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                <text>The new station will be three times the size of the old one. It will include a newstand, coffee, kiosk, gift shop and children's play area. There will be rotating artists and exhibits, and the Saratoga County Chamber of Commerce will host an informational and welcome kiosk.</text>
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Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
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                <text>Saratoga Springs: King of Resorts, Queen of Spas</text>
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                    <text>Interview with Susan (“Gibbsie”) Gibbs '65 by Charlotte Bracklo '19,
COMPASSIONATE HANDS: Skidmore’s Nursing Program, 2019.
CHARLOTTE BRACKLO [00:00]: Um, so where were you from before you decided to attend
Skidmore's nursing program?
SUSAN GIBBS [00:07]: I was from Wellesley, Massachusetts.
CB [00:11]: Okay. And how did you hear about Skidmore or the program or what, what drew
you to it?
SG [00:18]: Oh Gosh. Well, I knew I wanted to become a nurse and I guess I just heard by word
of mouth, um, about Skidmore's program and that it was supposed to be an excellent,
excellent program. And I had a cousin who was, who went to Skidmore, but she, she was
not in the nursing program, but I think I asked her a little bit about that and she said, ‘Oh
yeah, it was supposed to be very good.’ So, so I applied. It was that easy. I didn't know a
whole lot about it before I started.
CB [00:50]: That's great. So, did your family have a background in the field of medicine or
nursing?
SG [00:55]: No. Nothing. Nothing at all, no. My mother apparently had wanted to be a nurse in
her youth, but her father wouldn't let her, he didn't think that was appropriate so that the
idea blew out the window.
CB [01:07]: Okay. So, so what drew you to nursing in the first place?
SG [01:12]: Uh, I don't, it's kind of hard to tell. I think, I think maybe I had seen some movie, I
don't remember what it is at the moment where it was about nursing or about a nurse.
And I thought that that was fascinating because originally for years and years I, I had
wanted to be a preschool teacher and because I've, I've worked with children my whole
life and I, and I, I knew I wanted to be a pediatric nurse, but I didn't know I wanted to be
a nurse to begin with. But all of a sudden it just hit me like a bolt of lightning out of the
blue that, oh, I'm going to be a nurse. So, I went on with it.
CB [01:50]: Cool. And what was your educational background like going into Skidmore?
SG [01:56]: Uh, I went to a school called Dana Hall, which is in Wellesley and got a very good,
in my opinion, and very good general education there. So I was, I was ready for college,
definitely.
CB [02:11]: Great. And you kind of already got to this, but what, um, was there anything specific
that drew you to Skidmore's program or was it really the fact that your cousin was there?
SG [02:24]: No, we weren't that close. So it was, it was the nursing program that drew me to it

�because it, it had a, just a really, really good, uh, what do you call it? Now my English is
failing. They said good things about it. Yeah.
CB [02:41]: Um, what was your sense of the program before, before you started there?
SG [02:49]: Um, really nothing. I just knew that it was one, I think it was one of the top four
schools in the country. And I knew I wanted to get a baccalaureate education and not just
go to a three-year nursing school because that was, well, that had started a few years
before, but, uh, it was really becoming quite, uh, the thing to do back then. And I know
several people that I both knew and had heard of, uh, had gone to a uh, gone to a three
year school and then went back afterwards to get their degree. So, I figured I might as
well kill two birds with one stone. Yeah. And it sounded like a school I wanted to go to.
Just generally speaking.
CB [03:35]: Um, so tell me more about your experience in the program. Anything from classes,
professors that stood out? Any specific memories?
SG [03:47]: Well, we had a very, quite a stringent program because we, we had to declare our,
uh, our major before we were admitted to Skidmore. Even, I mean, I was in, it was, it was
a very stringent program. So, our freshman year, uh, all we had...We didn't have to take, I
don't know what you guys do today, but we did have to take freshman English. That was,
that was required of us. And, but all the other freshmen had to take a course in logic and
we didn't have, everyone had to take it. They had to, there was no question. But you
know, they couldn't get out of it. And we heard all these different questions they were
asking and we kind of felt out of it in the dorm, because everybody was talking about
logic, but we were talking about anatomy and physiology. No, but we had, we just had
freshman English that year and um, uh, other than nursing, all the other things were
nursing programs or uh courses, so, so we had our work cut out for us. And then we had,
we were two years in New York City and we were there the summer after our sophomore
year for eight weeks. So, it was actually a four and a half year program. But when we got
back to campus on, on our senior, in our senior year, we were, we only had one nursing
program, which was one nursing course, which was a, a sort of a highfalutin course
about... It was, it was nothing clinical about it at all. Our clinical work was in New York
City and then, then we were allowed to take just about whatever we wanted to when we
got back onto campus. And we were allowed to take 400-level classes and certain things
if they had room for us you know. And we weren't expected to do our, well, we were
expected to do our best, but we weren't expected to be the best of the class. I remember
taking a 400-level course with a bunch of, everybody was seniors, you know, and um, I
was the only nurse in there and they were all English majors. And I remember one time
one of the professors who was a full professor and had a doctorate, she asked a question
about one of the, it was Shakespeare. And, uh, asked a question about one of his plays
and everybody sat there like bumps on logs and I raised my hand and I answered the
question. She said, ‘you're absolutely right.’ And then she said to them, ‘see girls, that,
and that's a nurse.’ I'll never forget that. That's also that, that was the program. You
know, we, we didn't have any choice except for our senior year. We had no choice as to
what we were going to take. But that was okay because we knew we had to. That was

�fine. We had some wonderful, wonderful, uh, teachers, especially in our, well in all of
our years. But the, the freshman year, my favorite was, was our anatomy and physiology
teacher. We had to dissect cats and we couldn't always find the organs or the veins or the
nerves or whatever we were looking for. And we would say to her, her name was Eve
Beverly Field. And we would say to her, ‘Ms. Field, uh, I can't find the,’ well, let's say
the liver, which was not easy. I mean, that wasn't so hard to overlook. But anyway, and
we said, ‘could you please show me where it is?’ And she would wave her hand over the
corpse and she’d say, ‘right around in there.’ So, you were back to square one. No, but
we had, we had very, we had very good teachers, I think. I think I liked all of them for, I
liked all of them all of the time actually. Yeah, and of course the ones we had when we
were in New York City were, they were all nurses themselves, except for one who was a
psychologist and had a different course with us. So, a couple of the people that were
teachers in New York, were uh, were Skidmore graduates themselves. Three of them
were I think so that, that was nice.
CB [07:54]: That's cool. So, tell me, tell me more about your time in New York.
SG [08:00]: Oh boy. That was fun. It was, we stayed, our dorm was, belonged to the New York
University Medical School and it was a 14-story building right on the East River and
right near the hospital, which was the New York University Medical Center. And uh, we
had the two top floors for Skidmore people. And there was no, I mean we just had, they
were dorm rooms. There was no kitchen, there was no nothing. And I was just thinking of
this this morning, I think I ate for dinner my entire two years down there I ate BLT
sandwiches. There was a snack bar in the complex there and we all ate there. We didn't
have any money for anything, you know.
So, then there was a, there was a restaurant on 2nd Avenue, which was run by an Italian
man who for some reason, I guess previous, lots of previous Skidmore students had gone
in to eat at his place. His name was Leno and he loved Skidmore students. He had all the
class pictures on the walls of his restaurant. And if we got very, very hungry and had no
money, we could go in and eat for free and then we could pay him when he, when we got
some money from our parents. We weren't allowed to work while we were students. That
what that was, yeah, that was very, very strict. Because, uh, our, our instructors were
responsible for what we did and we weren't allowed to practice any nursing, you know,
on its own. So, so we, so we didn't have any money unless somebody's parents gave them
a lot of money or something. And it was, it was an experience to live in the city. Uh, we
had one in our class who was from, I don't think any of us, slept the first two nights we
were there because it was so noisy. And we had, we had one girl who was from a small
town in Missouri and when we got to Saratoga Springs, she couldn't sleep at night
because of all the traffic on Union Avenue, which you people don't have as a problem
that, but there was not a lot of traffic on Union Avenue. So, I don't think she slept the first
week we were in New York. It was so noisy, but we got used to it. We got used to it.
CB [10:23]: And how did your time in Saratoga compare to your time in New York?
SG [10:28]: Oh, they were completely different. You just can't compare them. We grew up, we

�really grew up quickly. We noticed a big difference when we got back to campus as
seniors because, well of course what we...our field to study of course was, you know, we
ran into a lot of really serious mind-boggling things then and uh, which we had to face up
to. So, where the, the kids on campus were, they just were regular college students doing
regular college... I'm sure plenty of them had serious things they had to think about and
stuff. But it was, it was completely different.
Then of course the pace of the life in New York City was completely different from, from
uh, up in Saratoga. And we had a different campus that, that time, the campus you guys
are on now was bought when we were freshmen. And I remember we had a day, the
whole school got a day off, and we called it Woodlawn day and everybody went out to
the place where the current campus is and we sawed down small trees and gathered brush
and made big piles and lit bonfires for a whole day, which was helping so that they could
take the first shovel and start working on the new campus. So, we were never there and it
was nothing in our senior year either, everything on the old campus. So, so I've never had
the, the privilege to be on the new one. Except that I've been at, to a couple of reunions,
but never lived there or anything.
CB [12:10]: So you just mentioned that you ran into a lot of mind-boggling situations. Is there
anything that stands out that you would like to share?
SG [12:180: Eh, well, the way that a lot of really sick patients, you know, and I, I remember, I
remember the very first patient I had, who was an older man and I had to, I had to give
him a shot. I had never given anybody a shot before, so I was petrified. And he was, he
was getting a pain injection, so he, he was looking forward to the shot, which was good,
but he was, his skin was like leather. And I didn't stick the needle in hard enough and it
bounced back. And then I thought, oh, I'm giving up, I'm quitting, I'm quitting. And my
instructor, who was a very demanding, wonderful person and she said, ‘Do it again,’ and
the man groaned and all that. So, he got his shot. Oh, the first time was the worst. And I
had a classmate, oh gosh, this was... We had never been on the wards before or anything.
And she had a patient who wanted to use his urinal and she didn't know what a urinal
was, and it was standing on the bedside table. And he said to her at that time, they were,
they were metal, you see, so you couldn't see through them. I don't know what they are
these days, probably plastic. But anyway, uh, he said to her, and here's this sweet young
thing, right? So, he didn't want, he didn't, you know, he tried to be polite and he said, uh,
‘I would like that, please, is it full?’ And she said, ‘well, just a minute, I'll take a look.’
And she said, ‘Yes it is, where is your bouquet?’ She thought it was a vase with water in
it and he had to tell her what it was. No, and I know one of, one of my first patients on
our medical rotation died of cancer. That was not good. And my first patient that I had on
pediatrics, who was a little baby, I don't remember what was wrong with him, I
remember his name, but I don't remember what was wrong with him. I had him for two
days and he died. You know, I was, what, 19 years old so that's, you know, a lot of stuff
like that and you know, there were really, really sick patients, so...
CB [14:31]: Yeah. Thanks for sharing. Um, so moving on, like what was your path after
Skidmore?

�SG [14:41]: Well, I was offered a job at the University Hospital in pediatrics and I thought, oh, I
thought that was very nice. But then I thought, I should probably try a different hospital,
not be in the same place. So, I put in an application to Babies Hospital at Columbia and I
wanted to, I wanted to work in New York, so that was fine, I moved there. And uh, I
worked there for about three months and I hated it. And all the, almost all the nurses that
were there, um, had gone to Columbia Presbyterian School and they were kind of snooty
about it, you know, and they didn't like people from other schools and, and... Oh, I just,
you know, of course I had to work Christmas, right? I knew I would have to do that
because I was low man on the totem pole. And I thought, well, I was working nights and
I thought, well at least I'll see the little kids wake up and see their stockings hanging on
their beds, but when I went home, none of the children were awake. So that was horrible.
So, I held out as long as I could. And then I went back down to University Hospital and
asked the...spoke with the supervisor in pediatrics and I said, ‘is it still possible for me to
come here?’ And she said, ‘I thought you'd be back.’ And uh, so I, I, you know, resigned
from the job up there and the woman said, ‘Oh, you'll never get...and I'm not going to
give you a good resume or anything.’ And I thought, well, I said, ‘It's okay. I have
another job all lined up.’ So that's, you know. So, I was there for seven years and then I
decided to come here and I've been here ever since. So, I've worked full time with no
leave of absence for, well, a couple of months, you know, and that is at one point before I
came over here, but I've worked 100% for 47 years.
CB [16:37]: Wow.
SG [16:39]: Yeah. On the bright side I haven't, I haven't gone on. We were encouraged to go on
and get further degrees and everything, but of course we were told to work a couple of
years before applying. And most of the grad schools, at that point, you had to have some
job experience before you got in. So, uh, and a lot of my classmates did that and, but, but
I, you know, I just wanted to be a nurse. I wanted to be at the bedside and I stayed at the
bedside for 47 years and I've never regretted it.
CB [17:10]: That's great. So, what made you move? Because now you live in, in Norway?
SG [17:17]: Yes. Um, I was, um, well I had been here on vacation several times and I just really
liked it here. So, I thought, well, I'd like to work over there for a year. And it took me
almost a year to get all my papers together and, and get everything organized and get
accepted to work here and everything. And I kept saying, oh, I can't go. That was a big
step to take, you know, I thought, oh, I can't go because my grandmothers are both
getting old and think if they die and everything. Of course, they didn't. So, and so I
finally got my papers and with some courage together and came over and I was going to
be here for a year, but that's, that's 47 years ago now. So, it's been a long year.
CB [18:02]: Wow, that's, that's cool. Um, and how did you, while you worked, how did you find
that what you had learned at Skidmore, uh, impacted or benefited you?
SG [18:14]: Oh, I mean, I couldn't do anything. I couldn't, I knew nothing about nursing before I

�started at Skidmore so it meant 350% of everything, if not 500%. Yeah. Every,
everything, everything helped. Yeah.
CB [18:27]: Oh, so how did the liberal arts education benefit you, do you think?
SG [18:32]: Oh, I knew... I could talk about other things and I knew about other things than
bedpans and urinals and blood transfusions and babies popping out and that kind of stuff.
So could you, you know, you're dealing with people and people, normal people don't talk
about, you know, medical or nursing conditions all the time. Then of course you do when
you're working as a nurse. We were, there were a bunch of us who went out for dinner
years ago over here to a restaurant. And we sat, I worked at work in an ICU here for 40
years, and that was, you know, it was pretty gory a lot of the time. And we sat there
talking about blood and poop and you know, all sorts of horrible things and laughing and
laughing. And finally, the people that were sitting at the next table, one of them leaned
over and said, ‘Do you think you people could talk about something else, please?’ So,
when you're together with a lot of people like that, you do talk a lot of job talk and stuff,
but you have to know about art and history and literature and everything else that the
world actually consists of in order to do this.
CB [19:49]: Yeah.
SG [19:49]: Yeah.
CB [19:49]: Um, so the nursing program at Skidmore closed.
SG [19:54]: Yeah.
CB [19:54]: Do you remember learning about the closing of the program and how you felt about
it?
SG [20:00]: Oh, I think we were all devastated. Just devastated. I, do you know what year it
closed? I can't remember. I graduated in '65. I'm thinking it maybe was in the early, early
seventies. Do you know?
CB [20:19]: Something around that.
SG [20:21]: Yeah, I think so. No, I, I guess they sent a letter from, from Skidmore saying that
they had to close and they had to close because people weren't applying as much
anymore. And just at the, at the time, that we graduated in '65. I remember that. I had a
classmate who was a math major and she got a job, bang, right out of college working for
IBM. She didn't know beans about computers, you know, but she knew about math and
she got the highest paying job of all the people in our class. And I think we were maybe
300, give or some, give it a little more than 300 classmates all together. And she got the
highest paying job. Amazing. And you know, so girls were just beginning to be able to
get jobs other than nurses, teachers, librarians, uh, you know, that kind of stuff, or, you
know, good old, old fashioned women's jobs where people were beginning to branch out

�and do something else.
CB [21:24]: Yeah.
SG [21:24]: So, but I remember getting that, oh, we're just, we were just devastated. Horrible.
And it was expensive. It was getting more and more expensive to live in New York. Uh, I
don't know if they lost those two dorm floors, but you know, there was a big faculty
down there and they had to live someplace in New York and they had to pay the cost of living
for New York City, which was not going down the drain. So, uh, I think that's one of the
reasons they had. Well, there were several reasons they cut it out, but we didn't like it
because we were really way, way at the top of the list of, um, nursing programs
nationally.
CB [22:05]: Yeah. So, did you communicate with like other Skidmore, Skidmore friends about it
when you heard about the closing?
SG [22:11]: Yeah, yeah, we did. And everybody was just thought, oh no, this is horrible. Just
horrible.
CB [22:17]: Yeah. Okay. Um, then I think on the, uh, when you first indicated your interest in
participating in this project, yeah. I think you talked about a memory of the day of the
JFK funeral.
SG [22:33]: Oh yes.
CB [22:34]: Do you want to tell me some more about that?
SG [22:36]: Yeah, yeah, we were, we were in New York when he was shot. I remember exactly
where I was in that building. I think everybody does that, you know, and, and uh, I was
picking up my, I know this isn't the funeral, but I was getting, I was going to see what, if
there was anything in my mailbox and the guy who manned the desk down at the, at the
reception area said, ‘Did you hear the news?’ And I said, ‘No,’ I think there were two of
us there, and we said, ‘No.’ And he said, ‘Kennedy just got shot.’ And, and we said, ‘Oh,
come on, don't be funny that, that or that, that's not if you think that's funny, it's not a
joke, you know.’ And he said, ‘No, it's not a joke and it's the truth.’ And then the funeral
came and we were allowed to have the day off to watch it on television with the
exception of two classmates who were on their public health, uh, rotation and they had
patients waiting for them who needed to have a bath or have a treatment or something
like that. And the, the, uh, the instructor would not let them have the day off and all the
rest of us had the day off and we sat glued to the television. And so the, you know, these
two poor girls, they were, they understood it. I mean, this, this is the reality of nursing. I
mean, if it's Christmas, you work, if it's New Year's, you work, if it's the 4th of July, you
work. Not every year, but you know that, that's the way it is. So that was very much
brought home to them at that time.
CB [24:06]: Yeah.

�SG [24:07]: And people, of course, there were nothing, there was nothing called an iPhone or,
you know, that you could look, you know, you could take it with you and watch it on TV
as you were riding the subway to work or something. So, you had to be at home where
there was a television, one television.
CB [24:25]: Are there other, um, memories such as that one from either a particular class or a
particular time that, um, you would like to share? Because as of now, I don't have any
specific questions, but really any other...
SG [24:40]: Well, let's see, uh, well that was, that was, uh, that was, we all were very much taken
by that decision. And of course, the teacher was right. I mean these were sick people who
were waiting, waiting for the nurse to come and uh, help them, right? Well, and I had
this, speaking of public health, I had a patient. We had a 16-week rotation on public
health and uh, we tramped the streets. We were placed in different areas of the city and I
was in Brooklyn and I had a patient whose name was Molly and she was 80 years old and
she lived in the childhood apartment that she had grown up with, in, with her two sisters.
And the oldest, let's see... there was her, let me see, no. She was 82. She had an 80-year
old sister who was younger who, um, sort of ruled the roost and she worked as a cleaning
woman for a few families, so she had to make sure she was home when I came because
Molly refused to take a bath. She refused. And uh, the sisters couldn't... no, no wait a
minute. No, she was the oldest. She was the oldest one. So, she was the boss and the
sisters said to her, the other sister was a, was a psychiatric patient and she laid, would not
get out of her bed. And Molly tried to snatch the covers off of her and make her get up
because she was the, the... She was tiny. Teeny weeny little skinny thing and the sisters
were not paying any attention to her and, and they could not get her into a bathtub. So, I
had to come once a week and give her a bath and she was like, uh, as nice as a kitten.
When I arrived, I had to walk up a flight of about 25 stairs to get up to their apartment.
She never recognized me. Not one single time for 16 weeks, and her sister would say,
‘Come down Molly, the nurse is here.’ And I would go up and I would get this little lady
all...she had a thing about safety pins. Everything on her was pinned together. And I had
to get all of those safety pins out and I had to get her into the bathtub. And every now and
then I had to wash her hair. She didn't like that and she was all, she was as calm and as
nice as anything. But the, and then she'd give me a big hug when I left and she'd say, ‘Oh,
thank you and see you next week.’ And I'd come the next week. She never knew who I
was. That was something, that was really, it was like taking care of a child. It really was,
you know. Uh, let me see what else. Uh, we had a good time in New York, outside of the
nursing. We've, as I said, we had no money. So, one of the things we used to do was to
take the Staten Island Ferry, which cost a nickel in each direction. And if you went right
out back again, it was a nickel round trip. So, we used to do that a lot. And of course, just
walking the streets and looking at people and things was, was an education in itself. But it
was quite an experience being in New York City. I would never move back there again
now that, that's for sure. But I lived there for nine years altogether. So that was a, a...and
Skidmore and the campus of course was completely different. Do you still have Yaddo?
Do you know what Yaddo is? Okay. It's out at the end of Union Avenue, past the race
track. And it was a huge, it was somebody's estate originally and then they turned it into

�an artists' colony. It was a huge, huge tract of land with an enormous mansion in the
middle of it. And all these artists, painters, and that kind of artist went and lived there and
did their work and everything we used... And we were allowed to go out there and uh,
and walk around the grounds and everything. So, we were there a lot. So, I don't know if,
I wonder if it's still, have to check that out if it's still there.
CB [28:53]: I will, yeah.
SG [28:53]: It's out past the race track.
CB [28:54]: Okay, I'll look into it.
SG [28:57]: Oh, and we had something which was a tradition that, not just for nurses, but there
was a bucket, which was called the bucket. And that was, the freshman class... each dorm
was, they had a big competition and each dorm was try, had to get ahold of the bucket
and hide it in their dorm, and then the other dorms would come ‘round rooms, this went
on for the whole year and attack the dorm that had the bucket and try to find the bucket
and take it to their dorm. So, this was something that was, oh, this was wonderful fun. We
went, you know, this went on for a whole year, but that had nothing to do with nursing.
This was everybody.
CB [29:34]: Yeah. That's so fun though. Great. Well, thank you very much.
SG [29:41]: You're most welcome.
CB [29:42]: I'm going to stop the recording at this point.
SG [29:45]: Okay.

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                    <text>Interview with Teresa Waters '79 by Grace Heath '19: COMPASSIONATE HANDS:
Skidmore’s Nursing Program, June 1, 2019.
GRACE HEATH [00:00:00]: Okay. But basically, we can just jump right in and you can tell
me your name, class year, and where you're from before Skidmore.
TERESA WATERS [00:00:08]: Okay. My name now is Terry, Teresa Waters. When I was here at
Skidmore, was Teresa Sinclair. I go by Terry and I was in the class of ’79.
GH [00:00:19]: Nice, so where were you from before you came to Skidmore?
TW [00:00:24]: When I was here at school, my parents were in Guilford, Connecticut.
GH [00:00:27]: Okay.
TW [00:00:27]: But I live in Maine now.
GH [00:00:28]: All right.
GH [00:00:29]: So, what originally brought you to Skidmore? What, how did you become attracted
to this program?
TW [00:00:36]: Well, I knew I always wanted to be a nurse since I was a little girl, and I had looked
at actually three colleges: Russell, Sage, Duke and Skidmore. And liked Duke, but it was too
far away, and I knew I wouldn't get home too often; I didn't really like Russell Sage being in
the city, and when I came to see Skidmore, I loved it, the size and the campus was beautiful.
GH [00:01:01]: Yeah.
TW [00:01:02]: Yeah.
GH [00:01:03]: So, did, does anyone in your family have a background in the field of medicine or
nursing?
TW [00:01:08]: No.
GH [00:01:09]: So, this was just something you decided you wanted to do?
TW [00:01:11]: Yeah.
GH [00:01:12]: I see, so what was, what was it like being in the program? Like what? What was
your day to day schedule like, kind of situation?
TW [00:01:22]: The way the nursing department was set up, freshman and senior year were here in
Saratoga and then sophomore and junior year were in New York, so totally opposite daily
living.
GH [00:01:35]: Yeah.
TW [00:01:35]: Freshman year was pretty tough. It was a lot of science, chemistry, which I was not
real good in, but I passed, but so, a lot of studying.

�GH [00:01:46]: Yeah.
TW [00:01:46]: We had a lot of fun. That group of nurses pretty much melded pretty quickly
because we were all in the same classes, the same labs, that kind of thing. Sophomore and
junior year, we were divided into two semesters. So, I don't, I can't remember if we started
clinical right away our sophomore year, I'm pretty sure we did. Mostly at NYU, which was
right down the street from the dorm. Dorm was on East 38th Street. I think there were three
floors in the dorm and we had to cook and clean. And that was, yeah, that was pretty crazy.
But it was great.
GH [00:02:24]: Yeah.
TW [00:02:24]: It was great. And then we also had to go to school during the summer after
sophomore year and after junior year. Then senior year came back here, which was really
fun.
GH [00:02:34]: Yeah.
TW [00:02:34]: Loved it.
GH [00:02:35]: Yeah, so kind of starting with your experience the first year at Skidmore, what kind
of classes were you taking? Like, was it mainly for nursing, particularly, or was it a variety
of things?
TW [00:02:48]: No, it was pretty much for nursing, other than they had what was called a winter
term, which was an elect, you could take any kind of course. But English, biology,
chemistry, chemistry lab, micro, sociology, I think psychology, and then so, there were labs
for microbiology, chemistry and biology, and then spring semester was organic chemistry.
The lab for that, and then a continuation of biology.
GH [00:03:31]: So, when you were at Skidmore, how many people were in your nursing program?
And were you guys all housed together, even on campus here?
TW [00:03:39]: No, everybody was pretty much separated.
GH [00:03:43]: Okay.
TW [00:03:43]: Yeah, so some, there was still the old campus then, it was called Moore Hall. I
lived in the Tower. People were in different dorms. Everybody was in a dorm freshman
year. What was the second part of your question?
GH [00:03:58]: That it was just how many people were in your program?
TW [00:04:00]: Yeah, I think we started out with maybe 50. It was pretty small. Yeah. Yeah. But
like you said, because we took all the same classes together, we got to know each other
really well. Yeah.
GH [00:04:12]: So then moving into New York City portion, what was that transition like going
from small kind of Saratoga to thrown into this big city experience?
TW [00:04:24]: It was, it was a real eye opener. You know, some kids hadn't really been exposed to

�New York much. I had, living in Connecticut, but never had lived there. The dorm was in a
pretty, it was not a bad section of Manhattan. It was a couple blocks from the U.N. in, and
right across the street was a big parking garage. So, it wasn't a bad neighborhood, but you
learn pretty quickly where you could go and where you couldn't go. We had basic safety
classes at first, you know, telling you what to do. And just at that time, New York City was
not like it is today. Like Grand Central, Times Square, you just didn't go there. It was pretty
bad. But you learned where you could go. And we used the NYU library a lot, which was
just a couple blocks down on 1st Avenue. Yeah. It was a big transition, for sure.
GH [00:05:22]: Yeah. So, what were the what was, like, the class schedule? Kind of like, like was it
more classes or a lot of clinical work?
TW [00:05:30]: You know, I was trying to think of that driving up here yesterday. I'm pretty sure
the way we did it was like two days of classes, all classes which were in the dorm. The
classrooms were downstairs on the first floor. And then I think the other days, we had
clinical, and each class, there were obviously two classes down there, sophomore and junior.
Each class was divided in half. So, you spent all your time with the half that you were in.
GH [00:05:59]: Yeah.
TW [00:06:00]: Yeah.
GH [00:06:01]: So, what was that atmosphere kind of like then being with that one group then in
this?
TW [00:06:07]: Pretty cohesive.
GH [00:06:08]: Yeah.
TW [00:06:10]: We had a lot of, you know, a couple of pranksters for sure, and had a really good
time. But it was a lot, it was a lot of studying. Yeah, for sure. Yeah.
GH [00:06:20]: So, what were, what were the clinicals like? Like being, you know, you're probably,
what, like 20 or so being in this professional war environment?
TW [00:06:29]: It was, it was a real eye opener at first. NYU didn't have just run of the mill, like,
for instance, pediatrics, it wasn't tonsillectomy and appendectomies, it was major things that
were wrong with kids. So, it was a real eye opener to see some life and death type things and
the way it worked, usually, at least sophomore year, you were assigned just one or two
patients and you had to go the night before, look at their chart, read the chart, find out all
their medications, and then you'd go home and study and find out, you know, what are the
adverse reactions. All those sorts of things. So, there were usually, I think, seven or eight
nursing students to one professor. Yeah.
GH [00:07:20]: Yeah.
TW [00:07:20]: Yeah.
GH [00:07:21]: So, did you have what were your relationships like with your professors then?
TW [00:07:26]: They were great. Always accessible if you needed them. Very professional, and

�really helped you learn to set limits right away—what was acceptable, what wasn't. But
very, very positive. Yeah.
GH [00:07:45]: Um, so, I guess, just in general, like, what are your some of your just most
memorable times in New York City? And just like any stories you have that you can
remember, either clinical or even outside of your, the direct, the nursing work, you know.
TW [00:08:01]: Like I said, you know, you really bonded with the people, especially that were on
the floor that you lived with. Yeah, lots of fun in the summertime and in the in the early
spring, we would go up to the roof of the building, which was called Tar Beach. And when I
think of it now, I just kind of shake my head. But we had some great times on there, you
know, just crazy. Crazy. Yeah, but I had to get tan, you know?
GH [00:08:28]: Of course. No sunscreen, I imagine.
TW [00:08:31]: Oh, no. Baby oil and iodine.
GH [00:08:33]: Oh, my gosh.
TW [00:08:34]: I know, I know.
GH [00:08:35]: Oh, God.
TW [00:08:36]: The other thing summers in the city were... I did not like that, just so hot, but you
did it and you got through it.
GH [00:08:43]: Yeah.
TW [00:08:44]: Yeah.
GH [00:08:45]: So, were you, for, based on, like, grade wise, like, did you have like written exams
when you were doing, in New York City doing the clinical work and stuff? Okay.
TW [00:08:55]: Just typical. Yeah, there were exams and all. If I remember right, a lot of quizzes
and then yeah, I think we had exams, probably and I don't know, maybe every month or
something. But yeah, it was pretty, pretty tough.
GH [00:09:15]: Yeah.
TW [00:09:15]: Yeah.
GH [00:09:16]: And then. So, you're saying the classrooms were in the same building as your,
where
you lived. So, what was the housing situation like? Like how was that set up?
TW [00:09:28]: It the, the building had, I think, four floors. The first floor were two or three
classrooms that were divided with, you know, those accordions.
GH [00:09:38]: Yeah.
TW [00:09:38]: Yeah. Then the second floor was offices and there was a housemother who we

�never saw, but we were told she had an apartment there. The door, the front door was always
locked. You had to, I think you were buzzed in, if I remember right. But then the third and
fourth floors were where we lived. So, there were, there were some singles in the back, but
they were real small. Most people had doubles. There was one small living room with a
kitchen, which I think about now and cringe; it was always filthy. Yeah, and then there was
one common bathroom that had I think four showers—four or six showers. I know. For all
these, yeah, and we had, we had one male in our class. Yeah. It was, I think the only, I don't
know if there were males after that, but yeah, he was a great guy. Yeah, I can't remember his
name, but he was, yeah.
GH [00:10:38]: That must have been a pretty crazy experience living with that huge group of
women.
TW [00:10:43]: He wasn't on the high floor, but, yeah, I can only imagine. Yeah, but we had a, it
was fun. It was a lot of fun.
GH [00:10:50]: Yeah. So, then what was that, going, what was it like then going back to Skidmore
after having this pretty independent, more serious experience in the city?
TW [00:11:02]: Yeah, it was again, it was a pretty big transition. You know I think we all really
grew up a lot in the city because we were independent and just seen these, some life and
death kind of situations. I had a really good time senior year. I loved it. Yeah, too. And
senior year we took a nursing theory course and nursing leadership. But other than that, you
could take what you wanted. So, I took things that just, you know, American history just, it
was great. Yeah. But it was definitely, it was different, you know, and we, we had all
bonded so much, but we got back here and it was just like nothing. Most of us lived in, it
wasn't Sussman, is it Sussman Village now?
GH [00:11:48]: Yes.
TW [00:11:49]: It was called Scribner Village.
GH [00:11:51]: Oh, yes.
TW [00:11:51]: Yeah, and most of us were in apartments down there.
GH [00:11:54]: Yeah.
TW [00:11:54]: Yeah.
GH [00:11:55]: Nice, that's where I lived this past year.
TW [00:11:57]: You did?
GH [00:11:57]: Yeah.
TW [00:11:58]: They look beautiful.
GH [00:11:59]: They're so nice now.
TW [00:12:01]: Are they really?

�GH [00:12:01]: Yeah, way nicer than anything I'd probably actually be able to afford, but…
TW [00:12:05]: Wow.
GH [00:12:06]: Yeah, super nice, but, yeah, so how, or what area of nursing were you particularly
interested in? Like pediatrics, like psychiatric. What kind of?
TW [00:12:21]: When I got out of school?
GH [00:12:22]: I guess in school, and then when you got out of school.
TW [00:12:28]: I was interested in ER Nursing.
GH [00:12:31]: Okay.
TW [00:12:31]: Mostly. We really didn't have any exposure to that in school. Most of it was med
surg and pediatrics and OB, but that was always an interest of mine. So, when I got out of school, I
took a little bit of a different track than most people did. I went up to Maine. A lot of kids were
going to grad school or, you know, to big university hospitals. I wanted to go up to Maine. I've
spent summers there.
GH [00:12:54]: Yeah.
TW [00:12:55]: So, I went to a small little 32 bed hospital.
GH [00:12:57]: Wow.
TW [00:12:58]: Where you did things in Boothbay Harbor. Where you did pretty much everything.
GH [00:13:03]: Yeah.
TW [00:13:04]: Yeah.
GH [00:13:04]: What did you, what was that experience like? Did you like it like?
TW [00:13:09]: I loved it. It was again an adjustment at first. And I'll never forget, you know, small
hospital, the head nurse who was a woman who was about my age now, I thought she was pretty
old, but she took me aside and she said, 'you know, listen, I know you went to a four year school,
don't think you, you know everything because you don't.' She said, 'the best advice I can give you is
listen to what the nurse's aides tell you.'.
GH [00:13:36]: Yeah.
TW [00:13:37]: 'And don't, you know, come across as better than that.' And I'm like, 'why are you
saying that to me?' And she said 'because we had a really bad experience with somebody who went
to a four-year school and came in and…' And later I talked to her about that once I got to know her,
and she said ‘no,’ she said, 'you know, the nurse's aides are your, your eyes and ears cause you can't
be everywhere.' Because at night there would be two nurses aids and an NR and would be in charge
for 30, 32 patients.
GH [00:14:05]: Yeah.

�TW [00:14:05]: So, it was, at first, I was shaking in my boots, but it turned out great. It was great.
Yeah.
GH [00:14:12]: So how do you think, how do you think Skidmore's program kind of prepared you
for that experience, even though, I'm sure it is, like you're saying it was different than what other
people were doing it.
TW [00:14:24]: You had a lot of, a lot of critical thinking. You know, like I said, we didn't in, in the
nursing program we didn't have your typical appendectomies, tonsillectomy. It was kids with brain
tumors, glioblastomas, all kinds of pretty serious things. But you knew how to prioritize. So at first,
I think I was at a little bit of a disadvantage when I went to St Andrew's in Boothbay, my first job,
but after you got to know just the basics which, which took, you know, a month or so.
GH [00:14:55]: Yeah.
TW [00:14:56]: The routine type thing, way ahead of the curve. Yeah. Yeah.
GH [00:15:01]: So, then what was your, what was your next step after you were at that hospital?
How long were you working at that hospital?
TW [00:15:08]: I was at St Andrew's a total of three years.
GH [00:15:11]: Okay.
TW [00:15:12]: With a break in between, because my mom passed away in Connecticut. So, I went
back to Connecticut because I had a younger sister. I was there for about eight months. But then I
did go back to St Andrew's in Boothbay, so a total of three years there. And then I went to New
Hampshire, to Weaks hospital in Lancaster.
GH [00:15:30]: Okay.
TW [00:15:31]: And did, it was called in-service education, which was in charge of nursing
education, some administration, and then I moved up to the, they called it nursing service
coordinator, which was in charge of the nursing department. So, it was administrative.
GH [00:15:51]: Yeah.
TW [00:15:52]: And I didn't, I wasn't crazy about that. I was there for a total of four years and I
said, ‘eh.’ Yeah, I learned a lot in administration, but I'm more of a hands-on. Yeah.
GH [00:16:03]: So, then did you do hands-on after that?
TW [00:16:06]: From there I moved to Portland, Maine, and I did. I worked in a high-risk OB
office.
GH [00:16:13]: Oh, okay.
TW [00:16:13]: Yeah. And at that point in time, I got involved with flight nursing when the doctor
was gone because he would go away for a month at a time to different seminars and things.
GH [00:16:25]: Yeah.

�TW [00:16:26]: So, I did high-risk flight nursing, transporting women from northern Maine down
either to Boston or Portland.
GH [00:16:33]: Oh, okay.
TW [00:16:33]: Yeah.
GH [00:16:34]: Wow. That's really interesting.
TW [00:16:35]: It was, it was really neat. I love doing it. Yeah.
GH [00:16:38]: Was that like, how is like is a very stressful like. Yeah, just what was that like?
TW [00:16:46]: It is pretty stressful because in northern Maine, a lot of these women would be in
early labor or pre-term labor, but there were no facilities in northern Maine to handle a premature
baby. So, the idea was to ship them down to either Portland or Boston. So, the moms were really
nervous and, you know, trying to get them calmed down and just say, 'hey, you know, we'll get you
there as soon as we can. What's the worst that can happen?' You don't want to go through… Look,
if you, if you have to start pushing and the baby's born, this is what we're going to do.' Never
happened. Pretty close, but didn't happen.
GH [00:17:23]: Wow. Yeah. That's so cool.
TW [00:17:25]: Yeah. Yeah.
GH [00:17:26]: So how long did you do that then?
TW [00:17:28]: I did that. That was a per diem job, you know, kind of augmenting my regular job. I
did that for about four years. Yeah. And I learned a lot. It was, it was great. It really was.
GH [00:17:40]: Yeah. How long were you. So, did you move after that or…?
TW [00:17:44]: So, I stayed in Portland and then from there I switched jobs from the OB office to
Southern Maine Medical Center, where I was responsible for social workers and discharge planners.
Did that for about seven years, and then, sounds like I was a nurse forever. Yeah. From there, I, my,
I got married, and my husband was, is a pilot, and he was up in the Rockland, Maine area. So, I got
a job with MBNA, which was a credit card company. This was totally out of the, my area doing
occupational health nursing. Which was great.
GH [00:18:25]: Yeah.
TW [00:18:26]: Yeah, I did that for eight years until MBNA was bought by Bank of America and
they let all the nurses go. They what we did, we managed workers comp and short-term disability
and then did a lot of ergonomic assessments, things like that. And now I'm in a urology office.
GH [00:18:46]: Yeah. It's funny how the times change.
TW [00:18:47]: Yes they do.
GH [00:18:48]: You never know where you're gonna end up, I guess.
TW [00:18:50]: It's true. It's true.

�GH [00:18:51]: Okay, going back to Skidmore, one thing we've been asking all the nurses that my
classmates and I have been very interested in is, what was your reaction, I guess, to hearing about
the closing of the program?
TW [00:19:07]: I was, I couldn't believe it. Because I kind of lost touch with it, most people, you
know, a couple friends I kept in touch with. But I think I got a letter that the nursing department was
closing. I was just like, 'Oh, my gosh, that's so sad.' Yeah, so sad.
GH [00:19:28]: Yeah.
TW [00:19:30]: Yeah. It just seems so sudden to me.
GH [00:19:33]: What like, I know some people like wrote letters and stuff, like were, I guess like
how did you react to it. Like what was it besides like the saddening? Like were, did you feel like
you had to do something or more was it like it happened? And...
TW [00:19:51]: Well, I reached out to a woman, who I found out after the fact, Lorraine Amorosi,
who graduated in a year ahead of us, but she was in the same clinical group as we were. Apparently,
she had been in touch with administration at the college, so she knew more than I knew.
GH [00:20:08]: Yeah.
TW [00:20:09]: And I said, ‘Was there anything we can do?’ And she said 'It's pretty much a done
deal. It's done.' Yeah. Which was sad.
GH [00:20:17]: Yeah.
TW [00:20:18]: Yeah. I mean I understand the financial part of it which it was my understanding
that was the reason, just the cost of keeping the dorm and that sort of thing.
GH [00:20:26]: Yeah.
TW [00:20:27]: But it was unfortunate because Skidmore Nursing had a really good reputation
and...
GH [00:20:31]: Yeah, definitely.
TW [00:20:32]: Yeah.
GH [00:20:34]: And I guess just one last question… Just looking back on your experience, like how
do you, how do you look back on it now? Like how do you think about your time at Skidmore?
TW [00:20:47]: Oh, with real fond memories. You know, just driving up here yesterday, it's like,
wow, 40 years. You can't believe it. You know it, my regret is, oh, you wish you could keep in
touch with everybody, but life gets busy and, you know, people move on.
GH [00:21:03]: Yeah.
TW [00:21:04]: But I was back for the 30th Reunion, and it's like you reconnect where you left off.
But I have great memories. Just, yeah, the best, I think, you know, all the professors were wonderful
and it was, it was good. It was a really good time.

�GH [00:21:19]: Yeah.
TW [00:21:20]: Yeah.
GH [00:21:21]: Awesome. Well, I think I can stop recording now.

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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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        <name>The Chapel</name>
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            <description>A name given to the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>De LA Rocha, Kelly</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>BikeShare Week offers tours, provides free rides to the public. </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>SaratogaSprings</name>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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          <description>The city (and if necessary) state or country of publication.</description>
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          <name>Date Published (Display)</name>
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          <name>Subject - Details</name>
          <description>This subject field describes the amount of detail in a map.&#13;
&#13;
For maps:  (or layers) included on the map itself. This field might denote that the map includes information about, for example, Mountains, Railroads, Soundings, Elevation, or Population. These are controlled-vocabulary terms developed locally. The cataloger should be generous in assigning these terms -- even if only one canal is visible on the map, it should receive a "Canals" subject in this layer. &#13;
&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
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          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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              <text>Travel and Tourism</text>
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              <text>Property and Development</text>
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          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>Private Collection</text>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>8/14/2014</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Fabulous Dorian, Saratoga Springs, N.Y.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>lodging</name>
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        <name>motel</name>
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        <name>postcard</name>
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        <name>Saratoga Springs</name>
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        <name>tourism</name>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>Grace Beneke</text>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>May 7, 2021</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Finish at Saratoga Race Course Now</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2019</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Saratoga.com, &lt;a href="https://www.saratoga.com/race-track/dress-code/"&gt;https://www.saratoga.com/race-track/dress-code/&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="11869">
                <text>Jeff Nudi</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
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          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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        <element elementId="98">
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          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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&#13;
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&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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              <text>This color pictorial postcard details the Irish Gardens at the Chauncey Olcott Cottage. Besides the gardens, a well and the cottage are depicted. &#13;
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          <name>Publisher</name>
          <description>Publisher of the item, or of the book or atlas in which it appears.</description>
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              <text>Chas. W. Hughes</text>
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        <element elementId="53">
          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
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              <text>Mechanicville (N.Y.)</text>
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          <name>Subject - Details</name>
          <description>This subject field describes the amount of detail in a map.&#13;
&#13;
For maps:  (or layers) included on the map itself. This field might denote that the map includes information about, for example, Mountains, Railroads, Soundings, Elevation, or Population. These are controlled-vocabulary terms developed locally. The cataloger should be generous in assigning these terms -- even if only one canal is visible on the map, it should receive a "Canals" subject in this layer. &#13;
&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
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          <name>Subject - Geographic</name>
          <description>Library of Congress subject headings.&#13;
&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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&#13;
For Maps: People represented on the map itself. In nearly every case, this field will be used when people are pictured on the map (several maps in this project are decorated with photographs or engravings in the margins). Use authorized versions of the name from the Library of Congress Name Authority File where possible.</description>
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          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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              <text>Property and Development</text>
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          <name>Record Contributor</name>
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&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Kittie West, Erie Canal pleasure boat</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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        <name>Erie canal</name>
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          <name>Record Creation Date</name>
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          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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              <text>A photograph of General James WestcottLester, his wife Bertha North Dowd Lester, with their children (left to right): Charles W Lester, James D Lester and his wife Sarah Streeter Lester, and Ralph W Lester and Dudley G. Lester.</text>
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          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
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          <name>Subject - Name</name>
          <description>Names of individuals associated with the item.  Last name first.&#13;
&#13;
For Maps: People represented on the map itself. In nearly every case, this field will be used when people are pictured on the map (several maps in this project are decorated with photographs or engravings in the margins). Use authorized versions of the name from the Library of Congress Name Authority File where possible.</description>
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Lester, Dudley&#13;
Lester, Charles W.&#13;
Lester, James D.</text>
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          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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            <description>A name given to the resource</description>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Saratoga (engraving), pp. 106-107</text>
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                <name>Date</name>
                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                    <text>1825</text>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Map of the Routes in New York, New England and Pennsylavania, drawn for the Northern Traveller, D.S. Throop  sc[ulpit]</text>
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                <name>Date</name>
                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                    <text>1826</text>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Detail, route map with railroad</text>
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                <name>Date</name>
                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mapping Saratoga Springs</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1700-</text>
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      <name>Map</name>
      <description>Cartographic document</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Guidebook</text>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>Allie Smith &#13;
Jordana Dym</text>
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          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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              <text>1825, 1826, 1834</text>
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          <name>Publisher</name>
          <description>Publisher of the item, or of the book or atlas in which it appears.</description>
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              <text>Wilder &amp; Campbell</text>
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          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
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              <text>New York, N.Y. </text>
            </elementText>
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          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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              <text>Recreation</text>
            </elementText>
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              <text>Travel and Tourism</text>
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          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
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              <text>Library of Congress</text>
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          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>10/10/2014&#13;
3/13/2015</text>
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          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
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              <text>Other</text>
            </elementText>
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        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
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              <text>Physical maps</text>
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          <name>URL</name>
          <description/>
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                <text>The Northern Traveller; Containing the routes to Niagara, Quebec, and The Springs</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A guidebook to the U.S. Northeast that went through  multiple editions between 1825 and 1850.  Strip maps and area maps in each edition reflect the existing travel infrastructure.  Comparing the 1825 and 1834 editions shows the arrival of the railroad in Saratoga Springs in the early 1830s.</text>
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            <description>A language of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Dwight, Thomas</text>
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        <name>area map</name>
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        <name>guidebook</name>
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        <name>map</name>
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        <name>tourism</name>
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            <description>A name given to the resource</description>
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                <text>The Official Guinness Cookbook</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Insight Editions</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Raoul Goff</text>
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            <description>A language of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Caroline Hennesy</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cooking with Guinness beer</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Insight Editions</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hardcover, 143 pages </text>
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            <description>The nature or genre of the resource</description>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>This cookbook includes over 70 recipes, including the iconic stouts, ales, and lagers of Guinness beer. </text>
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          </element>
          <element elementId="57">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
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                <text>Introduction&#13;
All about Guinness&#13;
Guinness and food&#13;
The recipes&#13;
Appetizers and shareables&#13;
On the side&#13;
Entrées&#13;
Desserts and baking&#13;
Cocktails&#13;
Glossary&#13;
Measurement conversion tables&#13;
Index&#13;
Acknowledgments&#13;
About the author</text>
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            <name>Date Available</name>
            <description>Date (often a range) that the resource became or will become available.</description>
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                <text>10/26/2021</text>
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            <description>Date of creation of the resource.</description>
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                <text>10/26/2021</text>
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            <name>Date Copyrighted</name>
            <description>Date of copyright.</description>
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                <text>2021</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Hennessy, Caroline, and Evi Abeler. The official Guinness Cookbook: Over 70 recipes for cooking and baking from Ireland’s famous brewery. San Rafael, CA: Insight Editions, 2021. </text>
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            <description>A person or organization owning or managing rights over the resource.</description>
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                  <text>Adult and Senior Center of Saratoga</text>
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                <text>The Opening of the New Senior Citizen's Center at 162 Circular STreet -1959</text>
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