautiful,
we loved the area.
JC: Sometimes we'd go out to dinner together or with another friend. Even as
freshmen we would find someplace else to eat besides the dining hall.
EC: Yes, the dining hall is a huge step up from our dining hall. Huge step up in
looks and quality
JC: I remember shrimp cocktail. Every, maybe once a month, they'd put out this
huge display of shrimp. Do you recall that? I think I overdosed on shrimp
because that would be like the only food I would eat. Seemed the freshest. I
had so many shrimp
EC: I remember eggs. Always making egg salad from the hard boiled eggs. Yea
that's my strongest dining hall memory
JC: The shrimp always caught me off guard, like what college has shrimp. My
other friends were like, 'you get shrimp in college?' I'm like 'yea'
HS: When you went out for dinners in Saratoga was there one place that was
kind of the go-to?
EC: Madame Jammels for Sunday brunch which I think is gone. The Court
Bistro which is also not there. Oh and Hattie's Chicken Shack is still there,
we used to go there on Sundays for dinner. Gaffneys of course for wing
night.
JC: And that was inexpensive
EC: Yes. Um Where else did we
JC: When our parents were in town we'd make them take us to the expensive
restaurants like the Old Bryan Inn.
EC: Lillians we went to occasionally
JC: What was that place out by the lake? On Saratoga lake

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Cohen &amp; Carr

EC: It's still there. It's big, it almost has a theme to it now.
JC: I think it had a water feature on the inside.
EC: Yes I think so. What's it called, out on the lake or towards the lake.
JC: They had coconut bread as the bread they serve from the beginning and
they had a recipe that my mother still has.
EC: Oh really? I can't remember the name of that restaurant.
JC: Steven [Mosk] took me there on our first date. Big spender that he was.
EC: Showing off
HS: And have you been to any of these places since you graduated?
EC: Definitely.
JC: Mrs. Londons we enjoy. Gaffneys. I mean the physical buildings are still
there, most of them anyway.
EC: So Jennifer and I, because we so love Saratoga and Skidmore, we've come
to every reunion and we've also come over the years for a fall trip to meet
each other or a spring trip with our moms, did we come once with our
moms. So we've definitely stayed very connected. We rented a house one
summer we were remembering this morning, 20 years ago, no 19 years ago.
Yea so we've stayed very attached and very connected to Skidmore.
JC: It's one of our favorite places to be, I think. It makes us happy when we're
here.
HS: Did you feel like, or has your appreciation of Skidmore or Saratoga change
since you left Skidmore?
JC: I know I think we still feel, like we come back and we feel we know which
streets to go up and down, it feels familiar
EC: It's grown quite a bit, the downtown. We definitely reminisce about the way
things were before there were more retail chain stores, that's a difference.
But it's kept its character and we just love seeing what's new.

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Cohen &amp; Carr

JC: Grand Union's gone.
EC: yes
JC: Price chopper. What else did we do? We used to go there to get snacks
EC: Right. Is the diner still there? Down toward
JC: Comptons?
EC: No, there was a diner wasn't there? Toward the lake on Broadway? I don't
know.
HS: So what was an average week like?
JC: I remember we would have classes. It wouldn't be a full day of classes.
You'd have whatever you chose for your times, for your class schedule. But
you'd have a class, a little bit of time off, time to have a lunch break, go
back to an afternoon class. Some would have an evening class, some would
have a 7 o'clock class. We'd have dinner in between, then library/ study in
the room. I was not a very good library goer. And then I think every day
was a little different but that was sort of the general them, I don't remember
sleeping in.
EC: No. And maybe exercising. The athletic center isn't what it is today, but it
was really nice in 1984, 85. We played squash, played a lot of squash. Um
we watched friends compete in sports.
JC: Hockey
EC: Yes, hockey games
HS: Were the sports a big part of the culture at Skidmore back then?
JC: It was small enough that I think you pretty much knew everybody who
played a sport and who didn't play a sport so if your friend or girlfriend was
playing an important game on campus you'd definitely want to visit and see
what they were up to. I don't think I took in too many basketball games, but
a few.

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Cohen &amp; Carr

EC: no. Hockey, lacrosse, occasional soccer.
JC: Tennis
EC: We'd watch tennis.
HS: And was that the same with the equestrian team?
JC: So the equestrian team didn't really have shows, maybe once a year we'd
have shows here so we'd have to travel around. Got to go to Cornell, I've
forgotten some of the other places we would go. St. Lawrence, we would
drive all the way up there. So it was more off campus, and we'd have to
sleep overnight usually which was strange. We'd be in kind of crummy
hotels and no bus would take us we'd have to drive in someones personal
car which I don't think they do anymore. Probably legal reasons
HS: what was it like competing at the collegiate level?
JC: That was awesome. The horse back team is a little bit different than a
traditional sport. As a team you're not out there at the same time, you're sort
of doing it individually to accumulate points as a team. So you were still
riding horses like you were normally in your previous life but it was fun to
be with a bunch of ladies and men, because it was a co-ed sport so that was
pretty neat.
EC: Bruce did it with you
JC: Yes, I was on the team with Bruce
EC: On our freshmen year
JC: Yup that's how we got to know each-other a little bit better. But it was a fun
thing to do as a co-ed group I guess. And we spent a lot of time traveling
back and forth so we would chat about whatever, eat pizza out usually is
what we ended up doing but it was kind of fun to see other schools and got
to meet the kids at a different level, like we would spend more time with
them because we would be hanging at the schools with them. Different

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Cohen &amp; Carr

schools were competing in one arena, you go and you right their horse so
you don't know what you're getting until you get there which was the
unique part about it.
HS: And you did it all four years?
JC: I didn't do it my senior year. Three years. I don't know what happened
EC: I don't remember
JC: I don't remember either. I don't know if it was taking more time than I could
spend, or I wanted to diversify cause I ended up being on the government
committee. Student government committee.
EC: Mmm. SGA, you did do that, I forgot about that.
JC: Yea so the student government council?
EC: Association I think. SGA?
JC: I don't remember.
EC: I think
JC: And we would sit on disciplinary hearings for students so we were sort of
in charge of making disciplinary actions amongst your peers which was a
sort of unique experience in itself.
HS: Any things from there that remain with you?
JC: I remember it being very difficult and I thought it was a challenge to
participate in that because you are their peers and we didn't have a court
system like you do now. We didn't have a ton of evidence it was more one
person speaking for themselves, maybe someone else speaking for or
against them. And then we had to decide what the disciplinary action would
be. We had a guide and there was definitely a faculty or administrative
member on the team. But I don't remember what we listened to to be
honest. What kind of crimes they were.
EC: What sort of infractions. I don't remember

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Cohen &amp; Carr

JC: There may have been a sexual assault discussion which now would be
probably something you hear more often, but back in 1987 or '8, whatever,
that was, it was hard I think to understand what was right and what was
wrong with facts and evidence
HS: and were you part of SGA as well?
EC: No I wasn't, I did more volunteer work I remember. I did have an internship
at the Hyde Museum. I was thinking about that during my drive here. In the
rare book department and that was fun. I would drive to that museum and
do some work there but no student government for me.
HS: Was the Hyde internship something that you got through Skidmore?
EC: Yes it was. I don't remember how, and I don't even remember if it was
our junior year or if it was over two years but it was a wonderful museum
and I was thinking about it on the way here, if we had more time it would
be fun to go back and see that museum.
HS: And was that an area that you thought maybe after college that you'd go
into?
EC: I think I was just exploring more than anything honestly. I liked art, liked
books, and it was an opportunity that presented itself so I don't think I
really, thirty years ago things were so different. We just didn't think that
much about what we would do after college. It's, to look at the wall
downstairs of the seniors from this year that have phenomenal jobs in
banking and law and medicine and the Your Hired Photos; we commented
yesterday, we wouldn't be on that wall.
JC: We went to Europe.
EC: We went to Europe.
HS: For how long were you in Europe?

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JC: Two months. I think a total of eight weeks. Our third friend Claude came
with us and we all met at Emily's parents house and they took us to the
airport and sent us off on Air-whatever we were on-france? And we had
such wonderful experiences cause Claude had an uncle in Paris and we
stayed in someones friend's flat and we went to the south of France and
stayed with yourEC: My brother's client, yes. And we crossed paths - so maybe students do it
still - but we crossed paths with so many Skidmore friends throughout
Europe and my kids always grown when I say this but, pre cell phones we
would say, 'okay we'll meet you next Tuesday at the fountain at three
o'clock' and we did, it worked. It wasn't, 'are you there yet? are you
coming? are you sure'. We just made these plans and ran into friends and it
was great. We had a great time.
JC: And we ran into another classmate, he was the class president, we ran into
him at the [museum name] museum? Randomly. So it was definitely
something that a lot of graduates were doing at the time. Traveling.
EC: Backpacking through Europe.
HS: You studied french, so obviously that came in handy. Was there any other
things you learned from an actual class at Skidmore or just being a
Skidmore student that you felt like prepared you for this unchartered
world?
JC: I took an art history class, I remember because I didn't know enough about
art and art history so I remember seeing some of those things we studied in
class in real life and how amazing that was. That I enjoyed, that piece. My
business piece sort of applied in the, after our travels I think.
EC: But I think just the general Skidmore feeling on campus of being open to
experiences and

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Cohen &amp; Carr

JC: that we felt comfortable doing that experience
EC: Exactly. Exactly.
HS: and what was your average Friday night like?
JC: I think usually we wouldn't leave campus until maybe 10pm. 9:30pm? and
then go downtown and find a spot to be with all of our friends. There was
the Trattoria, we remembered last night, was the three floor storied place
with music and a lot of music I think it was. Someone would DJ, sometimes
a Skiddie would be DJing.
EC: and Barclays which is no longer I think. But that was Tuesday nights I
think.
JC: That was definitely midweek. Maybe that's why it closed.
HS: Were there many nights during the week that you'd go down to these
places?
JC: Thursday nights we would
EC: Thursday nights we went to a bar, it's now called Baileys, it was the grill at
the time. I think Tuesday nights was a Barclays night, and Thursday nights
was the Grill and Friday night was wherever, or a house party. A lot of
people lived off campus our junior and senior years. But late. We definitely
stayed. And everything stayed open late. And then late night wings or
popcorn at Gaffneys
JC: There was that hotdog place that at the window, you'd walk up to a facade there was no place to sit or anything - you'd get your
EC: Cheesy fries
JC: Something
HS: And this is downtown?
EC: Downtown. I think it's next to the Tin and Lint still? Maybe it's gone, or
next to Gaffneys I don't know.

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HS: And this was going on Freshmen, sophomore, junior, senior year?
JC: I know when we first started cause the drinking age was 18, the campus life
was a little more vibrant cause you could have alcohol on campus and they
allowed you to have keg parties as long as there was an alternate beverage
offered. But I think after the drinking age changed there was definitely a
shift in how much time we spent our time on campus in the evenings.
HS: So it changed while you were in college?
JC EC: it did.
EC: It went to 21. From 18 to 21.
HS: Do you remember what year you guys were?
EC: I think it was spring of our freshmen year? Or fall of sophomore year
JC: It went to twenty. I think it went to twenty, when we were sophomores and
when we were just about to turn twenty it turned twenty-one.
HS: So what was that like being students in this place where you had all these
freedoms and then to have it crashing down?
JC: It was, we felt annoyed by that because, you're from NY, I wasn't from NY
so it was already 21 at home. But at school I was allowed to drink alcohol
and then you come back from winter break and you're no longer allowed
legal. And they didn't grandfather anyone in, maybe they did for New York
people?
EC: I don't think so because I remember thinking that it was just so wrong, and
being so irritated by that, 'how can you let us drink for 6 months and then
all of a sudden you say you can't drink anymore'.
JC: It did disrupt the feeling of the town I think and I think the town businesses
suffered as well because they couldn't let us in.
HS: Did that put any strain on your relationship with the school?
EC JC: no no

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JC: No, they just had to follow the rules, so the party size changed where - oh
yea I forgot, I was the Bud rep on campus our senior year. So we would
(laughs) - Spuds McKenzie
EC: I forgot about that
JC: You were not even born then. So there was an Annheiser Busch distributor
not far in Saratoga and I worked directly with the distributor and each party
would have to go through the rep to acquire their alcoholic beverages so I
would help them supply them with a cool, a kegerator kind of thing where
you hook up the kegs to it. So I'd go and set up the kegs and attach them all.
But in the beginning you used to have like a ten keg party and then when
the drinking age went from 20 to 21 it was down to like a four keg party
and then they stopped offering keg parties on campus after I left. But the
Spuds McKenzie thing, we had like swag we'd hand out, t-shirts. It's kind
of funny I forgot about that experience. I had to diversify didn't I, from the
horse team. I was on SGA and the Bud rep at the same time.
HS: I guess looking back if you could tell yourself one piece of advice going
forward is there anything you would have changed?
EC: Maybe the study abroad. Even though we traveled, I think that having
children who have studied abroad I think that I should've done that, but I
don't regret it. Definitely not. I made the choice, I loved Skidmore, I loved
Saratoga and wanted my four years here. Couldn't think about missing a fall
here or a spring here, even the winters ya know now I can't stand winter
but, and we got feet and feet of snow. You still do, I'm sure. But it wasn't a
big deal. So that's probably the one thing that maybe I would say, 'oh, you
should've gone to Paris'
JC: I think that I would tell myself to pay a little closer to my studies, to you
know use my time a little more wisely as a student. But also participate in

�18

Cohen &amp; Carr

all the school has to offer, don't miss out on both things. I think my
studying could've been better. But it was fine. It all was good.
EC: It all worked out.
HS: Great, and any last great stories you didn't get a chance to tell?
JC: I don't know, we had so many fun times together just, our other girlfriend
Claude joining us in some of the fun and being part of each-others lives is
always a fun story but I don't know if theres one specific.
EC: No, just such an intimacy that we really are family, you know I love that as
I said, we didn't have creative thought matters, but we did. It just wasn't
called that. And we didn't have hashtags but I love that hashtag Skid4Life.
Because we are Skidmore sisters and just in each-others lives because of
our experience here. Our kids are in each-others lives, our husbands. Four
of us, another girlfriend who's here at reunion and Claude, the one in
Colorado, the eight of us - with our husbands - went to Las Vegas to
celebrate our fiftieth birthdays so that was a real Skidmore reunion.
JC: And we met up with a fifth friend who lives out in that area, so that was
really fun having ten of us together and it felt like we had been together
every month but some of us haven't seen each-other in 20 years or only
every five years. So its just great.
HS: That's wonderful, well I think that just about wraps it up.

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Title
Jacob DeLeon Navarrete Interview

Date

June 2nd, 2018

Language
Eng

Interviewer
Emily Rizzo

Location
Lucy Scribner Library, Skidmore College, Saratoga Springs, NY

Original Format
Audio Recording

Duration
39:13

Tags
Alumni , Oral history , Skidmore College , Tour guide , Admissions

�2
ER: So, you can you say your full name and your graduating year and your major or minors?
JV: Sure, my name is Jacob DeLeon Navarrete. I graduated in 2008. I was a double major in
psychology and history. I focused on existential psychology with Sheldon Solomon and I worked
with Jennifer Delton in American History, mostly focusing on the civil rights era all the way back
to colonial period.
ER: Wow that's amazing. And where are you from?
JV: Dallas, Texas.
ER: Dallas, Texas. Wow I always wanted to take an existential psychology class with Sheldon and
I never got to fit it in.
JV: Yeah, he's... I got really lucky because he was my advisor when I first started as a student. So
I took LS1 with him, I don't know if you guys still do LS1 or not, but he was my LS1 teacher and I
really just connected with him. At the time I wasn't going to be a psychology major. I had come
in interested in doing pre-med but quickly learned that other peoples' blood freaks me out so
being a doctor was not necessarily the best path for me. And I had always been very interested
in human behavior and what drives human choices and an intersection of psychology and
philosophy seemed really cool and anyone who’s ever seen Sheldon Solomon knows that he’s a
captivating person. So it was kind of hard to not have chosen that. When I think about the
person that I was coming to college and then having the opportunity to engage with such
interesting minds, I was very influenced by those elements more so than a real passion for the
subject matter, that grew as I began to dig deeper into the actual academic component of it.
ER: Wow that's really great. I guess since we already started talking about it... Can you talk
about what it was like being head tour guide?

�3
JV: Oh. So I... When I got to Skidmore I really didn't know what to do. Being from Texas, not
knowing anyone here, I tried very hard to make sense of the community and that meant I did a
lot of activities I tried to learn where buildings were, and I saw an opportunity to be a tour
guide. They made the first option available to first year students in second semester. So I
applied for it and I was really excited about it. I was hired as a tour guide and there was
something about being able to share my passion for Skidmore that I really enjoyed. And so, I
was a tour guide pretty much in the earliest moment possible. And because I was from far away
I spent some summers on campus and I was a summer tour guide. And by the time I was a
Junior I had been hired as one of the co-head tour guides. And I spent my junior and my senior
year running the tour guide program. It was really interesting to see that element of higher
education because it wasn't about me. It was about these other people. And I think a lot of
students view tour guiding as a job. And it is, it's a great way to make some extra cash, have an
opportunity to pick up a couple skills if you haven't already. But very few people I think
approach it as community service. And that's kind of how I approached it. Don't get me wrong,
enjoyed the pay check, very much appreciated the work. But I loved it because I was giving
students the opportunity to see the institution the way that I did. And I knew it wasn't going to
be right for every student, but the student who it was right for, they would fall in love. And it
was also really cool to see students come in as first year students, during my third or fourth
year, who I had given a tour to and who really responded to the way Skidmore was presented
to them. So, it was a lot of fun and I really enjoyed being able to share my experience in the
community with people who probably would have never thought to ask me about Skidmore
because I don't think I represent the average Skidmore student, particularly not in 2000.
ER: Wow I have so many questions. So, you loved Skidmore a lot?
JV: Oh yeah, I was a student senator right out of the gate, they always have the three spots, at
least my time it was three spots, available for freshman students. So I ran. The funny thing was
only three of us ran and I had the lowest number of votes. It was really interesting.

�4
ER: Yeah.
JV: But I got really involved with student senate. I was the very last coordinator of diversity
affairs before there was a vice president of diversity affairs, that was the person who followed
me. But I eventually realized that student government was not what was right for me. And
that's when I shifted from having my hands in a bunch of things to focusing on working in the
admissions office and as I got older I just spent less time doing things that were for the sake of
doing it and more time focused on the things I was really interested in. And student
government was fun, but I think it's best done by the people who want to devote energy in
ways that I don't think I have the patience for, in a certain sense. But tour guiding is... the
patience that you have to have is a very different kind of patience.
ER: What do you mean by that?
JV: So the patience you have to have for student government I would say is the same for
politics.
ER: Yeah.
JV: You have to suffer everyone. No one is wrong. Everyone's opinion and perspective is
important because you're representing everyone. And so, student government being
representative of government, you have to listen you have to take into consideration things
that you don't believe, people that you don't agree with. And that's great that we have
individuals that are willing to put themselves through that. I think the saying is, "People who
are willing to suffer fools." As a tour guide, you suffer fools in a completely different way. Your
goal is to help people see what you see. And for a lot of tour guides, they just lie. I'm not saying
that happens at Skidmore per say, but just in general you go to a museum they're going to spin
the best story possible. But you don't have to. A really good tour guide doesn't lie. They find
ways to respond to your question in truth, but hopefully, if they're perceptive enough, they

�5
know what you're really asking and can come around to address how the school handles that
issue. When parents ask questions about drinking, what they're really asking about is safety. No
parent thinks that kids don't drink in college. It happens. It's just what happens in the United
States. So, the real question is, "Is my child going to be safe while they're participating in
activities? Are they going to feel like they're forced to participate in activities? So a tour guide
who isn't thinking that far ahead will say, "There's no parties." Or, "Nothing is under age." Or,
"People get in trouble." But that's not true. A smart tour guide would respond that Skidmore is
the type of place where students can make whatever choices that they feel comfortable
making, that Skidmore provides a really safe environment to do so, there are tremendous
amounts of opportunities for students who don't want drugs or alcohol, all sorts of
programming... That's how you respond to that question. You don't say people don't party. You
don't say everyone parties. Or whatever the easiest answer is. And that's just one example of
why I think I was much more interested in being a tour guide than being in student
government.
ER: Yeah definitely. Yeah, I think tour guides sell Skidmore as more diverse than it actually is.
Because Skidmore includes in its numbers, in its percentages, international students, everyone
who's international is counted in the diversity percentage, which doesn't make sense because
not everyone who's in the international percentage... some of them are white and they're
thrown into that percentage to make it seem more inclusive than it is. So it's like, "Are you
lying? Are you giving that percentage?" But I think some tour guides try to give that number
and pretend... or try to tell this lie.
JV: I think that's also a reflection of the difference between the institution internally and the
institution externally. So, I ended up being an admissions officer here for three and a half years.
So I was a tour guide and then got hired as an admissions officer. And I think when institutions
utilize percentages to craft a certain narrative, it's usually a reflection of the industry more than
an individual office. It's very common for schools to include international students in their
diversity numbers because colleges try to have the most broad definition of diversity. And that

�6
can be problematic sometimes when people are really asking, "How many white people are
here?" Right? And I think it's fair to ask that question, versus how diverse are you? Because
diversity is a cop out word. Right? You can have diversity with a bunch of white men. There can
be a lot of diversity in the way you think, how you see the world, right? So including
international students in the diversity number makes sense if what you're saying is, we have a
lot of different people from different experiences and walks of life. But we also know that that's
not what people are really asking when they say diversity. And so that's the internal versus
external tension. It's the same thing that when we use graduation rates. We say it out of six
years but it's really out of four. But four isn't as nice so everyone does it out of six.
ER: What's the out of six?
JV: So most four-year graduation rates are actually out of six years.
ER: Oh oh.
JV: Yeah. But they factor in taking breaks, going abroad, switching your major.
ER: That's okay.
JV: Right but people think it's the four-year rate.
ER: Yeah.
JV: And it's not the four-year rate it's the six-year rate. That's what the government does for a
degree. So being an admission officer gave me the opportunity to learn a lot about how
colleges function as institutions relative to how they function for students. And it gave me a
really good view into how a class is made. And I think a lot of students have a completely
misguided notion as to how they got into college. I think if you were to ask the average

�7
Skidmore student, "How'd you get into college?" "Oh yeah I worked hard. I did well in school."
It's like, "No that's not why you got into Skidmore. It isn't. You fit exactly what the institution
was looking for at that year." And at a place now where they're taking 25% of the students who
apply, it's even more so, "We need this particular subset of people to have the class that we're
looking for." You didn't get in, it's more of a reflection, not of your ability or not of your
strengths, it's, "You just didn't have what we were looking for this year. If you apply next year,
you might get in. If you applied the year before, you might get in. It's just this year. There were
a lot of girls with brown hair and blue eyes who played soccer and were violinists. Sorry." That's
the flip side of access. Everybody's going to apply. That's what makes it much harder to get in.
Admissions officers are humans. They're not machines. Some students are just going to stand
out to them. So, it was an interesting experience to learn. It helped me better contextualize
myself instead of thinking, "Oh I have this because..." I could step back and say, "Well, there are
probably plenty of other people who were just as good or whatever the reason." I'm a college
counselor now, among other things, and so having that knowledge in the back of my head really
helps when I talk with students who don't get into their schools of choice. It's not a reflection of
you, it's a reflection of the school.
ER: Yeah so, I wanted to ask, that's actually a good leeway, what are you doing now?
JV: So right now, I am the associate head of upper school at the Auckland School in Dallas
Texas. It's a Montessori and international baccalaureate school, educating students from 18
months to 18 years. And we actually just had our first graduating seniors. So the schools been
around for over 50 years but had stopped at 6th grade for a long time and stopped at 8th grade
about 15 years ago. That's when they opened the middle school and so we opened the upper
school four years ago. And so I handle all the college counseling, student life, and now as the
associate head, pretty much everything. I'm just very deeply involved with what goes on. And I
feel very happy to say that I had a student who was accepted to Skidmore. She didn't choose to
attend but it was nice to have that be one of our first seniors apply and then be admitted to
Skidmore. So that's what I do.

�8
ER: Wow that's amazing. Yeah it feels like, from what you've said, everything that you've done
at Skidmore helped you get to...
JV: Where I am?
ER: And then your admissions position at Skidmore and now you're really a... leadership role...
JV: There's no doubt that my time at Skidmore was fundamental for who I am as a person. I just
finished my masters degree at Stanford and the most interesting element of that was how
often my undergraduate experience was really useful. And I think that my belief in creative
thought mattering has really been an important perspective when dealing with problem
solving, dealing with people. Just remembering that you have to be creative. And usually when
you remember to be creative it reminds you to be patient. And that has been really valuable for
me as a person. Skidmore has really been critical to the person that I am. I wouldn't say that it
defines me, but I also can't think of myself without it. So I wouldn't be surprised if I find myself
with a job here again as my last job or something. Like I really did love my time here and I love
what they do for students. And that's why I do what I do, because I had a great college
experience and I want that for every other person. I want every human to have the time of
undergraduate experience that I did. Because if you had asked me at 17 if I'd be doing what I'm
doing now... No, not at all. A 17-year-old Jacob would look at 32 year old Jacob and say, "What
are you doing with yourself? Working at a high school? With teenagers?" But 32-year-old Jacob
can look back at 17 year old Jacob and say "You just don't know enough about life. You don't
know enough about you yet." And my time at Skidmore helped me learn so much about myself.
Because there's something about the community and the campus that encourages you to
explore internally and externally.
ER: Something about the campus?

�9
JV: I think that the combination of the campus layout, all the trees, the green spaces, the
Northwoods, the general approach to student development and student learning, mixed with...
at least this was my time, I can't speak for Skidmore today but... When I was a student there
was some sort of open mindedness, of not necessarily non-judgmental, but much more flexible
with what you chose to do. A certain unspoken encouragement to figure out what you wanted
to do and to be okay with that. I will also admit that in 2004, the entering class, the standards
shifted dramatically from the class of 2005. Just from an admissions stand point., the selectivity
was dramatically different. So a lot of us that graduated in 2008, we feel like we're the last class
of the old Skidmore, before Skidmore became a place where everybody wanted to go, and no
one got in. I think my freshman year, our acceptance rate was something like 40% and now it's
like 20%, in ten years, 15 years. That's a really big difference and that says a lot about the type
of student that goes here. And I don’t think that that shift, I hope not, has not impacted that
desire, that curiosity, that openness to explore yourself, to figure things out. The number of
people I saw who came in Skidmore one way and left Skidmore a very different way, but so
authentically... I don't know if that was just the common college growth that happens
everywhere... I don't think so. I think what happens here is very special. And places like
Skidmore... I don't think Skidmore is the only place on the planet that does it. I think there's
something about a liberal arts college on a beautiful campus with faculty who really want to
engage in the learning and development of students. That produces something special. But I
think you add that to Skidmore's history as an all-women’s institution, Skidmore's history as an
art school, Skidmore's history as an institution believing in creative thought. I think all of that
together allows for that internal exploration, almost a permission to explore yourself. And then
externally I think that marketing itself to students who are looking for something different it
does produce more opportunity to dig. And maybe not be so afraid about it. Because I feel like
a lot of students at giant universities, they kind of wake up and realize they’re not the person
they want to be. I’m not saying that doesn't happen at Skidmore, but for the kids that that does
happen here, there's more opportunity for you to be like “Oh okay I’m going to find some new
people.” I just don’t know if that happens in schools that are more anonymous.

�10
ER: I think it's been changing, a lot of people have been coming for the business department.
JV: It's very famous.
ER: Yeah and I don’t know if it was the same when you were here...?
JV: It was just starting. Because I think also... I think a big factor was Fall 2008, the economy
crashing, Leeman Brothers, all of that., changes the world. when I was a senior in college you
didn’t have to have a job, you didn’t have to know what you were doing. I had a summer job. I
fell into the admissions office. That was normal 10 years ago. Now, if you don’t have everything
lined up in January you're completely screwed. So I also think the changes in the students
coming to Skidmore is a reflection of both how strong the business department actually is but
also because you can do business here and art and it’s not going to pull you one way or the
other. A lot of other schools that have a business school or business program the other things
are secondary, they just are, but here it’s not. And so I do think that that’s probably part of why
that shift has been happening but hasn’t completely over thrown the college. Because I think in
the world we live in today, it could be even more of a business orientation. But I think it’s the
strength in music, the strength in visual art, the strength in dance, the strength in the social
sciences, the strength in the foreign languages, the strength in English. There's so many quality
nonprofessional programs here, and I mean that in relation to professional degrees like an MBA
or a Doctor of Social Work or a doctor of exercise. that’s what I mean by professional as
opposed to the more general term, allows for that dichotomy and the slowing down of the
change, because you do see a lot of liberal arts colleges, there’s a big shift. you see a lot of
liberal arts colleges just get eaten up bigger universities because people don’t see the value
anymore because people don’t see the value anymore.
ER: Yeah, I hope that it doesn't change, I'm worried.
JV: It's fair to be worried I think.

�11
ER: Is there any memory that has come up as you've been here?
JV: I mean that was the crazy part. Myself and a friend who came up, when we first got to
campus we just walked around. And that’s what happened for 45 minutes, just like "Oh my god
this" and "Oh my god that." And I think a lot of stuff occurred, a lot of memories, a lot of crazy
memories, but I think the one that probably shocked me the most was., or surprised me by how
overwhelming it was, was actually something that I didn’t even remember until I was reliving
the experience. So as a psychology and history major almost all my classes were in Tisch
(Learning Center). I was a Tisch kid. I was always in Tisch. I called it the “ology building” when I
was a tour guide, even though history isn’t an ology, and I would literally say that, "although
history isn't an ology." There is the walkway out of Tisch leading to Palamountain (Hall) where
the early childhood center is, right there’s that L covered walkway and all the honey suckle. The
smell of the honey suckle got me. Because I forgot how much that smell was constant, how
strong that smell is, and how often I smelled it. In context to walking from one building to the
other. I was frozen when the smell hit my nostrils and all of these memories just washed over
very quickly. Particularly I used to do observation in the early childhood center. I was a
sophomore and I was taking a child development class. Because at the time I thought I was
going to be more focused on childhood development but not at all, I ended up not doing that at
all. But that was a really interesting semester for me because I had never engaged with
children, and so the combination of the smells and just how much that time influenced me, one
way or the other. So I think that was probably the biggest memory. It was also just to go walk
around and see which professors were still here and which ones are not still here. It was also
nice to see there was more diversity in the faculty, I can tell there’s not much now. but when I
was here there was none. I didn't have a single male of color teach me at Skidmore. Maybe I
had one female of color teach me. I knew there was a male psychology professor, Hassan
Lopez, who I didn’t have until my final year. He was actually the first male of color that I had I’m
pretty sure. I could be wrong about that, but it was so few that... but then looking around and
seeing that there were a handful more teachers of color, said something. now, I’ll be honest,
two percent of the population has a PhD. so were already looking at a very small section of

�12
people. when you look at the cross section of education, there just aren’t that many PhDs that
are black, or Mexican, or anything that isn’t white. so that’s not necessarily a reflection of
Skidmore, but Skidmore could work harder at really finding diverse faculty if they wanted to. so,
there’s always a tension one way or the other. But it was nice to see new faces, it was nice to
see new scholarship from people who are not the standard professorial type. that was really
cool to see.
ER: Yeah Skidmore needs to work on its retention.
JV: Yeah it does.
ER: What else would you like to see improve at Skidmore?
JV: I love this place. I just want to see Skidmore not be so slow about what it does. I loved
seeing the signs on campus letting visitors know, this is renewable, or this is sustainable, or we
have this goal. I saw the goal of 25% food sustainability by 2025. why isn’t it 50%? why isn’t it
75%? obviously that’s ambitious and it would require a lot of thoughtful changes, but Skidmore
is the type of place in my opinion where there are so many creative people here that there’s no
reason why they shouldn’t be pushing themselves harder. I would love to see the
administration push back on some of the faculty who are not as tolerant as they think they are.
that’s one thing that I do know is true. I have kept enough in touch that there have been some
issues in town with students of color and I was very disappointed in how the administration
responded to that. I was very disappointed to see that there was not a 100% defense of the
students. Period. The students were students. Even if they were wrong which they weren’t. but
even if they were wrong, I feel like if they were rich white students, it would have been a whole
different response. and I don’t think that anyone made that decision deliberately, but that’s
what bias is. you don’t see that you would treat someone else differently because of some
immutable factor. If they were rich white kids, "Oh we have to be careful about the parents. the
politics involved...". well why isn’t that same consideration given to a poor brown or black kid?

�13
they have just as much value as a person right? and again I’m not saying that this is Skidmore
only, this is the world we live in, but I think Skidmore could do a better job. particularly since
they have a commitment at least in words, to bring in diversity, to bring in a variety of people.
like I loved seeing that the opportunity program is now one big unit. Because when I was a
student it was HEOP and AOP, no one really knew what AOP was, all the HEOP kids were
clumped together because they were from New York City. And it was nice that they were on
campus, but they were completely ostracized from everyone else. No one intended to do that
but that’s what it was. And so as a student of color who was in neither program, it was weird.
So now to see that all the opportunity programs are all together, there’s a whole place for
them. That just made me feel like okay this is the kind of action that I want to see. Why did it
take so long? I was sad to see that some of the administrators who have left, why they’ve left…
That made me kind of sad. But I think it is important to remind the Skidmore community that
you can’t rest on your laurels. That just because you are better in a lot of ways than other
institutions that doesn’t mean that you get to slow down, that doesn’t mean you get to set
targets that everyone else should set. That I’m disappointed by. But not disappointed enough
to not care, but just be like, “Hey.” Like you know when you get disappointed in your friends
who don’t live up to their potential? That's kind of how I feel sometimes. That we could be
pushing ourselves more. We could be doing more. We could be having more courageous
conversations with ourselves, with each other, around these sensitive issues. Like it was great
to see a Black Lives Matter thing in Case Center. That’s great. But do the Black lives here
actually feel like they matter? Because there was a time when I was a student where a lot of
black lives didn't feel like they mattered as much. I never really felt that. But just because I
don’t doesn’t mean it’s not true for other people. So that’s why I would say I would want to
push Skidmore, particularly in a place like Saratoga Springs that's very different than the people
who come to school here. We could be fostering more education, more awareness. I don’t
mean tolerance in the sense of just accepting. But I really mean like, “You have wrong beliefs
because you’re not educated in the right things so let’s provide you more education.” Let’s give
you more opportunities to step outside your comfort zone. Because people believe things

�14
because they don’t have anything else to counter that belief. They have no experience, no
exposure. There is so much here that could make Saratoga better and they don’t do enough.
ER: We really don’t engage in Saratoga.
JV: And I will admit, I know enough to know that the town doesn’t really want them to. But that
doesn’t mean you accept it. That doesn’t mean you say, "Okay you don't want us then fine."
There are enough educated, thoughtful, powerful, rich people in this community, Skidmore's
community. They could be on seats in the board in town. They could be actively engaged in
changing Saratoga. But they don’t want to. So that’s what I mean by pushing more.
ER: And it's even true for pushing faculty more. Faculty and staff showed up though...
JV: That must mean they want to try. I feel like, the one thing that I want younger people like
you to hear, because I was where you were at some point, I'm on my way to that other point,
young people are impatient, you are. Because for you, you see the way... It’s like "This is how it
should be! Why is it not?" And that's great, never lose that. But just remember that as you get
older, you begin to understand why things are older, that doesn’t just defy it. But I guess try to
find the wins. Because the story you just said, makes me think, "Okay, at least the staff want to
engage." Maybe enough kids didn't come, but the fact that there were a lot of staff members
who came, that says that there's a willingness to have the conversation and that’s huge. And
my fear is that young people, the younger people, haven’t lived enough to recognize, haven't
lived enough to recognize how much it is to get someone to come to the table. And that open
mindedness is a lot more difficult than you think. I have found a lot of progressives and liberals
are some of the most closeminded people I’ve ever met because they think they’re right. And
I’ll admit I use to be like that when i was young, I was like, " I’m right. Why would I be openminded? I’m open-minded because I’m right!" Actually, if you think that you're right, you’re not
open-minded. So let’s talk about... Do we really want open-minded-ness? Is it actually a good
thing? Or do we want closemindedness that’s correct? I don’t know I’m just saying that it’s
important that young people just recognize that experience does dictate how you see the

�15
world. And even in my own job, I had seven things I wanted to do this year, I got three of them
done and I learned, I was like, "You know what? I’m going to be proud of those three things
because everybody else is super proud of them. I’m the only one that’s mad that I didn’t get to
do all seven. And my boss was like, "Jacob, we only have room as people, for three things a
year. You want to do more than 3 things? take away something," just, that’s something that I’ve
had to learn and grow with. But don’t ever lose the passion. just, almost forgive yourself as you
move through it. Because you’re going to get a point where you’re going to be 30 and you’re
going to realize, "Oh there's so much more." And that’s not to excuse slowness, that’s not to
excuse behavior, but I think it does help from becoming a state of despair. I feel like a lot of
young people after the election were in a state of despair. And rightfully so it was a despairing
moment for a lot of people. But it’s been almost two years now. were in the second year, right?
were still here, were alive, people are fighting. it’s an awareness now and that’s valuable. That’s
more valuable than if she had won and people didn’t know that they lived in the world they live
in. And so being able to have this dialogue about Skidmore, if nothing else, the people who are
interested in making change at Skidmore listen to all the different people have all these
different opinions and stories and histories about Skidmore, if you really want to make it a
better place, listen to what people have said. Don’t just take what they’re saying as truth, but
listen to the whole thing. What’s the points that seem to be sticking out? And how does that
relate to what the students right now are saying? What’s the parallel? What’s the dissonance?
It’s hard to be a leader. It’s easy to want to lead. It’s very hard to actually lead. But I’m excited
to see how Skidmore plays out over the next 10 years, see what kinds of students come here,
what changes happen, what changes don’t happen. Because there’s some things what just
shouldn’t change, but it shouldn’t not change simply because they don't want it to. There
should be a reason that it stays the same. If you can’t come up with that reason, then it’s got to
change. And I think any alum would be okay with it changing for the right reason. So I’m excited
to see how it all plays out.
ER: I’m excited to see what you do.

�16
JV: Oh well thank you. That's very nice.
ER: Thank you so much.
JV: My pleasure.
ER: This was really great.
JV: Absolutely. I enjoyed it.

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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="10187">
              <text>Joe Levy</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="10188">
              <text>Lucy Scribner Library, Saratoga Springs N.Y</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="10189">
              <text>Samantha Murphy</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="10190">
              <text>Nov. 1, 2019</text>
            </elementText>
          </elementTextContainer>
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    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10143">
                <text>Interview with Joseph Levy</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10144">
                <text>October 26, 2019</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10230">
                <text>Samantha Murphy, '23</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="10231">
                <text>Joseph Levy</text>
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            </elementTextContainer>
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          <element elementId="73">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="10241">
                <text>Skidmore Saratoga Memory Project </text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10242">
                <text>This is an interview with Joesph Levy, a photographer who moved to Saratoga in the 70's. He is known for is photography at the Saratoga Race Track, and also ran for state senate with the Green Party. Levy has made an impact on the arts community in Saratoga and is keeping the Green party alive for future generations.  In this interview, you will learn about his life growing up, his life in Saratoga and his work in politics.</text>
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        <name>Arts Photographer</name>
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      <tag tagId="833">
        <name>Green Party</name>
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        <name>Hyde Collection</name>
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        <name>Photographer</name>
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      <tag tagId="837">
        <name>Photography</name>
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      <tag tagId="836">
        <name>Saratoga Arts</name>
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      <tag tagId="830">
        <name>Saratoga Arts Workshop</name>
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      <tag tagId="98">
        <name>Saratoga County</name>
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      <tag tagId="832">
        <name>Saratoga County Green Party</name>
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      <tag tagId="831">
        <name>Saratoga County Politics</name>
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      <tag tagId="727">
        <name>Saratoga Race Course</name>
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      <tag tagId="829">
        <name>St Yaddow</name>
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      <tag tagId="839">
        <name>Track Photographer</name>
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  <item itemId="99" public="1" featured="0">
    <fileContainer>
      <file fileId="207">
        <src>https://ssmp.skidmore.edu/files/original/f67e977987e212781464bbef39fe48bd.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="5030">
                  <text>Mapping Saratoga Springs</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5031">
                  <text>1700-</text>
                </elementText>
              </elementTextContainer>
            </element>
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    <itemType itemTypeId="18">
      <name>Map</name>
      <description>Cartographic document</description>
      <elementContainer>
        <element elementId="95">
          <name>Creator - Individual</name>
          <description>Name of the person or people responsible for creating the item.</description>
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            <elementText elementTextId="1628">
              <text>Mott, Samuel J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="1629">
              <text>1949 (revision of 1939 map)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
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            <elementText elementTextId="1630">
              <text>1949</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="1631">
              <text>1949 (revision of 1939 map)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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            <elementText elementTextId="1632">
              <text>1949</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
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              <text>Geography and Map Division, Library of Congress</text>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="117">
          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
          <elementTextContainer>
            <elementText elementTextId="1634">
              <text>City</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="121">
          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="1678">
              <text>This map is an updated version of the previous 1939 version. A few differences included are depicted with zone numbers  the city reservoir, new, library, casino community center, junior high addition, new playground, two possible playfields, new housing, new street, possible highway, possible parking area, improved sewage pump station, and a village brook drain.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
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              <text>City Plan</text>
            </elementText>
            <elementText elementTextId="1680">
              <text>Outline maps</text>
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            <elementText elementTextId="1681">
              <text>Property maps</text>
            </elementText>
            <elementText elementTextId="1682">
              <text>Road maps</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
          <elementTextContainer>
            <elementText elementTextId="1685">
              <text>Cities and Towns</text>
            </elementText>
            <elementText elementTextId="1686">
              <text>Civic Life</text>
            </elementText>
            <elementText elementTextId="1687">
              <text>Property and Development</text>
            </elementText>
            <elementText elementTextId="1688">
              <text>Recreation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="1689">
              <text>R. (Zach) Mooring &#13;
Jordana Dym&#13;
Emily Sloan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Subject - Details</name>
          <description>This subject field describes the amount of detail in a map.&#13;
&#13;
For maps:  (or layers) included on the map itself. This field might denote that the map includes information about, for example, Mountains, Railroads, Soundings, Elevation, or Population. These are controlled-vocabulary terms developed locally. The cataloger should be generous in assigning these terms -- even if only one canal is visible on the map, it should receive a "Canals" subject in this layer. &#13;
&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="1690">
              <text>City Reservoir (Saratoga Springs, N.Y.)&#13;
Saratoga Springs (N.Y.)--Corporation Line&#13;
Saratoga Golf Club (Saratoga Springs, N.Y.)&#13;
Congress Park (Saratoga Springs, N.Y.)&#13;
Public works (Saratoga Springs, N.Y.)-- water works, water supply&#13;
Recreation-- Athletic Field&#13;
Saratoga Race Course (Saratoga Springs, N.Y.)&#13;
Greenridge Cemetery (Saratoga Springs, N.Y.)&#13;
St. Peter's Catholic Cemetery (Saratoga Springs, N.Y.)&#13;
St. Faith's School (Saratoga Springs, N.Y.)&#13;
St. Clement's Church (Saratoga Springs, N.Y.)&#13;
Skidmore College (Saratoga Springs, N.Y.)&#13;
City Casino (Saratoga Springs, N.Y.)&#13;
Saratoga National Bank (Saratoga Springs, N.Y.)&#13;
State Baths (Saratoga Springs, N.Y.)&#13;
Saratoga Harness (Saratoga Springs, N.Y.)&#13;
Transportation--railroad&#13;
Transportation--highways&#13;
City Hall (Saratoga Springs, N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
          <elementTextContainer>
            <elementText elementTextId="1691">
              <text>Saratoga Springs, N.Y.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
          <elementTextContainer>
            <elementText elementTextId="1799">
              <text>Excelsior Lake (Loughberry Lake) (N.Y. : Lake)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="2664">
              <text>14''x 12''</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="2665">
              <text>6/23/2014&#13;
2/28/2015</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>City Planning Board Map of the City of Saratoga Springs N.Y.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1949</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="73">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="2991">
                <text>"Saratoga Springs Looks to the Future"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>City Planning Board of Saratoga Springs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This updated version of Mott's 1939 map includes multiple proposed changes to the city of Saratoga Springs.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Samuel J. Mott</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Saratoga Springs Urban Development</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Map</text>
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          <element elementId="56">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>This map is an updated version of the previous 1939 version. A few differences included are depicted with zone numbers the city reservoir, new, library, casino community center, junior high addition, new playground, two possible playfields, new housing, new street, possible highway, possible parking area, improved sewage pump station, and a village brook drain. The map shows a mid-20th century focus on urban development and rejuvenation in Saratoga Springs.</text>
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            </elementTextContainer>
          </element>
          <element elementId="83">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="2999">
                <text>“City Planning Board Map of the City of Saratoga Springs N.Y.,” Skidmore Saratoga Memory Project, accessed March 23, 2015, http://ssmp.skidmore.edu/items/show/99.</text>
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            </elementTextContainer>
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          <element elementId="94">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Geography and Map Division, Library of Congress&#13;
Saratoga Room, Saratoga Springs Public Library</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Oral History</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Many people who have worked or studied at Skidmore College or lived in Saratoga Springs or the surrounding area carry the memories that help us tell the stories of our communities. &#13;
&#13;
This collection offers a glimpse into our past in the voices of those who have shared their stories.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Aldo and Dennis-Cenus</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sarah Coburn</text>
              </elementText>
            </elementTextContainer>
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              <name>Title</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Many people who have worked or studied at Skidmore College or lived in Saratoga Springs or the surrounding area carry the memories that help us tell the stories of our communities. &#13;
&#13;
This collection offers a glimpse into our past in the voices of those who have shared their stories.</text>
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              </elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Aldo and Dennis- Are Latinx United?</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sarah Coburn</text>
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          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11836">
              <text>Saratoga Plan, &lt;a href="https://www.saratogaplan.org/conserve/landscape-saratoga-county/"&gt;https://www.saratogaplan.org/conserve/landscape-saratoga-county/&lt;/a&gt;</text>
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      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Aquatic Habitats</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11792">
                <text>A map of the aquatic habitats in saratoga County. Includes a legend that ranks water system quality based on species, habitats, connectivity, and natural/impervious land cover types.  </text>
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          </element>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11793">
                <text>Saratoga PLAN, with help from GIS consultant Seleen Associates</text>
              </elementText>
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    </elementSetContainer>
  </item>
  <item itemId="1022" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saratoga Springs History</text>
                </elementText>
              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1706-</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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            <elementText elementTextId="8881">
              <text>Jillian Seigel</text>
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          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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            <elementText elementTextId="8882">
              <text>43270</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8872">
                <text>Railroads grew with Saratoga Springs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8873">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8874">
                <text>Saratoga Sketches</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="8875">
                <text>Community Development Office</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="93">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="8876">
                <text>Saratoga Springs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8877">
                <text>Transportation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8879">
                <text>Architecture is the direct result of the growth of a city. Each structure built in Saratoga Springs is a response to the changing economy and the expansion of a city.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8880">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="784">
        <name>EnvironmentalJustice</name>
      </tag>
      <tag tagId="782">
        <name>SaratogaSprings</name>
      </tag>
      <tag tagId="26">
        <name>transportation</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="231" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5030">
                  <text>Mapping Saratoga Springs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5031">
                  <text>1700-</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3410">
                <text>Advertisements by Saratoga Spa Authority </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3411">
                <text>1930s-1940s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3412">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3413">
                <text>Saratoga Spa Authoirty</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="21" public="1" featured="0">
    <fileContainer>
      <file fileId="29">
        <src>https://ssmp.skidmore.edu/files/original/a199583afe1dc40e0d270298ae9238f8.jpg</src>
        <authentication>890b0a50fc0773225ab1b11b20b1c016</authentication>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5030">
                  <text>Mapping Saratoga Springs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5031">
                  <text>1700-</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Map</name>
      <description>Cartographic document</description>
      <elementContainer>
        <element elementId="96">
          <name>Creator - Organization</name>
          <description>Company, government agency, or other organization responsible for creating the item (the publisher should not be listed again here unless the same organization had a role other than that of publisher in sponsoring or creating the map).</description>
          <elementTextContainer>
            <elementText elementTextId="212">
              <text>Saratoga Springs Chamber of Commerce</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Publisher</name>
          <description>Publisher of the item, or of the book or atlas in which it appears.</description>
          <elementTextContainer>
            <elementText elementTextId="213">
              <text>Saratoga Springs Chamber of Commerce</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
          <elementTextContainer>
            <elementText elementTextId="214">
              <text>Saratoga Springs, N.Y.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="215">
              <text>Geography and Map Division, Library of Congress</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
          <elementTextContainer>
            <elementText elementTextId="216">
              <text>1950</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="217">
              <text>ca. 1950s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
          <elementTextContainer>
            <elementText elementTextId="218">
              <text>1950</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="219">
              <text>ca. 1950s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Caption</name>
          <description>This field will include transcriptions of text that appears on or around the item, at the discretion of the cataloger. It should include relevant bibliographic information that is not given in the title, for example, "Top of map: 'EXAMPLE NEEDED' Publisher and printer information might also be included in this field: "EXAMPLE NEEDED.'" Note that the location of the printed text is given in the field itself and that the caption information is always included in quotes.</description>
          <elementTextContainer>
            <elementText elementTextId="220">
              <text>"Bottom of map: 'For information on hotels, guest houses, and restaurants: Write for Chamber of Commerce List or Ask at Information Center' and 'Bus service provides easy access to all parts of the city.'"</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="121">
          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="221">
              <text>This color pictorial map is a fold-out brochure created by the Saratoga Springs Chamber of Commerce to serve tourists.&#13;
&#13;
Recto: &#13;
The brochure titled "Visit Saratoga Springs: King of Resorts, Queen of Spas" promises "Recreation and Relaxation" in Saratoga. The top panels of the brochure detail some of the summer highlights of Saratoga Springs (eg. Saratoga Lake, horse racing, golf courses, spas, and historic sites). There is an inset map that details the modes of transport to access Saratoga Springs (by motor, rail, or air). The bottom half of the brochure outlines winter attractions in Saratoga (eg. skating, Skidmore College Winter Carnival, bowling etc.) as well as year-round activities (eg. ice fishing, baths, concerts, and dining). Black and white drawings accompany each activity/site outlined in the brochure.&#13;
&#13;
Verso: This side of the brochure includes a colored map as well as a list of "points of interest." The map focuses on downtown Saratoga Springs and offers an outline of streets (not drawn to scale) and modes of transport to and from the city. Larger than life-size drawings depict iconography of Saratoga Springs (eg. golf course, race horses, colonial solider from the Battle of Saratoga 1777, boating on Saratoga Lake, and mineral springs). The points of interest key (that uses numbers to mark important sites) offer brief explanations of the attractions/activities of Saratoga during the summer as well as offer information about the public or private accessibility of the attraction.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="222">
              <text>Pictorial maps</text>
            </elementText>
            <elementText elementTextId="406">
              <text>Tourist maps</text>
            </elementText>
            <elementText elementTextId="407">
              <text>Color maps</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Subject - Details</name>
          <description>This subject field describes the amount of detail in a map.&#13;
&#13;
For maps:  (or layers) included on the map itself. This field might denote that the map includes information about, for example, Mountains, Railroads, Soundings, Elevation, or Population. These are controlled-vocabulary terms developed locally. The cataloger should be generous in assigning these terms -- even if only one canal is visible on the map, it should receive a "Canals" subject in this layer. &#13;
&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="223">
              <text>Bathing Beach (Saratoga Springs, N.Y.)&#13;
Boston and Maine Railroad&#13;
Canfield Casino (Saratoga Springs, N.Y.)&#13;
Congress Park (Saratoga Springs, N.Y.)&#13;
Convention Hall (Saratoga Springs, N.Y.)&#13;
Delaware and Hudson Railroad Corporation&#13;
Grand Union Hotel (Saratoga Springs, N.Y.)&#13;
Iconography--mineral springs&#13;
Iconography--race track&#13;
Iconography--horse&#13;
McGregor Golf Club (Saratoga Springs, N.Y.)&#13;
Petrified Gardens (Saratoga Springs, N.Y.)&#13;
Saratoga Battlefield (Saratoga Springs, N.Y.)&#13;
Saratoga Golf Club (Saratoga Springs, N.Y.)&#13;
Saratoga National Historical Park (N.Y.)&#13;
Saratoga Springs (N.Y.)--Broadway&#13;
Saratoga Springs Public Schools (Saratoga Springs, N.Y.)&#13;
Skidmore College&#13;
Yaddo (Saratoga Springs, N.Y.)&#13;
Transportation--airport&#13;
Transportation--railroad&#13;
Transportation--highways&#13;
N.Y.S. Forest Nursery (Saratoga Springs, N.Y.) (formerly Tree Nursery)&#13;
Saratoga Springs Chamber of Commerce&#13;
Saratoga Racing Association&#13;
Inniscarra (Chauncey Olcott Cottage) (Saratoga Springs, N.Y.) &#13;
Ash Grove Farms (Saratoga Springs, N.Y.)&#13;
U.S. Government Fur Animal Experimental Station (Saratoga Springs, N.Y.)&#13;
Saratoga Spa State Park (N.Y.)&#13;
Geyser Park (Saratoga Springs, N.Y.)&#13;
Saratoga Springs Public Library (Saratoga Springs, N.Y.)&#13;
Lincoln Baths (Saratoga Springs, N.Y.)&#13;
Recreation&#13;
Washington Baths (Saratoga Springs, N.Y.)&#13;
Broadway Drink Hall (Saratoga Springs, N.Y.)&#13;
Post office (Saratoga Springs, N.Y.)&#13;
Congress Theatre (Saratoga Springs, N.Y.)&#13;
Iroquois Indians</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="117">
          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
          <elementTextContainer>
            <elementText elementTextId="224">
              <text>City</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="225">
              <text>Deirdre. Schiff  &#13;
Allie Smith</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
          <elementTextContainer>
            <elementText elementTextId="408">
              <text>Travel and Tourism</text>
            </elementText>
            <elementText elementTextId="409">
              <text>Recreation</text>
            </elementText>
            <elementText elementTextId="410">
              <text>Transportation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
          <elementTextContainer>
            <elementText elementTextId="411">
              <text>Hathorn Spring (Saratoga Springs, N.Y.)&#13;
High Rock Spring (Saratoga Springs, N.Y.)&#13;
Lake Lonely (N.Y. : Lake)&#13;
Loughberry Lake (N.Y. : Lake)&#13;
Saratoga County (N.Y.)&#13;
Saratoga Lake (N.Y. : Lake)&#13;
Saratoga Springs (N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="7121">
              <text>6/1/2014&#13;
3/21/2015</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="211">
                <text>Visit Saratoga Springs, King of Resorts, Queen of Spas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2957">
                <text>1950s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2958">
                <text>Saratoga Springs Chamber of Commerce</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>english</text>
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            <name>Creator</name>
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                <text>Saratoga Springs Chamber of Commerce</text>
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        <name>business</name>
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        <name>color map</name>
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        <name>nature</name>
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        <name>parks</name>
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      <tag tagId="35">
        <name>race tracl</name>
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        <name>railroads</name>
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      <tag tagId="16">
        <name>recreation</name>
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      <tag tagId="36">
        <name>schools</name>
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        <name>transportation</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mapping Saratoga Springs</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1700-</text>
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      <name>Map</name>
      <description>Cartographic document</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>col. map 185 x 141 cm. on 3 sheets 70 x 148 cm. or smaller.</text>
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        <element elementId="52">
          <name>Scale</name>
          <description>The scale of the item (if known)</description>
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            <elementText elementTextId="3203">
              <text>ca. 1:322,000</text>
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          </elementTextContainer>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>J. Dym</text>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>3/29/2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A chorographical map of the Province of New-York in North America, divided into counties, manors, patents and townships; exhibiting likewise all the private grants of land made and located in that Province; </text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1779</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Scale ca. 1:322,000. Hand colored. Prime meridian: London. Relief shown by hachures. Depths shown by form lines. Inscribed: To His Excellency Major General William Tryon ... "Advertisement. The tracts of land coloured red, are military grants ... Those with a green edge are manors, and those coloured yellow are townships ... " Appears in Thomas Jefferys' The American atlas. 1776</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3200">
                <text>eng</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3201">
                <text>Sauthier, Claude Joseph</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3206">
                <text>William Faden</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="245">
        <name>map</name>
      </tag>
    </tagContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mapping Saratoga Springs</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1700-</text>
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              </elementTextContainer>
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    <itemType itemTypeId="18">
      <name>Map</name>
      <description>Cartographic document</description>
      <elementContainer>
        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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            <elementText elementTextId="19">
              <text>1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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              <text>ca. 1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
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            <elementText elementTextId="21">
              <text>1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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            <elementText elementTextId="22">
              <text>1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Related Maps</name>
          <description>There will be many cases where multiple maps are in effect only slight variations on a single original. If we are certain, or even pretty sure, that one map is just a slightly altered version of another,the related versions should be listed here.</description>
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              <text>A 20th century copy of this map, with the same title and several additions/modifications, is in the Saratoga Springs City Historian's Office.  A brittle contemporary  copy, is in the Saratoga County Historian's office.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
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              <text>City Plan</text>
            </elementText>
            <elementText elementTextId="264">
              <text>Early maps</text>
            </elementText>
            <elementText elementTextId="265">
              <text>Manuscript maps</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="121">
          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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            <elementText elementTextId="267">
              <text>Plats – scale divisions of land or property – are an important form of urban cartography. Three versions of this 1810 plat, one of the earliest of Saratoga Springs, show founder Gideon Putnam’s properties shortly before his death, mapping out Saratoga Springs’ transition from rural land to urban settlement. Putnam and his wife Doanda settled in the area 1789. As he cleared his several hundred acres, Putnam found a number of springs along the fault line, realized their potential, and established Putnam’s Tavern and Boarding House in 1802, beginning Saratoga Springs’ rise as a tourist destination and thriving resort center.&#13;
&#13;
The Scott map is both foundational and influential. It exists in as an elegant original, drawn in red and black, in the New York State Archives. There are at least two later versions, all of them manuscript (hand-drawn): an 1825 copy, drawn by G.G. Scott, son of the original surveyor and held by Saratoga County; and a twentieth-century tracing, with a few buildings added for good measure, in the City Historian’s Office. This plat continued to be cited in property cases well into the 20th century.</text>
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        </element>
        <element elementId="109">
          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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            <elementText elementTextId="268">
              <text>Property and Development</text>
            </elementText>
            <elementText elementTextId="269">
              <text>Manuscript Maps</text>
            </elementText>
            <elementText elementTextId="270">
              <text>Religion and Spirituality</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="95">
          <name>Creator - Individual</name>
          <description>Name of the person or people responsible for creating the item.</description>
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              <text>Scott, James</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>New York State Archives</text>
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          </elementTextContainer>
        </element>
        <element elementId="117">
          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
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              <text>Property</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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              <text>Saratoga Springs (N.Y.)--Maps</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="113">
          <name>Subject - Name</name>
          <description>Names of individuals associated with the item.  Last name first.&#13;
&#13;
For Maps: People represented on the map itself. In nearly every case, this field will be used when people are pictured on the map (several maps in this project are decorated with photographs or engravings in the margins). Use authorized versions of the name from the Library of Congress Name Authority File where possible.</description>
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              <text>Scott, James. Saratoga Springs (N.Y.)</text>
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        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="2458">
              <text>Jordana Dym&#13;
Deirdre Schiff&#13;
Emily Sloan</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10">
                <text>Map of a number of building lots near the Congress Spring in the town of Saratoga Springs in the county of Saratoga : being the property of the heirs of Gideon Putnam deceased as the same was surveyed in April 1810</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Manuscript</text>
              </elementText>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="2452">
                <text>POLYGON((-8214665.9307504 5324326.5962501,-8214594.2710364 5324030.4027655,-8213591.0350403 5324087.7305368,-8213586.2577261 5324560.6846492,-8214665.9307504 5324326.5962501))|15|-8214063.9891528|5323966.2822506|osm&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1810</text>
              </elementText>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Scott, James</text>
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          </element>
          <element elementId="82">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Paper</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3442">
                <text>Three versions of this 1810 plat, one of the earliest of Saratoga Springs, show founder Gideon Putnam’s properties shortly before his death, mapping out Saratoga Springs’ transition from rural land to urban settlement. Putnam and his wife Doanda settled in the area 1789. </text>
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        <name>19th century</name>
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        <name>Gideon Putnam</name>
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      <tag tagId="4">
        <name>manuscript</name>
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      <tag tagId="5">
        <name>plat</name>
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      <tag tagId="8">
        <name>springs</name>
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    </tagContainer>
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                <name>Description</name>
                <description>An account of the resource</description>
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                    <text>Photo courtesy of &lt;a title="Michael McCabe" href="http://michaelmccabe.com/"&gt;Michael McCabe&lt;/a&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mapping Saratoga Springs</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1700-</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="18">
      <name>Map</name>
      <description>Cartographic document</description>
      <elementContainer>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="44">
              <text>Saratoga County Historian's Office (Saratoga County, N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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              <text>1825</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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            <elementText elementTextId="46">
              <text>1825</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
          <elementTextContainer>
            <elementText elementTextId="47">
              <text>1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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            <elementText elementTextId="48">
              <text>1810</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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            <elementText elementTextId="49">
              <text>Jordana Dym &#13;
Allie Smith </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
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            <elementText elementTextId="56">
              <text>Aerial views</text>
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            <elementText elementTextId="966">
              <text>Property maps</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Related Maps</name>
          <description>There will be many cases where multiple maps are in effect only slight variations on a single original. If we are certain, or even pretty sure, that one map is just a slightly altered version of another,the related versions should be listed here.</description>
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              <text>This is an 1825 copy of the 1810 Scott map, with the same title and several additions/modifications, It is in the Saratoga Springs County Historian's Office. A 20th century illustrated copy, is in the Saratoga City Historian's office, and an elegant, colored ms. is in the NY State Library.</text>
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        <element elementId="121">
          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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              <text>The original Scott map is both foundational and influential. It inspired at least two later versions, all of them manuscript (hand-drawn): this 1825 copy, drawn by G.G. Scott, son of the original surveyor and held by Saratoga County. Since the map is cited in the 1826 charter incorporating Saratoga Springs, perhaps G.G. Scott made it to help establish the corporation line.&#13;
&#13;
This map, drawn to indicate the properties belonging to Gideon Putnam, served as a document to detail the inheritance of his heirs after his death. This map is particularly damaged and several tears have compromised the readability.&#13;
&#13;
Road widths are indicated in some instances.&#13;
&#13;
This copy is drawn by G.G. Scott, son of the original mapmaker,  It includes pencil annotations suggesting later city planners or agents consulted this original as property ownership changed and the lot was further divided.</text>
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          </elementTextContainer>
        </element>
        <element elementId="117">
          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
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              <text>Property</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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            <elementText elementTextId="967">
              <text>Property and Development</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Subject - Details</name>
          <description>This subject field describes the amount of detail in a map.&#13;
&#13;
For maps:  (or layers) included on the map itself. This field might denote that the map includes information about, for example, Mountains, Railroads, Soundings, Elevation, or Population. These are controlled-vocabulary terms developed locally. The cataloger should be generous in assigning these terms -- even if only one canal is visible on the map, it should receive a "Canals" subject in this layer. &#13;
&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
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              <text>Bath House (Saratoga Springs, N.Y.)&#13;
Boarding House (Saratoga Springs, N.Y.)&#13;
Compass rose&#13;
Congress Bath (Saratoga Springs, N.Y.)&#13;
Meeting House (Saratoga Springs, N.Y.)&#13;
Property&#13;
School House (Saratoga Springs, N.Y.)</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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              <text>Saratoga Springs (N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="113">
          <name>Subject - Name</name>
          <description>Names of individuals associated with the item.  Last name first.&#13;
&#13;
For Maps: People represented on the map itself. In nearly every case, this field will be used when people are pictured on the map (several maps in this project are decorated with photographs or engravings in the margins). Use authorized versions of the name from the Library of Congress Name Authority File where possible.</description>
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              <text>Putnam, Gideon, 1763-1812. Landowner, Developer, Entrepreneur. Saratoga Springs (N.Y.)</text>
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        </element>
        <element elementId="53">
          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
          <elementTextContainer>
            <elementText elementTextId="971">
              <text>Saratoga Springs (N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="7133">
              <text>5/27/2014&#13;
2/9/2015</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A map of a number of building lots lying near the Congress [Spring] in the town of Saratoga Springs and county of Saratoga : [being] the property of the heirs of Gideon Putnam [deceased] as the same was surveyed in April 1810 by James Scott Surveyor&#13;
By G.G. Scott, Ballston &#13;
August, 1825</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="55">
                <text>Saratoga Springs (N.Y.)--Maps&#13;
Putnam, Gideon&#13;
</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="57">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1825</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Scott, James</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3441">
                <text>Three versions of this 1810 plat, one of the earliest of Saratoga Springs, show founder Gideon Putnam’s properties shortly before his death, mapping out Saratoga Springs’ transition from rural land to urban settlement. Putnam and his wife Doanda settled in the area 1789. </text>
              </elementText>
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        <name>manuscript</name>
      </tag>
      <tag tagId="5">
        <name>plat</name>
      </tag>
      <tag tagId="7">
        <name>Putnam</name>
      </tag>
      <tag tagId="8">
        <name>springs</name>
      </tag>
    </tagContainer>
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                  <text>Saratoga Springs History</text>
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              <name>Date</name>
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                  <text>1706-</text>
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        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>Jillian Seigel</text>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Planning Board opposed to housing proposal</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9302">
                <text>12/12/74</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9303">
                <text>Shapiro, Seth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="9304">
                <text>The Saratogian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9305">
                <text>Urban Renewal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="9307">
                <text>text</text>
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          </element>
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        <name>SaratogaSprings</name>
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      <tag tagId="783">
        <name>UrbanRenewal</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Saratoga Springs History</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="5015">
                  <text>1706-</text>
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        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>43270</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>HUD Grants $364,248 to Spa URA For Gaslight Square Area Project</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>26806</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Shepard, Judy</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="8000">
                <text>The Daily Gazette</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="93">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Saratoga Springs</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>The Urban Renewal Project Agency has received a $364,248 grant from the Department of Housing and Urban Development (HUD) for the local agency's Project 1.  The Project 1 area includes the Gaslight Square complex at Broadway and Hamilton Street and areas on Congress, Division, Woodlawn Avenue and Railroad Place. Work will include construction on sidewalks and curbs and the installation of tree wells and minor drainage work.</text>
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            <name>Format</name>
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        <name>SaratogaSprings</name>
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              <name>Date</name>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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            <description>A name given to the resource</description>
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                <text>Saratoga URA Approves Bids for Bldg, Demolition, Tree Removal</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>27638</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Shepard, Judy</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Daily Gazette</text>
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          <element elementId="93">
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                <text>Saratoga Springs</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
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                    <text>Mapping
a City
1915:
Incorporating a City
Early 20th century Saratoga
Springs faced a decline in its
popularity as a resort and
conference destination. Seeking
to reinvent its image and assert
its place as an upstate New
York hub, town leaders started
several projects, working with
state officials, to conserve the
mineral springs and bring the
visitors back.
A defining moment for the
town’s revitalization came with
its incorporation as a city in
1915, which capped a period of
municipal conservation efforts
and a new era of mapping and
zoning. 100 years since the city
charter was signed, this exhibit
tells the city’s origins and
growth through its maps.

Map Stories of
Saratoga Springs
Maps chart the tale of Saratoga
Springs' settlement, establishment as a separate district
within the town of Saratoga in
1819, erection as an independent village in 1826, and receipt
of a city charter from New
York State in 1915.
Maps also reveal what mattered
to visitors and residents: parks
and parking, routes and roads,
attractions and business, land
and buildings, planning and
development, what worked and
what should change..

250 Years of
Saratoga Springs
History

Saratoga Springs History Museum
1 E Congress St
Saratoga Springs, New York 12866
www.saratogahistory.org
Exhibit Website:
http:://ssmp.skidmore.edu/

Centennial Anniversary
of the City of Saratoga
Springs

�2
1

Timeline

The Past Through Maps
The citizens of Saratoga Springs, N.Y.,
might think of making a map in order to
influence policy (Figure 1) or of consulting
one to plan a trip or to showcase in homes,
schools and libraries (Figure 2). But maps
also reveal a lot about the communities that
made them--their ideas and values, their
way of seeing the world, their hopes and
dreams. In other words, maps tell stories.
Accessible by Native American trails as
early as the 17th century, the springs of
Saratoga and the settlement that grew
around them began to find their way onto
many kinds of maps--official surveys, city

plans, tourist guides, and real estate brochures with late-18th c. European settlement.
Small-scale and large scale, businesslike or
humorous, black &amp; white or color, these
historical maps provide details or data
about the city's past.
Maps takes us through Saratoga Springs'
history from its origins as a crossroads
between Canada, New York and New
England and a draw for the healing power
of its mineral waters to its present day as a
lively spot for meetings, nightlife, and
recreation.

1777 Battle of Saratoga
1789 Gideon Putnam arrived in
Saratoga Springs
1791 Saratoga County established
1803 Putnam’s Boarding House
built
1819 Saratoga Springs becomes a
district, town of Saratoga
1824 United States Hotel opens
1826 Saratoga Springs Village
Charter
1833 First steam locomotive to
Saratoga Springs
1863 Racetrack opens
1893 Convention Hall opens
1911 Racetrack closes for two
seasons
1913 Village Park – later
Congress Park – opens
1915 City Charter adopted by NY
State Legislature
1918 Saratoga County Chamber
of Commerce forms
1923 First zoning map
1951 Saratoga Springs casinos
closed
1963 Northway (I-87) opens
1966 Saratoga Performing Arts
Center opens
1984 City Center opens
2004 Saratoga Gaming &amp;
Raceway opens
2015 Centennial of City Charter

�</text>
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                    <text>	&#13;  
	&#13;  

	&#13;  

Visit	&#13;  the	&#13;  Exhibit’s	&#13;  Website	&#13;  
To	&#13;  find	&#13;  out	&#13;  more	&#13;  information	&#13;  about	&#13;  Saratoga	&#13;  Springs’	&#13;  maps	&#13;  and	&#13;  
history,	&#13;  or	&#13;  to	&#13;  take	&#13;  a	&#13;  closer	&#13;  look	&#13;  at	&#13;  the	&#13;  maps	&#13;  and	&#13;  objects	&#13;  in	&#13;  the	&#13;  exhibit,	&#13;  
please	&#13;  visit	&#13;  us	&#13;  at:	&#13;  

http://ssmp.skidmore.edu/exhibits/show/mappingsaratoga	&#13;  

Many	&#13;  Thanks	&#13;  	&#13;  
The	&#13;  curatorial	&#13;  team	&#13;  worked	&#13;  with	&#13;  the	&#13;  Spring	&#13;  T eam:	&#13;  Deirdre	&#13;  Schiff	&#13;  ’15,	&#13;  
Eiko	&#13;  Franklin	&#13;  ‘16,	&#13;  Erik	&#13;  Morrison	&#13;  ‘15,	&#13;  Giulia	&#13;  Morrone	&#13;  ‘15,	&#13;  Elana	&#13;  Scaglia	&#13;  
‘15,	&#13;  Emily	&#13;  Sloan	&#13;  ’15,	&#13;  and	&#13;  Allie	&#13;  Smith	&#13;  ’15	&#13;  	&#13;  to	&#13;  convert	&#13;  ideas	&#13;  to	&#13;  exhibition.	&#13;  
	&#13;  
Contributors	&#13;  and	&#13;  Brain	&#13;  Trust:	&#13;  It	&#13;  takes	&#13;  a	&#13;  village	&#13;  to	&#13;  mount	&#13;  this	&#13;  kind	&#13;  of	&#13;  
show.	&#13;  	&#13;  We	&#13;  relied	&#13;  on	&#13;  many	&#13;  area	&#13;  experts,	&#13;  including	&#13;  Lauren	&#13;  Roberts,	&#13;  Alex	&#13;  
Chaucer,	&#13;  Bob	&#13;  Jones,	&#13;  Beth	&#13;  Dupont,	&#13;  Lauren	&#13;  Shapiro	&#13;  ’15,	&#13;  Mark	&#13;  Olson,	&#13;  
Martin	&#13;  Brückner,	&#13;  Field	&#13;  Horne,	&#13;  Matt	&#13;  Veitch,	&#13;  Harvey	&#13;  and	&#13;  Cassie	&#13;  Fox,	&#13;  
Donald	&#13;  Carpenter,	&#13;  the	&#13;  
Corporation	&#13;  of	&#13;  Yaddo,	&#13;  Michael	&#13;  
McCabe,	&#13;  the	&#13;  Alfred	&#13;  Z.	&#13;  Solomon	&#13;  
Charitable	&#13;  Trust,	&#13;  JIMAPCO,	&#13;  and	&#13;  
many	&#13;  more.	&#13;  
Saratoga	&#13;  Springs	&#13;  History	&#13;  Museum	&#13;  
1	&#13;  E	&#13;  Congress	&#13;  St	&#13;  
Saratoga	&#13;  Springs,	&#13;  N Y	&#13;  12866	&#13;  
	&#13;   saratogahistory.org	&#13;  

Surveyors’	&#13;  Tools	&#13;  
	&#13;  

Mapping	&#13;  A	&#13;  City	&#13;  
Saratoga	&#13;  Springs	&#13;  Seen	&#13;  Through	&#13;  	&#13;  
250	&#13;  Years	&#13;  of	&#13;  Maps	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  April-­‐December	&#13;  2015	&#13;  

�	&#13;  

About	&#13;  the	&#13;  Project	&#13;  

A	&#13;  Brief	&#13;  Saratoga	&#13;  Springs	&#13;  Timeline	&#13;  	&#13;  
The	&#13;  Foundation:	&#13;  From	&#13;  Town	&#13;  To	&#13;  Village	&#13;  	&#13;  
•
•
•
•
•
•
•
•
•
•
•
•

1777	&#13;  Battle	&#13;  of	&#13;  Saratoga	&#13;  	&#13;  
1789	&#13;  Gideon	&#13;  Putnam	&#13;  arrives	&#13;  in	&#13;  Saratoga	&#13;  Springs	&#13;  
1791	&#13;  Saratoga	&#13;  County	&#13;  established	&#13;  
1803	&#13;  Putnam’s	&#13;  Boarding	&#13;  House	&#13;  built	&#13;  
1819	&#13;  Saratoga	&#13;  Springs	&#13;  becomes	&#13;  a	&#13;  district	&#13;  in	&#13;  the	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
town	&#13;  of	&#13;  Saratoga	&#13;  
1824	&#13;  United	&#13;  States	&#13;  Hotel	&#13;  opens	&#13;  
1826	&#13;  Saratoga	&#13;  Springs	&#13;  Village	&#13;  Charter	&#13;  
1833	&#13;  First	&#13;  steam	&#13;  locomotive	&#13;  to	&#13;  Saratoga	&#13;  Springs	&#13;  
1863	&#13;  Racetrack	&#13;  opens	&#13;  	&#13;  
1893	&#13;  Convention	&#13;  Hall	&#13;  opens	&#13;  
1911	&#13;  Racetrack	&#13;  closes	&#13;  for	&#13;  two	&#13;  seasons	&#13;  
1913	&#13;  Village	&#13;  P ark	&#13;  –	&#13;  later	&#13;  Congress	&#13;  Park	&#13;  –	&#13;  opens	&#13;  

A	&#13;  City	&#13;  Rises	&#13;  
•
•
•
•
•
•
•
•
•
•
	&#13;  

1915	&#13;  City	&#13;  Charter	&#13;  adopted	&#13;  by	&#13;  NY	&#13;  State	&#13;  Legislature	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Trolley	&#13;  station	&#13;  (now	&#13;  Visitors	&#13;  Center)	&#13;  open	&#13;  	&#13;  
1918	&#13;  Saratoga	&#13;  County	&#13;  Chamber	&#13;  of	&#13;  Commerce	&#13;  forms	&#13;  
1923	&#13;  First	&#13;  zoning	&#13;  map	&#13;  adopted	&#13;  by	&#13;  the	&#13;  City	&#13;  Council	&#13;  
1941	&#13;  Trolley	&#13;  station	&#13;  becomes	&#13;  state	&#13;  park	&#13;  drink	&#13;  hall	&#13;  
1951	&#13;  Saratoga	&#13;  Springs	&#13;  casinos	&#13;  close	&#13;  
1963	&#13;  Northway	&#13;  (I-­‐87)	&#13;  opens	&#13;  
1966	&#13;  Saratoga	&#13;  Performing	&#13;  Arts	&#13;  Center	&#13;  opens	&#13;  
1984	&#13;  City	&#13;  Center	&#13;  opens	&#13;  
2004	&#13;  Saratoga	&#13;  Gaming	&#13;  &amp;	&#13;  Raceway	&#13;  begins	&#13;  
2015	&#13;  Centennial	&#13;  of	&#13;  City	&#13;  Charter	&#13;  

To	&#13;  celebrate	&#13;  Saratoga	&#13;  Springs'	&#13;  centennial	&#13;  as	&#13;  a	&#13;  city,	&#13;  the	&#13;  Saratoga	&#13;  
Springs	&#13;  History	&#13;  M useum	&#13;  presents	&#13;  this	&#13;  exhibit	&#13;  that	&#13;  tells	&#13;  the	&#13;  story	&#13;  of	&#13;  the	&#13;  
city	&#13;  through	&#13;  historical	&#13;  maps.	&#13;  This	&#13;  exhibition	&#13;  is	&#13;  the	&#13;  fruit	&#13;  of	&#13;  two	&#13;  years	&#13;  of	&#13;  
collaboration	&#13;  between	&#13;  Skidmore	&#13;  and	&#13;  the	&#13;  Saratoga	&#13;  Springs	&#13;  History	&#13;  
Museum,	&#13;  Saratoga	&#13;  Springs	&#13;  Public	&#13;  Library	&#13;  (Saratoga	&#13;  Room),	&#13;  City	&#13;  
Historian,	&#13;  and	&#13;  County	&#13;  Historian.	&#13;  Thanks	&#13;  to	&#13;  the	&#13;  many	&#13;  Saratogians	&#13;  and	&#13;  
Skidmore	&#13;  community	&#13;  members	&#13;  who	&#13;  helped	&#13;  bring	&#13;  it	&#13;  together,	&#13;  
transforming	&#13;  an	&#13;  idea	&#13;  to	&#13;  class	&#13;  project	&#13;  to	&#13;  exhibition.	&#13;  

First	&#13;  Steps	&#13;  
A	&#13;  committee	&#13;  led	&#13;  by	&#13;  Teri	&#13;  Blasko	&#13;  (Saratoga	&#13;  Springs	&#13;  Public	&#13;  Library).	&#13;  
Jordana	&#13;  Dym	&#13;  (Skidmore),	&#13;  Mary-­‐Ann	&#13;  Fitzgerald	&#13;  (City	&#13;  Historian),	&#13;  Jamie	&#13;  
Parillo	&#13;  (SS	&#13;  History	&#13;  Museum),	&#13;  and	&#13;  Rachel	&#13;  Seligman	&#13;  (Skidmore)	&#13;  identified	&#13;  
materials	&#13;  at	&#13;  their	&#13;  institutions,	&#13;  the	&#13;  Saratoga	&#13;  County	&#13;  archives,	&#13;  Duke	&#13;  
University's	&#13;  Rubenstein	&#13;  Library	&#13;  and	&#13;  Library	&#13;  of	&#13;  Congress,	&#13;  and	&#13;  
brainstormed	&#13;  exhibit	&#13;  goals.	&#13;  In	&#13;  summer	&#13;  2014,	&#13;  Deirdre	&#13;  Schiff,	&#13;  '15,	&#13;  and	&#13;  Allie	&#13;  
Smith,	&#13;  '15,	&#13;  joined	&#13;  the	&#13;  team	&#13;  with	&#13;  a	&#13;  summer	&#13;  collaborative	&#13;  research	&#13;  g rant.	&#13;  
Duke	&#13;  University’s	&#13;  Mark	&#13;  Olson	&#13;  led	&#13;  a	&#13;  workshop	&#13;  on	&#13;  Omeka,	&#13;  the	&#13;  platform	&#13;  
used	&#13;  for	&#13;  Skidmore-­‐Saratoga	&#13;  Memory	&#13;  Project	&#13;  exhibits,	&#13;  including	&#13;  this	&#13;  one.	&#13;  

It	&#13;  Takes	&#13;  a	&#13;  Class	&#13;  
In	&#13;  Fall	&#13;  2014,	&#13;  Dym’s	&#13;  Mapping	&#13;  the	&#13;  Americas	&#13;  class	&#13;  (pictured	&#13;  below),	&#13;  
worked	&#13;  with	&#13;  selected	&#13;  materials,	&#13;  researched,	&#13;  learned	&#13;  Saratoga	&#13;  Springs	&#13;  
history,	&#13;  and	&#13;  prepared	&#13;  the	&#13;  story.	&#13;  In	&#13;  Spring	&#13;  2015,	&#13;  more	&#13;  than	&#13;  half	&#13;  the	&#13;  class	&#13;  
continued	&#13;  with	&#13;  the	&#13;  project,	&#13;  developing	&#13;  exhibit	&#13;  materials,	&#13;  conducting	&#13;  
research,	&#13;  and	&#13;  contributing	&#13;  to	&#13;  labels	&#13;  and	&#13;  activity	&#13;  planning.	&#13;  

Back	&#13;  row:	&#13;  John	&#13;  Kolios,	&#13;  Maggie	&#13;  Clark,	&#13;  David	&#13;  Florence,	&#13;  Brandyn	&#13;  Solano,	&#13;  Giulia	&#13;  Morrone,	&#13;  Dierdre	&#13;  Schiff,	&#13;  
Hannah	&#13;  Smith,	&#13;  Sam	&#13;  Kogan	&#13;  ,	&#13;  E rik	&#13;  Morrison.	&#13;  Front	&#13;  row:	&#13;  Elana	&#13;  Scaglia,	&#13;  Emily	&#13;  S loan,	&#13;  Allie	&#13;  Smith,	&#13;  Eiko	&#13;  Franklin.	&#13;  	&#13;  

�	&#13;  

A	&#13;  City	&#13;  and	&#13;  its	&#13;  Mapmakers	&#13;  
Saratoga	&#13;  Springs	&#13;  became	&#13;  a	&#13;  city	&#13;  at	&#13;  a	&#13;  time	&#13;  when	&#13;  reinvent-­‐
tion	&#13;  and	&#13;  renewal	&#13;  were	&#13;  on	&#13;  state	&#13;  and	&#13;  local	&#13;  leaders’	&#13;  minds.	&#13;  	&#13;  
The	&#13;  1915	&#13;  State	&#13;  Reservation	&#13;  Commission	&#13;  report	&#13;  mapped	&#13;  
out	&#13;  plans	&#13;  to	&#13;  preserve	&#13;  and	&#13;  revive	&#13;  use	&#13;  of	&#13;  the	&#13;  town’s	&#13;  mineral	&#13;  
springs,	&#13;  in	&#13;  a	&#13;  new,	&#13;  modern	&#13;  resort	&#13;  in	&#13;  what	&#13;  is	&#13;  now	&#13;  the	&#13;  Sara-­‐
toga	&#13;  Spa	&#13;  State	&#13;  Park.	&#13;  	&#13;  The	&#13;  City	&#13;  Charter	&#13;  reconfirmed	&#13;  the	&#13;  
territory	&#13;  of	&#13;  Saratoga	&#13;  Springs	&#13;  and	&#13;  its	&#13;  “corporation	&#13;  line.”	&#13;  	&#13;  
The	&#13;  Spirit	&#13;  of	&#13;  Life	&#13;  celebrated	&#13;  the	&#13;  contributions	&#13;  of	&#13;  Spencer	&#13;  
Trask	&#13;  and	&#13;  marked	&#13;  the	&#13;  newly	&#13;  public	&#13;  space	&#13;  of	&#13;  Congress	&#13;  Park.	&#13;  

Over	&#13;  its	&#13;  history,	&#13;  Saratoga	&#13;  Springs	&#13;  has	&#13;  produced	&#13;  many	&#13;  
maps	&#13;  that	&#13;  tell	&#13;  the	&#13;  community’s	&#13;  story.	&#13;  	&#13;  Two	&#13;  generations	&#13;  of	&#13;  
Motts,	&#13;  father	&#13;  Jesse	&#13;  S.	&#13;  and	&#13;  son	&#13;  Samuel	&#13;  J.,	&#13;  served	&#13;  as	&#13;  village	&#13;  
and	&#13;  city	&#13;  engineers	&#13;  (1894	&#13;  –	&#13;  1942),	&#13;  mapping	&#13;  infrastructure,	&#13;  
plans	&#13;  for	&#13;  the	&#13;  future	&#13;  and	&#13;  property	&#13;  maps.	&#13;  	&#13;  The	&#13;  plans	&#13;  and	&#13;  
maps	&#13;  of	&#13;  the	&#13;  Lester	&#13;  Brothers	&#13;  real	&#13;  estate	&#13;  firm	&#13;  (1860s-­‐1930s)	&#13;  
plot	&#13;  development.	&#13;  Charles	&#13;  F.	&#13;  Dowd	&#13;  (whose	&#13;  daughter	&#13;  
married	&#13;  into	&#13;  the	&#13;  Lester	&#13;  family)	&#13;  was	&#13;  an	&#13;  owner	&#13;  and	&#13;  professor	&#13;  
at	&#13;  the	&#13;  Temple	&#13;  Grove	&#13;  Seminary;	&#13;  he	&#13;  is	&#13;  perhaps	&#13;  best	&#13;  known	&#13;  
for	&#13;  proposing	&#13;  standardized	&#13;  time	&#13;  zones,	&#13;  creating	&#13;  maps	&#13;  from	&#13;  
the	&#13;  1860s.	&#13;  	&#13;  More	&#13;  recently,	&#13;  civic	&#13;  organizations	&#13;  like	&#13;  the	&#13;  Lions	&#13;  
	&#13;   Club	&#13;  and	&#13;  Chamber	&#13;  of	&#13;  Commerce	&#13;  produce	&#13;  city	&#13;  maps.	&#13;  

A	&#13;  Word	&#13;  About	&#13;  the	&#13;  Space	&#13;  of	&#13;  
Saratoga	&#13;  Springs	&#13;  
Saratoga	&#13;  Springs	&#13;  began	&#13;  as	&#13;  a	&#13;  settlement	&#13;  in	&#13;  the	&#13;  town	&#13;  of	&#13;  
Saratoga	&#13;  in	&#13;  land	&#13;  originally	&#13;  part	&#13;  of	&#13;  the	&#13;  Kayaderosseras	&#13;  
Patent.	&#13;  In	&#13;  1819,	&#13;  an	&#13;  act	&#13;  of	&#13;  the	&#13;  New	&#13;  York	&#13;  State	&#13;  Legislature	&#13;  
officially	&#13;  divided	&#13;  the	&#13;  town	&#13;  of	&#13;  Saratoga,	&#13;  adding	&#13;  the	&#13;  town	&#13;  of	&#13;  
Saratoga	&#13;  Springs	&#13;  within	&#13;  it.	&#13;  The	&#13;  new	&#13;  township	&#13;  received	&#13;  
about	&#13;  half	&#13;  the	&#13;  land	&#13;  of	&#13;  the	&#13;  original	&#13;  municipality,	&#13;  located	&#13;  on	&#13;  
the	&#13;  west	&#13;  side	&#13;  of	&#13;  the	&#13;  Kayaderosseras	&#13;  and	&#13;  Fish	&#13;  Creeks.	&#13;  
Within	&#13;  Saratoga	&#13;  Springs	&#13;  there	&#13;  are	&#13;  two	&#13;  distinct	&#13;  “districts”	&#13;  
created	&#13;  by	&#13;  an	&#13;  1826	&#13;  act	&#13;  that	&#13;  incorporated	&#13;  the	&#13;  village.	&#13;  	&#13;  

Saratoga	&#13;  Springs’	&#13;  territory	&#13;  today	&#13;  remains	&#13;  largely	&#13;  the	&#13;  same	&#13;  
as	&#13;  that	&#13;  described	&#13;  in	&#13;  the	&#13;  1819	&#13;  act.	&#13;  The	&#13;  1915	&#13;  city	&#13;  
incorporation	&#13;  act	&#13;  confirmed	&#13;  that	&#13;  the	&#13;  city	&#13;  retained	&#13;  the	&#13;  
town’s	&#13;  “present	&#13;  boundaries,”	&#13;  making	&#13;  government	&#13;  and	&#13;  
administration	&#13;  “coextensive	&#13;  with	&#13;  the	&#13;  territory	&#13;  above	&#13;  
described”—in	&#13;  other	&#13;  words,	&#13;  the	&#13;  same. 	&#13;  

�	&#13;  
	&#13;  

Maps	&#13;  and	&#13;  Civic	&#13;  Life	&#13;  

Maps	&#13;  and	&#13;  Urban	&#13;  Development	&#13;  

Streets,	&#13;  buildings,	&#13;  and	&#13;  land	&#13;  divisions	&#13;  may	&#13;  be	&#13;  the	&#13;  most	&#13;  obvious	&#13;  
features	&#13;  on	&#13;  a	&#13;  map,	&#13;  but	&#13;  each	&#13;  of	&#13;  these	&#13;  physical	&#13;  elements	&#13;  
reflects	&#13;  how	&#13;  a	&#13;  community	&#13;  creates	&#13;  and	&#13;  uses	&#13;  its	&#13;  public	&#13;  and	&#13;  
private	&#13;  spaces.	&#13;  Maps	&#13;  help	&#13;  us	&#13;  understand	&#13;  what	&#13;  matters	&#13;  to	&#13;  the	&#13;  
people	&#13;  who	&#13;  live,	&#13;  work,	&#13;  and	&#13;  play	&#13;  in	&#13;  a	&#13;  town	&#13;  or	&#13;  city.	&#13;  The	&#13;  maps	&#13;  
displayed	&#13;  in	&#13;  the	&#13;  exhibit	&#13;  and	&#13;  online	&#13;  give	&#13;  a	&#13;  taste	&#13;  of	&#13;  some	&#13;  of	&#13;  the	&#13;  
most	&#13;  enduring	&#13;  features	&#13;  of	&#13;  civic	&#13;  life	&#13;  –	&#13;  including	&#13;  schools	&#13;  and	&#13;  
voting	&#13;  districts,	&#13;  parades,	&#13;  and	&#13;  parks.	&#13;  

A	&#13;  walk	&#13;  through	&#13;  Saratoga	&#13;  Springs	&#13;  today	&#13;  reveals	&#13;  glamorous	&#13;  
buildings	&#13;  of	&#13;  distinct	&#13;  styles	&#13;  that	&#13;  range	&#13;  from	&#13;  simple	&#13;  red	&#13;  brick	&#13;  
facades	&#13;  to	&#13;  decadent	&#13;  Victorian	&#13;  mansions	&#13;  and	&#13;  even	&#13;  southern	&#13;  
antebellum	&#13;  porches	&#13;  that	&#13;  make	&#13;  you	&#13;  question	&#13;  how	&#13;  a	&#13;  hint	&#13;  of	&#13;  
southern	&#13;  hospitality	&#13;  made	&#13;  it	&#13;  so	&#13;  far	&#13;  north.	&#13;  Fine	&#13;  dining	&#13;  is	&#13;  
everywhere	&#13;  you	&#13;  turn,	&#13;  and	&#13;  a	&#13;  horse	&#13;  will	&#13;  always	&#13;  be	&#13;  displayed	&#13;  to	&#13;  
remind	&#13;  you	&#13;  of	&#13;  the	&#13;  track.	&#13;  Behind	&#13;  the	&#13;  city’s	&#13;  current	&#13;  lively	&#13;  
atmosphere	&#13;  of	&#13;  health,	&#13;  history,	&#13;  and	&#13;  horses	&#13;  lies	&#13;  a	&#13;  complex	&#13;  history	&#13;  
of	&#13;  urban	&#13;  development.	&#13;  Changes	&#13;  in	&#13;  planning	&#13;  maps	&#13;  dating	&#13;  from	&#13;  
the	&#13;  city’s	&#13;  earliest	&#13;  years	&#13;  to	&#13;  today	&#13;  reveal	&#13;  how	&#13;  maps	&#13;  since	&#13;  the	&#13;  
1800s	&#13;  have	&#13;  shaped	&#13;  the	&#13;  city	&#13;  into	&#13;  what	&#13;  it	&#13;  is	&#13;  today.	&#13;  

Maps,	&#13;  Tourism	&#13;  and	&#13;  Travel	&#13;  
Since	&#13;  the	&#13;  1830s,	&#13;  when	&#13;  trains	&#13;  began	&#13;  to	&#13;  deliver	&#13;  summer	&#13;  visitors,	&#13;  
Saratoga	&#13;  Springs’	&#13;  growth	&#13;  and	&#13;  development	&#13;  moved	&#13;  in	&#13;  lock	&#13;  
step	&#13;  with	&#13;  ground	&#13;  transportation.	&#13;  Maps	&#13;  reveal	&#13;  how	&#13;  Broadway	&#13;  
retains	&#13;  its	&#13;  role	&#13;  as	&#13;  the	&#13;  city’s	&#13;  spine,	&#13;  despite	&#13;  efforts	&#13;  by	&#13;  developers	&#13;  
to	&#13;  entice	&#13;  visitors	&#13;  away.	&#13;  They	&#13;  also	&#13;  track	&#13;  today’s	&#13;  familiar	&#13;  routes	&#13;  
–	&#13;  9,	&#13;  29	&#13;  and	&#13;  50—from	&#13;  a	&#13;  network	&#13;  of	&#13;  trails,	&#13;  roads	&#13;  and	&#13;  rail	&#13;  tracks.	&#13;  
Dreamers	&#13;  from	&#13;  real	&#13;  estate	&#13;  developers	&#13;  and	&#13;  civic-­‐minded	&#13;  
residents	&#13;  to	&#13;  city	&#13;  planners	&#13;  and	&#13;  college	&#13;  professors	&#13;  map	&#13;  
transportation	&#13;  and	&#13;  tourism	&#13;  to	&#13;  imagine	&#13;  the	&#13;  city	&#13;  of	&#13;  the	&#13;  future.	&#13;  

	&#13;  

Tourist,	&#13;  urban	&#13;  development,	&#13;  and	&#13;  transportation	&#13;  maps	&#13;  
provide	&#13;  complementary	&#13;  sides	&#13;  of	&#13;  a	&#13;  story	&#13;  about	&#13;  the	&#13;  city’s	&#13;  
plans	&#13;  for	&#13;  growth	&#13;  and	&#13;  adaptation	&#13;  to	&#13;  changing	&#13;  times.	&#13;  

�</text>
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                    <text>	&#13;  
	&#13;  

Visit	&#13;  the	&#13;  Exhibit’s	&#13;  Website	&#13;  

	&#13;  

To	&#13;  find	&#13;  out	&#13;  more	&#13;  information	&#13;  about	&#13;  Saratoga	&#13;  Springs’	&#13;  maps	&#13;  and	&#13;  
history,	&#13;  or	&#13;  to	&#13;  take	&#13;  a	&#13;  closer	&#13;  look	&#13;  at	&#13;  the	&#13;  maps	&#13;  and	&#13;  objects	&#13;  in	&#13;  the	&#13;  exhibit,	&#13;  
please	&#13;  visit	&#13;  us	&#13;  at:	&#13;  

http://ssmp.skidmore.edu/exhibits/show/mappingsaratoga	&#13;  

Many	&#13;  Thanks	&#13;  	&#13;  
The	&#13;  curatorial	&#13;  team	&#13;  worked	&#13;  with	&#13;  the	&#13;  Spring	&#13;  T eam:	&#13;  Deirdre	&#13;  Schiff	&#13;  ’15,	&#13;  
Eiko	&#13;  Franklin	&#13;  ‘16,	&#13;  Erik	&#13;  Morrison	&#13;  ‘15,	&#13;  Giulia	&#13;  Morrone	&#13;  ‘15,	&#13;  Elana	&#13;  Scaglia	&#13;  
‘15,	&#13;  Emily	&#13;  Sloan	&#13;  ’15,	&#13;  and	&#13;  Allie	&#13;  Smith	&#13;  ’15	&#13;  	&#13;  to	&#13;  convert	&#13;  ideas	&#13;  to	&#13;  exhibition.	&#13;  
	&#13;  

Contributors	&#13;  and	&#13;  Brain	&#13;  Trust:	&#13;  It	&#13;  takes	&#13;  a	&#13;  village	&#13;  to	&#13;  mount	&#13;  this	&#13;  kind	&#13;  of	&#13;  
show.	&#13;  	&#13;  We	&#13;  relied	&#13;  on	&#13;  many	&#13;  area	&#13;  experts,	&#13;  including	&#13;  Lauren	&#13;  Roberts,	&#13;  Alex	&#13;  
Chaucer,	&#13;  Bob	&#13;  Jones,	&#13;  Beth	&#13;  Dupont,	&#13;  Lauren	&#13;  Shapiro	&#13;  ’15,	&#13;  Mark	&#13;  Olson,	&#13;  
Martin	&#13;  Brückner,	&#13;  Field	&#13;  Horne,	&#13;  Matt	&#13;  Veitch,	&#13;  Harvey	&#13;  and	&#13;  Cassie	&#13;  Fox,	&#13;  
Donald	&#13;  Carpenter,	&#13;  the	&#13;  Corporation	&#13;  of	&#13;  Yaddo,	&#13;  Michael	&#13;  McCabe.	&#13;  	&#13;  	&#13;  
	&#13;  
Support	&#13;  by	&#13;  The	&#13;  Alfred	&#13;  Z.	&#13;  
Solomon	&#13;  Charitable	&#13;  Trust,	&#13;  and	&#13;  
JIMAPCO	&#13;  made	&#13;  the	&#13;  exhibit	&#13;  
possible.	&#13;  
Saratoga	&#13;  Springs	&#13;  History	&#13;  Museum	&#13;  
1	&#13;  E	&#13;  Congress	&#13;  St	&#13;  
Saratoga	&#13;  Springs,	&#13;  N Y	&#13;  12866	&#13;  
	&#13;   saratogahistory.org	&#13;  

Surveyors’	&#13;  Tools	&#13;  
	&#13;  

Mapping	&#13;  A	&#13;  City	&#13;  
Saratoga	&#13;  Springs	&#13;  Seen	&#13;  Through	&#13;  	&#13;  
250	&#13;  Years	&#13;  of	&#13;  Maps	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  April-­‐December	&#13;  2015	&#13;  

�	&#13;  

About	&#13;  the	&#13;  Project	&#13;  

A	&#13;  Brief	&#13;  Saratoga	&#13;  Springs	&#13;  Timeline	&#13;  	&#13;  
The	&#13;  Foundation:	&#13;  From	&#13;  Town	&#13;  To	&#13;  Village	&#13;  	&#13;  
•
•
•
•
•
•
•
•
•
•
•
•

1777	&#13;  Battle	&#13;  of	&#13;  Saratoga	&#13;  	&#13;  
1789	&#13;  Gideon	&#13;  Putnam	&#13;  arrives	&#13;  in	&#13;  Saratoga	&#13;  Springs	&#13;  
1791	&#13;  Saratoga	&#13;  County	&#13;  established	&#13;  
1803	&#13;  Putnam’s	&#13;  Boarding	&#13;  House	&#13;  built	&#13;  
1819	&#13;  Saratoga	&#13;  Springs	&#13;  becomes	&#13;  a	&#13;  district	&#13;  in	&#13;  the	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
town	&#13;  of	&#13;  Saratoga	&#13;  
1824	&#13;  United	&#13;  States	&#13;  Hotel	&#13;  opens	&#13;  
1826	&#13;  Saratoga	&#13;  Springs	&#13;  Village	&#13;  Charter	&#13;  
1833	&#13;  First	&#13;  steam	&#13;  locomotive	&#13;  to	&#13;  Saratoga	&#13;  Springs	&#13;  
1863	&#13;  Racetrack	&#13;  opens	&#13;  	&#13;  
1893	&#13;  Convention	&#13;  Hall	&#13;  opens	&#13;  
1911	&#13;  Racetrack	&#13;  closes	&#13;  for	&#13;  two	&#13;  seasons	&#13;  
1913	&#13;  Village	&#13;  P ark	&#13;  –	&#13;  later	&#13;  Congress	&#13;  Park	&#13;  –	&#13;  opens	&#13;  

A	&#13;  City	&#13;  Rises	&#13;  
•
•
•
•
•
•
•
•
•
•
	&#13;  

1915	&#13;  City	&#13;  Charter	&#13;  adopted	&#13;  by	&#13;  NY	&#13;  State	&#13;  Legislature	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Trolley	&#13;  station	&#13;  (now	&#13;  Visitors	&#13;  Center)	&#13;  open	&#13;  	&#13;  
1918	&#13;  Saratoga	&#13;  County	&#13;  Chamber	&#13;  of	&#13;  Commerce	&#13;  forms	&#13;  
1923	&#13;  First	&#13;  zoning	&#13;  map	&#13;  adopted	&#13;  by	&#13;  the	&#13;  City	&#13;  Council	&#13;  
1941	&#13;  Trolley	&#13;  station	&#13;  becomes	&#13;  state	&#13;  park	&#13;  drink	&#13;  hall	&#13;  
1951	&#13;  Saratoga	&#13;  Springs	&#13;  casinos	&#13;  close	&#13;  
1963	&#13;  Northway	&#13;  (I-­‐87)	&#13;  opens	&#13;  
1966	&#13;  Saratoga	&#13;  Performing	&#13;  Arts	&#13;  Center	&#13;  opens	&#13;  
1984	&#13;  City	&#13;  Center	&#13;  opens	&#13;  
2004	&#13;  Saratoga	&#13;  Gaming	&#13;  &amp;	&#13;  Raceway	&#13;  begins	&#13;  
2015	&#13;  Centennial	&#13;  of	&#13;  City	&#13;  Charter	&#13;  

To	&#13;  celebrate	&#13;  Saratoga	&#13;  Springs'	&#13;  centennial	&#13;  as	&#13;  a	&#13;  city,	&#13;  the	&#13;  Saratoga	&#13;  
Springs	&#13;  History	&#13;  M useum	&#13;  presents	&#13;  this	&#13;  exhibit	&#13;  that	&#13;  tells	&#13;  the	&#13;  story	&#13;  of	&#13;  the	&#13;  
city	&#13;  through	&#13;  historical	&#13;  maps.	&#13;  This	&#13;  exhibition	&#13;  is	&#13;  the	&#13;  fruit	&#13;  of	&#13;  two	&#13;  years	&#13;  of	&#13;  
collaboration	&#13;  between	&#13;  Skidmore	&#13;  and	&#13;  the	&#13;  Saratoga	&#13;  Springs	&#13;  History	&#13;  
Museum,	&#13;  Saratoga	&#13;  Springs	&#13;  Public	&#13;  Library	&#13;  (Saratoga	&#13;  Room),	&#13;  City	&#13;  
Historian,	&#13;  and	&#13;  County	&#13;  Historian.	&#13;  Thanks	&#13;  to	&#13;  the	&#13;  many	&#13;  Saratogians	&#13;  and	&#13;  
Skidmore	&#13;  community	&#13;  members	&#13;  who	&#13;  helped	&#13;  bring	&#13;  it	&#13;  together,	&#13;  
transforming	&#13;  an	&#13;  idea	&#13;  to	&#13;  class	&#13;  project	&#13;  to	&#13;  exhibition.	&#13;  

First	&#13;  Steps	&#13;  
A	&#13;  committee	&#13;  led	&#13;  by	&#13;  Teri	&#13;  Blasko	&#13;  (Saratoga	&#13;  Springs	&#13;  Public	&#13;  Library).	&#13;  
Jordana	&#13;  Dym	&#13;  (Skidmore),	&#13;  Mary-­‐Ann	&#13;  Fitzgerald	&#13;  (City	&#13;  Historian),	&#13;  Jamie	&#13;  
Parillo	&#13;  (SS	&#13;  History	&#13;  Museum),	&#13;  and	&#13;  Rachel	&#13;  Seligman	&#13;  (Skidmore)	&#13;  identified	&#13;  
materials	&#13;  at	&#13;  their	&#13;  institutions,	&#13;  the	&#13;  Saratoga	&#13;  County	&#13;  archives,	&#13;  Duke	&#13;  
University's	&#13;  Rubenstein	&#13;  Library	&#13;  and	&#13;  Library	&#13;  of	&#13;  Congress,	&#13;  and	&#13;  
brainstormed	&#13;  exhibit	&#13;  goals.	&#13;  In	&#13;  summer	&#13;  2014,	&#13;  Deirdre	&#13;  Schiff,	&#13;  '15,	&#13;  and	&#13;  Allie	&#13;  
Smith,	&#13;  '15,	&#13;  joined	&#13;  the	&#13;  team	&#13;  with	&#13;  a	&#13;  summer	&#13;  collaborative	&#13;  research	&#13;  g rant.	&#13;  
Duke	&#13;  University’s	&#13;  Mark	&#13;  Olson	&#13;  led	&#13;  a	&#13;  workshop	&#13;  on	&#13;  Omeka,	&#13;  the	&#13;  platform	&#13;  
used	&#13;  for	&#13;  Skidmore-­‐Saratoga	&#13;  M emory	&#13;  Project	&#13;  exhibits,	&#13;  including	&#13;  this	&#13;  one.	&#13;  

It	&#13;  Takes	&#13;  a	&#13;  Class	&#13;  
In	&#13;  Fall	&#13;  2014,	&#13;  Dym’s	&#13;  Mapping	&#13;  the	&#13;  Americas	&#13;  class	&#13;  (pictured	&#13;  below),	&#13;  
worked	&#13;  with	&#13;  selected	&#13;  materials,	&#13;  researched,	&#13;  learned	&#13;  Saratoga	&#13;  Springs	&#13;  
history,	&#13;  and	&#13;  prepared	&#13;  the	&#13;  story.	&#13;  In	&#13;  Spring	&#13;  2015,	&#13;  more	&#13;  than	&#13;  half	&#13;  the	&#13;  class	&#13;  
continued	&#13;  with	&#13;  the	&#13;  project,	&#13;  developing	&#13;  exhibit	&#13;  materials,	&#13;  conducting	&#13;  
research,	&#13;  and	&#13;  contributing	&#13;  to	&#13;  labels	&#13;  and	&#13;  activity	&#13;  planning.	&#13;  

Back	&#13;  row:	&#13;  John	&#13;  Kolios,	&#13;  Maggie	&#13;  Clark,	&#13;  David	&#13;  Florence,	&#13;  Brandyn	&#13;  Solano,	&#13;  Giulia	&#13;  Morrone,	&#13;  Dierdre	&#13;  Schiff,	&#13;  
Hannah	&#13;  Smith,	&#13;  Sam	&#13;  Kogan	&#13;  ,	&#13;  E rik	&#13;  Morrison.	&#13;  Front	&#13;  row:	&#13;  Elana	&#13;  Scaglia,	&#13;  Emily	&#13;  S loan,	&#13;  Allie	&#13;  Smith,	&#13;  Eiko	&#13;  Franklin.	&#13;  	&#13;  

�	&#13;  

A	&#13;  City	&#13;  and	&#13;  its	&#13;  Mapmakers	&#13;  
Saratoga	&#13;  Springs	&#13;  became	&#13;  a	&#13;  city	&#13;  at	&#13;  a	&#13;  time	&#13;  when	&#13;  reinvent-­‐
tion	&#13;  and	&#13;  renewal	&#13;  were	&#13;  on	&#13;  state	&#13;  and	&#13;  local	&#13;  leaders’	&#13;  minds.	&#13;  	&#13;  
The	&#13;  1915	&#13;  State	&#13;  Reservation	&#13;  Commission	&#13;  report	&#13;  mapped	&#13;  
out	&#13;  plans	&#13;  to	&#13;  preserve	&#13;  and	&#13;  revive	&#13;  use	&#13;  of	&#13;  the	&#13;  town’s	&#13;  mineral	&#13;  
springs,	&#13;  in	&#13;  a	&#13;  new,	&#13;  modern	&#13;  resort	&#13;  in	&#13;  what	&#13;  is	&#13;  now	&#13;  the	&#13;  Sara-­‐
toga	&#13;  Spa	&#13;  State	&#13;  Park.	&#13;  	&#13;  The	&#13;  City	&#13;  Charter	&#13;  reconfirmed	&#13;  the	&#13;  
territory	&#13;  of	&#13;  Saratoga	&#13;  Springs	&#13;  and	&#13;  its	&#13;  “corporation	&#13;  line.”	&#13;  	&#13;  
The	&#13;  Spirit	&#13;  of	&#13;  Life	&#13;  celebrated	&#13;  the	&#13;  contributions	&#13;  of	&#13;  Spencer	&#13;  
Trask	&#13;  and	&#13;  marked	&#13;  the	&#13;  newly	&#13;  public	&#13;  space	&#13;  of	&#13;  Congress	&#13;  Park.	&#13;  

Over	&#13;  its	&#13;  history,	&#13;  Saratoga	&#13;  Springs	&#13;  has	&#13;  produced	&#13;  many	&#13;  
maps	&#13;  that	&#13;  tell	&#13;  the	&#13;  community’s	&#13;  story.	&#13;  	&#13;  Two	&#13;  generations	&#13;  of	&#13;  
Motts,	&#13;  father	&#13;  Jesse	&#13;  S.	&#13;  and	&#13;  son	&#13;  Samuel	&#13;  J.,	&#13;  served	&#13;  as	&#13;  village	&#13;  
and	&#13;  city	&#13;  engineers	&#13;  (1894	&#13;  –	&#13;  1942),	&#13;  mapping	&#13;  infrastructure,	&#13;  
plans	&#13;  for	&#13;  the	&#13;  future	&#13;  and	&#13;  property	&#13;  maps.	&#13;  	&#13;  The	&#13;  plans	&#13;  and	&#13;  
maps	&#13;  of	&#13;  the	&#13;  Lester	&#13;  Brothers	&#13;  real	&#13;  estate	&#13;  firm	&#13;  (1860s-­‐1930s)	&#13;  
plot	&#13;  development.	&#13;  Charles	&#13;  F.	&#13;  Dowd	&#13;  (whose	&#13;  daughter	&#13;  
married	&#13;  into	&#13;  the	&#13;  Lester	&#13;  family)	&#13;  was	&#13;  an	&#13;  owner	&#13;  and	&#13;  professor	&#13;  
at	&#13;  the	&#13;  Temple	&#13;  Grove	&#13;  Seminary;	&#13;  he	&#13;  is	&#13;  perhaps	&#13;  best	&#13;  known	&#13;  
for	&#13;  proposing	&#13;  standardized	&#13;  time	&#13;  zones,	&#13;  creating	&#13;  maps	&#13;  from	&#13;  
the	&#13;  1860s.	&#13;  	&#13;  More	&#13;  recently,	&#13;  civic	&#13;  organizations	&#13;  like	&#13;  the	&#13;  Lions	&#13;  
	&#13;   Club	&#13;  and	&#13;  Chamber	&#13;  of	&#13;  Commerce	&#13;  produce	&#13;  city	&#13;  maps.	&#13;  

A	&#13;  Word	&#13;  About	&#13;  the	&#13;  Space	&#13;  of	&#13;  
Saratoga	&#13;  Springs	&#13;  
Saratoga	&#13;  Springs	&#13;  began	&#13;  as	&#13;  a	&#13;  settlement	&#13;  in	&#13;  the	&#13;  town	&#13;  of	&#13;  
Saratoga	&#13;  in	&#13;  land	&#13;  originally	&#13;  part	&#13;  of	&#13;  the	&#13;  Kayaderosseras	&#13;  
Patent.	&#13;  In	&#13;  1819,	&#13;  an	&#13;  act	&#13;  of	&#13;  the	&#13;  New	&#13;  York	&#13;  State	&#13;  Legislature	&#13;  
officially	&#13;  divided	&#13;  the	&#13;  town	&#13;  of	&#13;  Saratoga,	&#13;  adding	&#13;  the	&#13;  town	&#13;  of	&#13;  
Saratoga	&#13;  Springs	&#13;  within	&#13;  it.	&#13;  The	&#13;  new	&#13;  township	&#13;  received	&#13;  
about	&#13;  half	&#13;  the	&#13;  land	&#13;  of	&#13;  the	&#13;  original	&#13;  municipality,	&#13;  located	&#13;  on	&#13;  
the	&#13;  west	&#13;  side	&#13;  of	&#13;  the	&#13;  Kayaderosseras	&#13;  and	&#13;  Fish	&#13;  Creeks.	&#13;  
Within	&#13;  Saratoga	&#13;  Springs	&#13;  there	&#13;  are	&#13;  two	&#13;  distinct	&#13;  “districts”	&#13;  
created	&#13;  by	&#13;  an	&#13;  1826	&#13;  act	&#13;  that	&#13;  incorporated	&#13;  the	&#13;  village.	&#13;  	&#13;  

Saratoga	&#13;  Springs’	&#13;  territory	&#13;  today	&#13;  remains	&#13;  largely	&#13;  the	&#13;  same	&#13;  
as	&#13;  that	&#13;  described	&#13;  in	&#13;  the	&#13;  1819	&#13;  act.	&#13;  The	&#13;  1915	&#13;  city	&#13;  
incorporation	&#13;  act	&#13;  confirmed	&#13;  that	&#13;  the	&#13;  city	&#13;  retained	&#13;  the	&#13;  
town’s	&#13;  “present	&#13;  boundaries,”	&#13;  making	&#13;  government	&#13;  and	&#13;  
administration	&#13;  “coextensive	&#13;  with	&#13;  the	&#13;  territory	&#13;  above	&#13;  
described”—in	&#13;  other	&#13;  words,	&#13;  the	&#13;  same. 	&#13;  

�	&#13;  
	&#13;  

Maps	&#13;  and	&#13;  Civic	&#13;  Life	&#13;  

Maps	&#13;  and	&#13;  Urban	&#13;  Development	&#13;  

Streets,	&#13;  buildings,	&#13;  and	&#13;  land	&#13;  divisions	&#13;  may	&#13;  be	&#13;  the	&#13;  most	&#13;  obvious	&#13;  
features	&#13;  on	&#13;  a	&#13;  map,	&#13;  but	&#13;  each	&#13;  of	&#13;  these	&#13;  physical	&#13;  elements	&#13;  
reflects	&#13;  how	&#13;  a	&#13;  community	&#13;  creates	&#13;  and	&#13;  uses	&#13;  its	&#13;  public	&#13;  and	&#13;  
private	&#13;  spaces.	&#13;  Maps	&#13;  help	&#13;  us	&#13;  understand	&#13;  what	&#13;  matters	&#13;  to	&#13;  the	&#13;  
people	&#13;  who	&#13;  live,	&#13;  work,	&#13;  and	&#13;  play	&#13;  in	&#13;  a	&#13;  town	&#13;  or	&#13;  city.	&#13;  The	&#13;  maps	&#13;  
displayed	&#13;  in	&#13;  the	&#13;  exhibit	&#13;  and	&#13;  online	&#13;  give	&#13;  a	&#13;  taste	&#13;  of	&#13;  some	&#13;  of	&#13;  the	&#13;  
most	&#13;  enduring	&#13;  features	&#13;  of	&#13;  civic	&#13;  life	&#13;  –	&#13;  including	&#13;  schools	&#13;  and	&#13;  
voting	&#13;  districts,	&#13;  parades,	&#13;  and	&#13;  parks.	&#13;  

A	&#13;  walk	&#13;  through	&#13;  Saratoga	&#13;  Springs	&#13;  today	&#13;  reveals	&#13;  glamorous	&#13;  
buildings	&#13;  of	&#13;  distinct	&#13;  styles	&#13;  that	&#13;  range	&#13;  from	&#13;  simple	&#13;  red	&#13;  brick	&#13;  
facades	&#13;  to	&#13;  decadent	&#13;  Victorian	&#13;  mansions	&#13;  and	&#13;  even	&#13;  southern	&#13;  
antebellum	&#13;  porches	&#13;  that	&#13;  make	&#13;  you	&#13;  question	&#13;  how	&#13;  a	&#13;  hint	&#13;  of	&#13;  
southern	&#13;  hospitality	&#13;  made	&#13;  it	&#13;  so	&#13;  far	&#13;  north.	&#13;  Fine	&#13;  dining	&#13;  is	&#13;  
everywhere	&#13;  you	&#13;  turn,	&#13;  and	&#13;  a	&#13;  horse	&#13;  will	&#13;  always	&#13;  be	&#13;  displayed	&#13;  to	&#13;  
remind	&#13;  you	&#13;  of	&#13;  the	&#13;  track.	&#13;  Behind	&#13;  the	&#13;  city’s	&#13;  current	&#13;  lively	&#13;  
atmosphere	&#13;  of	&#13;  health,	&#13;  history,	&#13;  and	&#13;  horses	&#13;  lies	&#13;  a	&#13;  complex	&#13;  history	&#13;  
of	&#13;  urban	&#13;  development.	&#13;  Changes	&#13;  in	&#13;  planning	&#13;  maps	&#13;  dating	&#13;  from	&#13;  
the	&#13;  city’s	&#13;  earliest	&#13;  years	&#13;  to	&#13;  today	&#13;  reveal	&#13;  how	&#13;  maps	&#13;  since	&#13;  the	&#13;  
1800s	&#13;  have	&#13;  shaped	&#13;  the	&#13;  city	&#13;  into	&#13;  what	&#13;  it	&#13;  is	&#13;  today.	&#13;  

Maps,	&#13;  Tourism	&#13;  and	&#13;  Travel	&#13;  
Since	&#13;  the	&#13;  1830s,	&#13;  when	&#13;  trains	&#13;  began	&#13;  to	&#13;  deliver	&#13;  summer	&#13;  visitors,	&#13;  
Saratoga	&#13;  Springs’	&#13;  growth	&#13;  and	&#13;  development	&#13;  moved	&#13;  in	&#13;  lock	&#13;  
step	&#13;  with	&#13;  ground	&#13;  transportation.	&#13;  Maps	&#13;  reveal	&#13;  how	&#13;  Broadway	&#13;  
retains	&#13;  its	&#13;  role	&#13;  as	&#13;  the	&#13;  city’s	&#13;  spine,	&#13;  despite	&#13;  efforts	&#13;  by	&#13;  developers	&#13;  
to	&#13;  entice	&#13;  visitors	&#13;  away.	&#13;  They	&#13;  also	&#13;  track	&#13;  today’s	&#13;  familiar	&#13;  routes	&#13;  
–	&#13;  9,	&#13;  29	&#13;  and	&#13;  50—from	&#13;  a	&#13;  network	&#13;  of	&#13;  trails,	&#13;  roads	&#13;  and	&#13;  rail	&#13;  tracks.	&#13;  
Dreamers	&#13;  from	&#13;  real	&#13;  estate	&#13;  developers	&#13;  and	&#13;  civic-­‐minded	&#13;  
residents	&#13;  to	&#13;  city	&#13;  planners	&#13;  and	&#13;  college	&#13;  professors	&#13;  map	&#13;  
transportation	&#13;  and	&#13;  tourism	&#13;  to	&#13;  imagine	&#13;  the	&#13;  city	&#13;  of	&#13;  the	&#13;  future.	&#13;  

	&#13;  

Tourist,	&#13;  urban	&#13;  development,	&#13;  and	&#13;  transportation	&#13;  maps	&#13;  
provide	&#13;  complementary	&#13;  sides	&#13;  of	&#13;  a	&#13;  story	&#13;  about	&#13;  the	&#13;  city’s	&#13;  
plans	&#13;  for	&#13;  growth	&#13;  and	&#13;  adaptation	&#13;  to	&#13;  changing	&#13;  times.	&#13;  

�	&#13;  
	&#13;  

	&#13;  

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                    <text>Mapping a
City
1915:
Incorporating a City
Early 20th century Saratoga
Springs faced a decline in its
popularity as a resort and
conference destination. Seeking
to reinvent its image and assert
its place as an upstate New
York hub, town leaders started
several projects, working with
state officials, to conserve the
mineral springs and bring the
visitors back.
A defining moment for the
town’s revitalization came with
its incorporation as a city in
1915, which capped a period of
municipal conservation efforts
and a new era of mapping and
zoning. 100 years since the city
charter was signed, this exhibit
tells the city’s origins and
growth through its maps.

Map Stories of
Saratoga Springs
Maps chart the tale of Saratoga
Springs' settlement, establishment as a separate district
within the town of Saratoga in
1819, erection as an independent village in 1826, and receipt
of a city charter from New
York State in 1915.
Maps also reveal what mattered
to visitors and residents: parks
and parking, routes and roads,
attractions and business, land
and buildings, planning and
development, what worked and
what should change.
Saratoga Springs History Museum
1 E Congress St
Saratoga Springs, New York 12866
www.saratogahistory.org
Exhibit Website:
http:://ssmp.skidmore.edu/

250 Years of
Saratoga Springs
History
April - December 2015
Sponsored by
the Alfred Z. Solomon
Charitable Trust
&amp; JIMAPCO

�2
1

Timeline

The Past Through Maps
The citizens of Saratoga Springs, N.Y.,
might think of making a map in order to
influence policy (Figure 1) or of consulting
one to plan a trip or to showcase in homes,
schools and libraries (Figure 2). But maps
also reveal a lot about the communities that
made them--their ideas and values, their
way of seeing the world, their hopes and
dreams. In other words, maps tell stories.
Accessible by Native American trails as
early as the 17th century, the springs of
Saratoga and the settlement that grew
around them began to find their way onto
many kinds of maps--official surveys, city

plans, tourist guides, and real estate brochures with late-18th c. European settlement.
Small-scale and large scale, businesslike or
humorous, black &amp; white or color, these
historical maps provide details or data
about the city's past.
Maps takes us through Saratoga Springs'
history from its origins as a crossroads
between Canada, New York and New
England and a draw for the healing power
of its mineral waters to its present day as a
lively spot for meetings, nightlife, and
recreation.

1777 Battle of Saratoga
1789 Gideon Putnam arrived in
Saratoga Springs
1791 Saratoga County established
1803 Putnam’s Boarding House
built
1819 Saratoga Springs becomes a
district, town of Saratoga
1824 United States Hotel opens
1826 Saratoga Springs Village
Charter
1833 First steam locomotive to
Saratoga Springs
1863 Racetrack opens
1893 Convention Hall opens
1911 Racetrack closes for two
seasons
1913 Village Park – later
Congress Park – opens
1915 City Charter adopted by NY
State Legislature
1918 Saratoga County Chamber
of Commerce forms
1923 First zoning map
1951 Saratoga Springs casinos
closed
1963 Northway (I-87) opens
1966 Saratoga Performing Arts
Center opens
1984 City Center opens
2004 Saratoga Gaming &amp;
Raceway opens
2015 Centennial of City Charter

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